It contains a prampli MODEL 2 between two "outputs" (1 Stereo jack 6.35mm), a sensor under the saddle UST, AST and a sensor under the soundboard, and deals batteries for prampli.
As soon as I bought Mount in 1 hour on the old Yamaha FG200 my first. Ds the first agreements we take a good slap. Crystaline to his easel, and bass with a "safe" with the impressive deuxime microphone.
I have the microphone rosette Dean Markley Pro-Mag, which is a good micro trs I admit, but the picture there is no micro B-Band UST + AST + A2.2 is a super sound quality.
More than double what the micro is leaving sr stro!. With its output jack Stereo APRS prampli little, you play with mixing and processing of each microphone to find the sound you want.
May be that for some, the price will remain but the quality is lev l.
I would take over the closed eyes
An excerpt online http://griffith83.ifrance.com/medias/b-band.wav. There is no cure, the sound is raw, to my mixer Yamaha MG16 / 4, connecting a sound card m. .. on my first PC (not the high-end stuff that everyone can apprcier sound even with a low-end stuff). Right lane to the microphone under the saddle, and left lane for the cashier.
Torque sensors prampli A2.2 + (it - say one with contrl volume and mix in the rose).
A sensor under the saddle (UST) and al under the bridge (AST)
It is important for me to talk torque sensor-prampli. Some sensors, according pramplis assistants, are more or less utiliss. In the same Manir pramplis are some very powerful but dun cot ter quality sensor will be the tent dincriminer prampli.
This couples the Semle be among the best pairs which we might find on the walk.
The user is very simple, it RULES volume and mixing between two sources (the mixer to switch its 100% Tax dun sound 50% UST and AST 50%, not 100% possible AST) .
The sound is always relative caricatural loriginal; It sagit not truly possible sound acoustic guitar but cest well reproduced. Lquilibre between registries medium rather severe-acute-compliance is. The dynamics is transcribed.
The highs are less scintillating than the piezos.
However Latakia strings (especially the bass) dlivre boardy typical dune sound amplification via a sensor under the saddle (piezo or not).
A good System. Do not release to me of being for a more versatile electro.
If you have a good acoustic guitar, made the team of this system to your acoustic gigs and your recording studio (a condenser microphone in front + direct) and you will not be due.
EDIT: After a few months I notice utlisation enough rcurrents problem of balance between the 6-string acoustic ... intermittent failures, a fluctuating output volume. I pass the note 9 6. A system that still unreliable. I was chatting with a luthier rcement who no longer wanted to work on the B-band and I'm beginning to understand. For my part, I think even disassemble this system in my Larrive and keep just fine for its acoustics.
For the electro I trust my Takamine, it's reliable and efficient ...