Having tested the various models on Strato and Tele, and in comparison with Texas, Noiseless, of LaceSensor and others, I have to admit that these microphones have impressed me every time. They combine dynamics, clarity, silence and niac ... They have pierced my cap in each test, on different amps. The Fender Noiseless and other kit pale in comparison
Today is the top ... I personally rather Gibson and EMG, but now it makes you want to change style ..
Small drawback, they are quite hard to find on the French market, but I have the vein, live from the exclusive importer in France .. so if you feel like it, please contact me, I will give you the address and it is free, it's for fun ..
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Jdguit's review (This content has been automatically translated from French)
First of all I want prciser that these are not normal and microphones Woodstock version "plus" that I mount on my Start, since those are not the rf Submitted ds differences ... it's done, Time to get serious!
I possde this set of microphones for 3 weeks, I first mounted on a copy of Start, alder body, rosewood fingerboard brand new vintage Fender vibrato, bone nut, mechanical lock Spertzel. The sound seemed better than the already HS3 I had mountains, but a little aggressive all of the same! Rgler difficult with the height of the microphone gives a good change in tonality as explained on its website Kinman.
In short, I could not find that famous twangy and slamming her in the stratum.
(Correction of January 9, 2007: just good rgler microphones and amplifiers, and a ring, ending for the show on our next album, Exit prvue, March 2007)
BUT I DCID to mount them on my START STANDARD, 1987 (THE FIRST then back on (key rosewood) shortly aps this test), the pickups have great sound, but s 'qd crush some one wants to push the amp gain! And the big change! Stratum a maple neck, alder body also, standard vibrato (2 pins), a TBX (vir from and connect with the famous Kinman wiring for 7 possibilities), a bone nut, mechanical Spertzel block! phew!
These pickups do the s'crasent not the contrary, they are Submitted, have a good amount of bass, especially the neck pickup (but the balance is well on the 3 microphones). Intermdiaires positions are superb, and I find the sound, the sound, hollow and typ I like so much! (Finally, we find this type of sound on all guitars with any MnTe Kinman kit!) all positions are INTERESTED play. short of pure joy.
The sound is warm and enjoyable gnral see even velvety. It is also very well equilibrated no loss of signal on the possible positions and good sustain. Can be found on its type Pink Floyd (David Gilmour has just installed a kit Kinman Woodstock on one of his guitars for that matter) held since cl 70's sound management of these pickups, but not like a vintage Start 62 '(must have the guitar 62' for a lol, or maybe one or Reissue Relic, but I did not tst. Do not even when RVer. To play Hendrix, too, finally what kind of music what: 0)
And I almost forget: no hum in all positions!
If you have any questions, feel free!