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Linn Sondek
Published on 04/29/13 at 09:35
Analog distortion. Classic case in MXR: solid!
UTILIZATION
Ultra simple: two knobs, output level and gain level.
Personally the lack of tone control does bother me at all.
SOUND QUALITY
See below.
Used primarily with Gibson Les Paul.
OVERALL OPINION
I love this distortion. I owned at the end of '70 and I bought without hesitation when I started playing. I have since acquired Reissue but still retains that model.
Solo tone to zero on the guitar, the M104 gives exactly what I want: a mellow, an important gain to sustain without fully (even infinite Dyna Comp with the same brand) and a smooth attack very close to an effect violoning.
The Vintage Reissue model does not exist, I will note higher.
UTILIZATION
Ultra simple: two knobs, output level and gain level.
Personally the lack of tone control does bother me at all.
SOUND QUALITY
See below.
Used primarily with Gibson Les Paul.
OVERALL OPINION
I love this distortion. I owned at the end of '70 and I bought without hesitation when I started playing. I have since acquired Reissue but still retains that model.
Solo tone to zero on the guitar, the M104 gives exactly what I want: a mellow, an important gain to sustain without fully (even infinite Dyna Comp with the same brand) and a smooth attack very close to an effect violoning.
The Vintage Reissue model does not exist, I will note higher.