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Seymour Duncan SL59-1N Little '59 Strat Neck & Middle
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Seymour Duncan SL59-1N Little '59 Strat Neck & Middle
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«  Kiffa for the blues »

Published on 12/14/09 at 08:26
The mine has been designed to be placed at the bridge. To the departure, i was gone for a hot track, but after all a coincidence, is the one I bought. It is installed for a little over a week on a Japanese Start, with Bare Knuckle Sinner in the neck and microphone original middle. Bof-bof ... It has a nice grain but it lacks the level of output I got. I'll have him placed in neck, to the pter hot rails bridge and I will post a notice about it once that is done!

Edict of 29/05/10

I think "hot" was a little cold because I was a little feeble and shrill. In fact, silent hill on a Japanese strato rgler I had done by a luthier who has avre trsdsagrable play. To the fair value will appreciate, I placed on my strat U.S..

For several months it is mounted well and I had the opportunity presents better will appreciate its qualities. So here I am compelled to correct my view previous ones.

Regarding the level of output, it is certainly MODR, but correct: I mean besides a lgre increase in volume compared to my simple stratovolcano.
The grain is fairly thick and with a medium rather small granular ct which gives it great charm. I finally found him a lot of character and loves to increasingly play the blues because it complies with the guitar playing and all the nuances of the right hand (if right handed).
It sounds very vintage and lets get closer, I find the "brown sound" from Van Halen. On a Gibson would be perfect for the AC / DC.

I head presents on the neck pickup that would go well with this microphone ...