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Bill Lawrence USA L-500 XL
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All user reviews of 2/5 for the Bill Lawrence USA L-500 XL

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  • kinder_guanokinder_guano

    Bill Lawrence USA L-500 XLPublished on 11/03/06 at 12:26
    (This content has been automatically translated from French)
    Rcup 'of my opinion of 25/04/2004

    Micro bridge cramique bars sacr high output.
    I install and test diffrent two guitars, a Lag basswood and alder Jackson. All happily typing on a TriAxis and 2:90, followed by a pathtique 1960A.

    Well, a course, but it's better said, it is not clear are versatile and are pretty devastating: I russi cruncher do badly, depending on the scope of mdiator, the o rglages identical EMG 81 is a clean home clean, and even sometimes a X2N be polite.
    In clean, lots of treble, midrange and low bass. And too much gain to be versatile. In short, both play clean with the micro neck (config H / H).

    Saturated in the same bumps in EQ, Obviously, that clean. Again, …
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    Rcup 'of my opinion of 25/04/2004

    Micro bridge cramique bars sacr high output.
    I install and test diffrent two guitars, a Lag basswood and alder Jackson. All happily typing on a TriAxis and 2:90, followed by a pathtique 1960A.

    Well, a course, but it's better said, it is not clear are versatile and are pretty devastating: I russi cruncher do badly, depending on the scope of mdiator, the o rglages identical EMG 81 is a clean home clean, and even sometimes a X2N be polite.
    In clean, lots of treble, midrange and low bass. And too much gain to be versatile. In short, both play clean with the micro neck (config H / H).

    Saturated in the same bumps in EQ, Obviously, that clean. Again, normment gain. I got too. The sound tends to lose precision in mchamment, a slime. We must reduce the gain for rcuprer copiously in precision. In the saturated grain resembles a DiMarzio X2N precisely, which also tends bavouiller.

    Dtail fun: even cutting the bass on my pramp, cabinet making my hand, it saturates in these frquences!

    The sound is not too cold for a raisin bread (not like a DiMarzio Evolution for example, which I think is a real iceberg).

    To laugh, then I test on my old Marshall JCM900 4102
    B'en l if I see finally intrt a microphone high gain: a is a little more potato when you have an amp with asthma

    Finally, I did not feel any diffrence blatant as wood utiliss ... the same sound and the same grain almost feature for feature. It's a shame.

    In short, I do not keep this microphone in my config, its grain I do not like (trend boiled trs sound fast). It does not have that hungry in the mds makes me vibrate (the Duncan Dimebucker and Distortion, DiMarzio Fred and Steve's Special). A buy for an old amp rveiller not violent. Or just to say that history has a microphone that sends so many mV (the arms room and horn portire cuccaracha ...).

    Addition of 25/05/2004: To be ordered directly on the site of Bill Lawrence (http://www.billlawrence.com/Pages/Ordering.htm), $ 50 + $ 28 shipping, which makes us the max with 90 Euros brokerage and duties ... Cheap and Original Bill Lawrence! And they come with a mounting diagram quite funny, a photocopy of a handmade Schma leve

    And complete information for the most twisted cblages are on the forum (http://pub123.ezboard.com/fguitarsbyfenderfrm8) trs active Bill Lawrence
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