Gibson HB-L - tubart's review
translatedOriginally fitted to my Les Paul Custom Orville By Gibson (other feature Classic 57) HB and HB-L-R undoubtedly regain Gibson grain, but with one side less "muddy" than a lot of microphones of the bra…
Gibson Burstbucker 3 - KirKill's review
translatedMicro Alnico II by Gibson, the microphone is open super adbite well it returns inside one is between the vintage and modern is quite surprising, acute slam is not much harm in the bottom middle, the …
Gibson Burstbucker 2 - " Typed but excellent"
translatedThese Gibson pickups have a particular color, we love it or hate it. Some will find the sound a little claustrophobic or "duck" other very warm and woody. This is pretty typical, to give an idea is t…
Gibson Burstbucker 2 - " a gibson"
translatedI try all the microphones for 25 years, I've heard a lot and if there is a point where I block it is on gibsons pickups ...... I have found two that I love, and their p90 minihumbucker by double ag…
Gibson Classic 57 Plus - " Cool"
translatedI use since February 2011 on an Ibanez AFS95, a typed model archtop jazz in bridge position and 57 position vintage neck a Classic. He particularly improved the sound of the guitar, even if the br…
Gibson Classic 57 Plus - " Harsh harsh harsh!"
translatedSame as the opinion below ... I ordered on Thomann version zebra, after mounting my Les Paul had the same sound a jigsaw ... The 500T I retired, which is, however, a ceramic, sounds much less stee…
Gibson Classic 57 Plus - " The sound of Rock"
translatedThe 57 + in the bridge position is the natural complement of 57 in the neck position. More punchy with a few additional rounds of winding it retains most cantankerous "classic" nature of his little…
Gibson Burstbucker Pro Neck - " Depends on the guitar"
translatedOrigin on my worn brown, hot and sounded serious about it. Installed elsewhere (335 ibanez maple) is another story, slender and aggressive, medium very bad. As I changed to have it split, the resul…
Gibson Burstbucker Pro Bridge - " Aggressive ..."
translatedOriginally on my les paul worn brown, already sounded aggressive but with a beautiful velvety. It turned out that this guitar is much more bassy than usual (compared to a bonamassa that sounded lik…
Gibson Classic 57 - " The sound of the Blues"
translatedMounted in the neck position in my Epiphone Les Paul 2000 with 50's wiring and condos in oiled paper, this reissue by Gibson PAF brings me exactly what I bought. A warm and thick wonders to play BB…
Gibson Classic 57 Plus - KirKill's review
translatedMicro Alnico II by Gibson, the difference with the Classic 57 is that the normal model "Plus" has more winding, we find this microphone on a lot of bridge Les Paul Traditional, it has a very vintage …
Gibson Burstbucker 2 - KirKill's review
translatedMicro Alnico II by Gibson, I installed a Gibson Les Paul Trad, neck position, small feature I reversed the polarity of the microphone, Wholesale I played a bit on the Joe Perry Boneyard or Peter Gree…
Gibson Classic 57 - " vintage neck"
translatedmicro Alnico II by Gibson originally installed on the Les Paul, ES, SG ... for me this is the best size mike Gibson Humbucker in vintage style was rather large, good presence, it is velvety soft ... …
Gibson Burstbucker 3 - KirKill's review
translatedMicro Alnico II by Gibson Burstbucker 3 is the microphone which delivers the most Burstbucker in the range, the microphone is super open, it is returned in it is between vintage and modern is quite s…
