Benedetti Classic Soft

I ordered the Soft Benedetti Classic Blues with the same brand, APRS messages have changed some of Mercadal M. Benedetti. Still online for our answer to questions about the association of microphones and guitar t copy. Few manufacturers also available to meet the guitarist looking for the sound that suits him (Becky Lawrence, wife of Bill Lawrence, is also available, but for others ...).
The Classic Soft silent fate replace the original neck pickup of my guitar Aria Pro II Viper VP90 (2 humbuckers and split configuration, Saddle handle with rosewood fingerboard - Rio, apparently - Saddle body with a small acoustic chamber). The original microphone had the following default: less powerful (unusable splitter and no sustain. For cons, the sound prcis silent. It was necessary to maintain the quality of the original microphone and fix d defects.
The Benedetti Classic Soft amtamorphos guitar. The sound is powerful enough, even in the splitter (although suprieur the microphones I had on an Epiphone I've since sold). The output level is less than a lev Seymour Duncan P90 (I compared with my Godin LG SP90), but the output level is not a good choice CRITERIA my opinion, unless it has an amp that saturates with a high output. Which will give her an effective, is to combine an output level with good support (sustain) and a good dynamic. On these two points, the Classic Soft is impressive. Once Splitt it retains a similar dynamic while the sustain is shorter. This does not saturate the micro itself. It is extremely clear and prcis trs. The sound is warm dlivr dual mode coils and trs end mode splitter. Splitt mode for the game excels in rhythmic or arpge. The rponse in frquence is also impressive. My guitar "all Saddle" which provided the limit in the low, low mdiums before the change of microphones has seen its bandwidth s'largir the two ends. The Seymour Duncan P90 has a coarser grain (normal for this type of microphone), but what is thundering that it is much less dynamic than Benedetti Classic Soft.
As you can see, this micro j'apprcie much that I install on my guitar for 2 years now.
For information, the description of this micro site de Benedetti said that the microphone is in the style of Gibson 490R, the Seymour Duncan '59 or PRS Vintage.
Finally, the micro is available in several finishes. Mine is covered with a chrome cover with no apparent plot the most beautiful effect (chic and class).