I mount the microphone with a 496R on my les paul studio and frankly the versatility of the guitar has a fawn amliore surprising. this microphone is incredible clean sound it has a fairly DEFINITIONS drives it is fairly dense and somewhat curiously members do funk riffs and even playing with the Tone to the blues (the 496 does better now) The arpeggios are magnificent even by attacking means all strings in saturated is the Grail of the attack is either dirty or it's incisive harmonic single out any particularly surprising in a sibilant beginners, solo with reverb it gets a good slap bass and treble Submitted by no means nasilliards mdiums and beautiful and just right, and plans to riff enough mutts as I ai dja di rang up the grunge mtal old school (he has a vintage characters must not forget even if he can make it modern pourrat not make Chimara. its output level allows all SETTING THE volume and tonality of the guitar which gives it the flexibility and dynamics is to die for, I put 9 because perfection does not exist, but n ' is not far, I think for the micro power of punk is very well but it can touch everything with a grain enough staff when same.