I use the Tone Zone for ten years on a Lag Rockline Metal Master with Floyd Rose. I will not talk of the quality of this mic in the bridge position with a reputable no longer do. But I wanted to share an original couraging some exprience with this microphone. I know I'm not the only one to have done but I chopp the virus and is contagious trs trs.

I reversed the Seymour Duncan '59 in the neck position which ignores the Tone Zone. Slap! Not for the '59, I knew I would not have in the bridge position. But the Tone Zone in the neck is a killer for those who like the shred. Trs is too serious for the same rhythm when playing the E string and but excellent solo. I added a capacitor (as it was being said?) Potentiomtre the volume to filter the bass. It allows the volume down lgrement to gain clarity while keeping the extreme prsence this microphone. In his clear is I get super sound jazzy wish. For softer sounds, I splits the microphone. It's hot and Submitted. If I want more slam, I lower the volume to bring out the treble. It sounds so like a single coil of strata. Well, it sr is not versatile but I wanted a guitar that has some punch. In his fall to the ground is saturated. Hot prcis is exquisite! The serious background fuzz!

I was looking for a powerful neck pickup and warm with little sharp but many prsence. I have found. The only inconvnient excs would be low but it limits the versatility typ enough for us to worship him. Now I'll get a pickup that can do the weight and bring some versatility.