It is a fully analog fuzz base germanium transistors, but making the hand painted SERIES (the only diffrence with the fuzz factory standard), it has between one and an output jack and a power supply between (alim 'not included) that said it is better to use it on battery to avoid the buzz (Unless you have a very stable power supply)
construction seems very solid switch is quite "hard" input / output jacks are as ever and the battery cover screws inspire confidence:

10: manufactured by hand, a sound that seems to copy the components of choice, I need no more

UTILIZATION

While the configuration of the pedals is quite specially because the configuration of a single knob affects the other, however has me not too many possible problems, not against j'pourrais dcrire must have the hands to understand a j'pourrais not explain with words.
by prsence against the knob of a Tone could have been with some rglages aprciable and kills the sound but the constant feedback when not playing is hard to bear when he is not wanted.
the manual is a piece of paper with rglages type and an explanation of the operation, but nice is not a little

larsen not forcment apprciable + no Tone: 7

SOUND QUALITY

Against her by then: a runs from the dirty dirty through the dirty, or the dirty, but covers almost all shades of dirty, it's all I can and I was looking for a lot of DIFFERENT sounds, dirty, crunchy, Grin, squealing y 'for every (sales) tastes.
useless to try to play chords in a normal context with the pedals on the other hand: it is completely not for a foul gives a slurry, or from time to time against a very strong dirty cot is searched can be a nice
then of course we can not talk about this without mentioning PDAL muse, ben good course has seen it looks the same, however, expect to have exactly the same sound to it because the pedals Ragit much glue behind what he, personally I use it before my RP250 and each new patch you can feel the difference, then sculpt your sound with both FF and with your amp
you can also use it to make the effects of pitch, of course (like Matthew Bellamy live again) by touching the stab, the drive or the comp without playing each one modifying the height of the feedback Fawn more or less sensitive, but even more interesting is to do it by playing (in lgato so) and has something completely duly given a kind of ring-mod crazy. I love, something crazy is it also paste a harmonizer and delay rather Submitted ass, then to the scope of feedback control: the extraterestres dbarquent!
The sound that I prefer is the kind compress the hyper fuzz solo muse eternally missed but less so to breathe a little
The sounds that I dtest y'en not really, but sometimes some of the feedback constant rglages me soule

9: excellent but not flexible (it can be used in any style but not in any context) I use it mostly for solos or Młoda, or to make noise in some passages

OVERALL OPINION

I use it for a little over a month
Particularity it I like most is what's so special sale
Particularity it I like least is the feedback on some of omniprsence rglages
I know the Fuzz Face and Big Muff, they each have their qualities and if I could I would have the 3 but that's the sound I wanted
It is reasonable qualitprix report is not even very expensive for an effect of the sound quality and workmanship. in all cases the report qualitprix is ​​much better than the normal FF painted by hand
-The exprience with this choice I would do carrment

9: perfection does not exist but it is near, even two / three things ptits a correct and pedals that will be perfect for its use