I tried a microphone with a particular grain, a big win for fat saturation well. Not wanting to fall into the coldness of an EMG active or other micro surgery, I began a search for a little passive microwave Vellu so to speak.
To summarize I needed a powerful bridge pickup, hot, passive, making the rounds of all manufacturers of micro, in SeymourDuncan minterpelle something "like he has a name of this killer mike: Invader".

I mount the mic to replace the bridge pickup in my Gibson LP Gothic.
my config is simple, just plug into a Les Paul Bogner Alchemist 112
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Sound clear: powerful micro crunh easily on the clean, ultimately the sound is aggressive, in some case can be intressant. well I have to buy for crystal clear sound so clear sound correct.

the crunch, then it's magical, micro well sought not to attack more or less VLOC on the ropes. It happens easily move from its hard rock "old school" a little mushy, warm, has its type blues.

The first finding its saturated with EQ while at noon, the sound is really low load, few rglage APRS, I find a loud, bold, warm, and quite specific on. for those interested in "neo metal" I do not think this is great. that is either a riff or solo the mic is awesome, for the "mad shredder" was going to lack some precision, but that's not what I want.

Date:
- Good value quality price (purchase less than 80 new at ThoTho
- Clear sound correct (even when it is not his first goal)
- A saturation killer
- To do again I repeat this microphone.

I will pair it with a Duncan Jazz neck pickup to see what history has given.