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High_Glandeur
Published on 06/23/07 at 07:45
I use this mic for a year, it is mounted original signature on my strat T. Delonge.
I love the sound it makes, both in clear that big crunch or distortion.
After, it depends on the guitar on which it is mounted. The wood of my guitar is sparse (alder, just bring the guitar to realize that Gibson is too heavy for a human), the clean sounds (well clear ... if there were ) are wonderful.
For obtaining a "clean" with this microphone is virtually impossible. on the other hand, we get downright mind-blowing sounds in the crunch and slight distortion-overdrive. Rockabilly and blues sound is then your friend
But it is on this microphone is made for distortion. Serious when it sends the gain of my amp is over 6 (and yet, I have a Laney VC-30). With a distortion pedal worthy of the name is ecstasy.
A very good micro so I do not regret my choice. In addition, it has a tendency to produce a typed his "TV" (the famous twang) on my guitar ... not bad
The only downside to this microphone is probably its output level that would raise a Burstbucker a microphone girl ... if not, is that good, as long as you do not play jazz
If you need a micro typed "big sound", playing everything from rock (red hot, muse, the metal (in good taste, like RATM or SOAD), and comfortable enough to play the blues or OBN old rock 60's-70's (Hendrix, AC / DC) and the blues or rockabilly (beautiful by reducing the volume of the microphone), this microphone is for you. on the other hand, fans of jazzy sounds, go your way.
I love the sound it makes, both in clear that big crunch or distortion.
After, it depends on the guitar on which it is mounted. The wood of my guitar is sparse (alder, just bring the guitar to realize that Gibson is too heavy for a human), the clean sounds (well clear ... if there were ) are wonderful.
For obtaining a "clean" with this microphone is virtually impossible. on the other hand, we get downright mind-blowing sounds in the crunch and slight distortion-overdrive. Rockabilly and blues sound is then your friend
But it is on this microphone is made for distortion. Serious when it sends the gain of my amp is over 6 (and yet, I have a Laney VC-30). With a distortion pedal worthy of the name is ecstasy.
A very good micro so I do not regret my choice. In addition, it has a tendency to produce a typed his "TV" (the famous twang) on my guitar ... not bad
The only downside to this microphone is probably its output level that would raise a Burstbucker a microphone girl ... if not, is that good, as long as you do not play jazz
If you need a micro typed "big sound", playing everything from rock (red hot, muse, the metal (in good taste, like RATM or SOAD), and comfortable enough to play the blues or OBN old rock 60's-70's (Hendrix, AC / DC) and the blues or rockabilly (beautiful by reducing the volume of the microphone), this microphone is for you. on the other hand, fans of jazzy sounds, go your way.