It is clear that the micro is an event all by itself. This pickup will cruncher at the lowest volumes. Very slammin, it delivers a lot of treble. In saturation, slamming attack is perceived as powerful, but directly dependent on the game pick. A very subtle micro for a variety of applications then. I see her as a gain higher than the average of the microphones I've tried. Only the sound is more brutal, in combination with his counterpart round, the sound delivered is rich and beautiful for solos. The clean is particularly haunting. This microphone is suitable for expanding the range of a guitar, basswood or mahogany / maple. The dark woods in general, lose their dark side and we can easily re-obtain a balanced sound.
In Split, we are surprised to get typed sounds of fender telecaster, punchy and slamming. To say that a split micro do not have a light background would be a lie. It must, however, that I have to listen carefully to collect background noise (which, again, appears on all models of pickups. I also advise on the Korean guitars, making a careful tuning. A good wiring, a condo worthy of the name and good knobs will make the most of the sound delivered by this microphone.
The cover version of Chrome is very sensitive to fingerprints and sweat. Without careful maintenance, they tend to deteriorate rapidemment. The gold version is it, as sensitive, but to a lesser extent.
Note that owners should be wary Schecter generous dimensions of these pickups, mini-ripping was necessary on my guitar (less than one mm per side, but it was really going on without that).
The connection to three son, prs typical, is not disturbing for mounting on other guitars, once you get to the idea.
The purchase price is high but I think the investment justifiable.
 This paper is primarily explained by the fact that I am a crap search ... must almost necessarily, be used in combination with Dragon II bass to really enjoy his last one, balanced and the price is very high.