All user reviews for the Tornade MS Pickups Humbucker P.A.F '59s

This PU was mounted in neck position on a Telecaster in Open G, blending perfectly with the Tornade MS Nocaster pickup. These Tornade MS pickups can be considered as small wonders if you look for a twangy Telie sound revitalized by the roundness of the Humbucker. Marc from Tornade MS made me the wiring like an old Telecaster, that mix as desired both pickups using for this the tone knob (i.e., the wiring adopted since 1972 by Keith Richards, among others). That's great, it’s possible to play the Telie on the bridge pickup by incorporating as desired the Humbucker (B/N = 60%/40%, 80%/20%, and so on). Forgotten the ‘57 Gibson PAF, which was originally installed on the guitar, and the Seymour ‘59 that had improved the sound a bit. Also forgotten the Don Mare Keefer in the bridge position, too powerful and without nuance. Now is the best of the best. Thank you so much Marc, the Telie rocks, it's nothing to say, it must be heard to be believed!

Winding, rewiring and installation by Marc of Tornade MS. What can I say?.... A 58 Les Paul VOS that finally sounds like it should...

In terms of use, I've had the opportunity to play in studio with it and you can really tell the change.

The sound is open, the low-mids, the highs, everything is well-defined. The difference is especially glaring when you play with the crunch of an amp, with a moderate attack for clean sounds and more attack to get a fat crunch that knocks you off your feet!

In short, I sold my BurstBuck 1 & 2 on AF and I don't regret having sold them to switch to these pickups!

Oh, and one last thing...you'll be able to hear all the wrong notes you play! Hahaha, that's the flip side of the coin, but it's up to you to improve your playing

I chose these paf 59 for my Les Paul classic because I had heard of the manufacturer. I originally had some wolftones marshallhead that didn't sound bad at all... but these really shocked me! The paf 59 have transformed by Les Paul from a pigeon into a jaguar. It now sounds perfect, very thin and very precise. It's very '70s, think Aerosmith, AC/DC, or Peter Frampton... In short, I love it and I certainly won't sell this black Les Paul any time soon!! I was dumbfounded by the sound finesse, even with clean sounds. It doesn't matter if it's the bridge, neck or mid position, it always sounds awesome, very well-balanced, it really blew me (and my neighbors) away! I give it a 9.5. A big thank you to the artist, who, BTW, is very cool! Tornade ms really honors its name!! Get them! Don't think it twice, they will awaken your guitar!

I use this time for 2 weeks, I rewrite a notice when I will use them for longer.

I had the opportunity to test and try different mics like PAF, whether or not they shop. Of Benedetti, Hepcat, SP Custom and Bare Knuckle always on Gibson Les Paul (guitar that I did changed).
Already the first thing MS Tornado are less expensive than other 249 € a set of humbucker PAF pickups shop for hand made is not excessive, far from it.
Also Mark (the founder of Storm MS) is very attentive, when I started to change my pickups for his I sent him an email, the response was swift and excellent advice. Me explaining details of microphones, different possibility wiring and so on, always very gently and very detailed (not too fancy word that often professional know how to give us ...).
In the end I brought up by my luthier (Gaëtan Nicq, ENG or Guitar Guitar Lutherie Orleans) and it was he who was able to do with all the little details Marc, always according to my desire, of course, and the My use of the guitar.

When I tried the microphones for the first time there is one thing that surprised me ... DYNAMIC is simply mind blowing, to rival the best right hand in the guitar world. The slightest desire is immediately send and sounds instantly, but against these microphones require to have a good right hand, and suddenly I'm reworking it again and again to get to tame these wonders.

To the sound that's easy, it's a PAF, not a copy with a little more bass to stick to the time or another, this is not a PAF, with a powerful sound (not harder) in bridge and a round and warm in his sleeve. The middle position is perfect, I use it now as I did not like it at all and did not use before.
The excellent dynamic that they are very malleable and relatively versatile shot, but that's not what we want them mainly so do not expect something to make Afrobeat interbreeding with Cuban ^^ ...

Accuracy is say typical sound of the 60s
So it's perfect for Rock, Blues, Jazz (about half body it must be delicious) and other variations of those three, but they are not as active pickups EMG makes, so you will always have these impressions of harmonics present in the background, and completeness of its roundness and warmth, inseparable thing about these styles.

I know now that I do not regret my choice, and I already know that in 5 years I will always regret it.
These are microphones that are perfect in every way for all those who love the sound of the 50s, 60s, 70s and 80s in the Blues, Rock and Jazz.
We are not in a world of versatility or all is good, but nothing great, we are in a world of excellence or excellence but is related to something specific (60 ', 70', 80 ') .

Other shops pickups are good, very good certe, but the difference between them and the Tornado MS is now well dug.
Thank you Marc for these microphones.

PS: A word about the maker.
Gaëtan Nicq and it marks ENG Guitar (Guitar Lutherie Orleans Google) is a luthier who makes excellent guitars and a value for money could not be more attractive.
Whether it's a complete creation or a copy, it's still very nice.
And a bonus for that Telecaster copy that is really, really good point with a handle could not be more pleasant. For a price of 450 € is really nice to have such a guitar (a Telecaster Baja is € 500 used ...) knowing that everything is customizable free or almost. The example of a friend who thus do now Thinline Telecaster Ash with a maple neck maple fingerboard. So semi-hollowbody and all
It eventually will cost him € 530 (€ 80 more for a change of wood, a soundboard, a widened body, a handle with a different pickguard and a custom key)

I wanted to make by this, Gaëtan Nicq La Ferte Saint-Aubin in the Loiret.

I own a classic gibson 1992 with original microphone, the 496/500 pair, as saying that the ca sent lour! but I wanted to change for more vintage pickups, plus a blues spirit, classic rock, a little jazz ... after many search I discovered the tornadems. First point contact with Marc is very good. Quick and clear in his answers, he takes the time to advise you. Ensuie the microphones .... ben what is happiness! my gibson has completely changed! I finally took the advice of a couple Marc alnico 2 and 3, 2 allowing me to have a more rock. To me what makes the difference are the clean sounds great! round, equilibria, with 2 alnico the intermediate position is crystal clear (les paul huh course!) on bass with the tone knob it falls into the Jazz, they punch but not aggressiveness. The bridge position is very good also with alnico 2, acute but not loud, not aggressive.
Saturates this is exactly what I want. The combination of alnico 2 and 3 is perfect. I rediscovered the sound of my pedal okko dialblo I could not to use with the original pickups, I was ready to sell it but I wanted to wait microphones Marc ... huge! ! low gain sound, perfect for blues. The clean sldrive superbly, thanks it was a beautiful palette of sound. For the bridge alnico 2 be that mean?? Led Zeppelin, Aerosmith and consort, Lenny Kravits ... it sounds! c c beautiful vintage! this is what we love.
No default for me, quality work and french.
quality / price ratio: nothing to say
I would do this choice without hesitate!
My only regret in the matter? .... have to buy mounts and Seymour Duncan for my Ibanez AS93 ...
I put 10, good for me, because the taste and color ....

As a preamble, let me say that I am a guitarist amber, if not poor, but on the other hand, loves quality material at reasonable price .. or ... or rather justified.



What is more, I swear by Fender, Gibson and Marshall, generation requires ... To each his snobbery ...



It is therefore not Jimi Hendrix who gives his impressions here, just a fan ...





Already Own Hot Texas Tornado installed on one of my Stratocaster (Fender American Standard 2009 with rosewood fretboard), I promised myself to try humbuckers brand.



I found almost new opportunity dating from 2013.



They are installed on a Gibson Studio 2013 model LPJ table with satin gold: so that this is really the entry level GIBSON Les Paul.



Guitar, bought on sale, with new pickups mounted returned me to exactly 780 euros. It is new in the new.



The value of the entire report is amazing!

No need to be a billionaire to afford a good bill so GIBSON. (This is also true also for Fender used we find great new Mexican or USA in perfect condition for 600/700 euros, 1000 euros max once changed the pickups).



Nothing to say about the guitar so: for the price, it is in this color, superb GIBSON.





Microphones:



Absolute-precision rendering notes and nuances of the attack of the musician.



Perfect balance 3-positions, as clear and crunch between the low / mid / high: double kiss somehow cool effect!



-A terrible musicality: we do not get to hear his ears sounds that are produced, we hear them away from his body: it is very difficult to express / explain ... the music you play does not come to you, it comes from you ...



For someone who wants to improve a correct model guitar midrange proper violin, it's pickups are (at least on a solid body) the ultimate.



In the kind I also know the PAF 59 Hep Cat tested on a GIBSON MIDTOWN CUSTOM ... shades between the two brands ... but at the margin ... and certainly due to the different string instruments (MIDTOWN is the thinline).



QUALITY FRENCH WHEN YOU WE STAND!!



Finally the French manufacturing, I also know very well the model 62 strat pickups. of at SP. CUSTOM (I on Fender USA Standard maple) and set Télécaster Benedetti (installed on TV Standard Fender Mexico).



All these homegrown brands are excellent, competing ... but excellent.



Bare Knuckle has to behave themselves, even if they are excellent pickups too (Trilogy Suite set for Strat and P90 double format Mississippi Queen ... for those that I know ...)



The hand is not finished inspire me. I have 3 beautiful GIBSON with each of CLASSIC 57. I hesitate to change ... but for how long?? And styles of microphones?



Throughout this "collection" sounds, it is still the famous TORNADO, this "chick" LES PAUL GIBSON, that my preference.



And finally nothing to spoil, Marc, manufacturer, agent for the brand, in addition to being particularly competent, is an availability and a "telephone" patience, tripled incredibly kind today.



All these mics, and his own in particular, are even purchased new, at very competitive prices, especially to "listen" to their qualities.



Let yourself be seduced!

I got my Les Paul Standard there three years. It is a model 1996.Je wanted, given its quality assign microphones "vintage". Near A search on the net I'm falling on "tornado ms pickups." Initially, I wanted a sound with the famous Peter Green and accidental magnet mounted upside down! But Marc (the master of the house) rather advised me to change for PAF pickups 59 "Handmade" (or by hand if you prefer!). He also change the two capacitors, wiring and the neck pickup is wound with wire for Stratocaster. This set gives the guitar a more marked Les Paul sound. The work is very neat and the price is reasonable. Even on my amp transistors (Marshall MG 100 and Vox Valvetronic) the sound is superb. But I also plugged into the amp built Marc and then ... that fuzz! In short I need to save for one of these amps. In short, I do not regret my choice and I have met a guy who knows his job seriously and a fantastic ear!
Would recommend.

Marc knows what he does and does it well. J already had a series for the strat in ms tornado set, and was already very happy I upgrade so my electric guitars (ES 175 was already upgraded with custom sp) now so the les paul!
After connecting, the first slap in the clear (laney amp to L20T lamps): its very hot, balanced and low just right.
But then the slap, c is putting me on the drive channel of the amp! Wow wow wow! THE sound of Les Paul who rocked my eardrums.
Marc of gold in the fingers and ears
15 days to reach nirvana (or Led Zeppelin ) it provides.
Next command: a set for my telecaster

Microphones purchased in October to make my tokai LP less bluesy and more versatile.
I asked Marc has a set parafîé with Alnico 2 in the neck and alnico 5 bridge, all without cover.
Delivered in just 10 days (when others take over a year and a half ...).

I immediately mounted branch. I confess avoiri was a little disappointed at first, that is not bad but just not what I wanted.
Then slightly moving the pads on the exchange and not a little! I left it for a few weeks.
Then this morning I called Mark who gave me some tips settings.
And I rediscovered these microphones (and my guitar at the same time!).

Micro really hyper dynamic, super reagents knob and the attack on the right hand. They are precise, alive. They force also play clean because they capture all the game
They are much thinner than micro adjust a great brand, and do not hesitate ay spend some time to find the desired sound.
I hesitated a set with Slash, and I do not regret my choice, on the contrary even!

set of microphones Tornado bought used. PAF 59 covers aged, alnico 5.ils are superbes.une once installed, the sound is there. neck pickup velvety and goes right on the side of "Since I've Been Lovin 'You" for the intro. is in serious but not baveux.c is beautiful, the grain of the guitar is fully respected.
regarding the bridge then there is clinging to the rail and the ancestors are awakened. Grand Canyon, ZZ TOP, 70's, Led Zeppelin and many others in the main.je am not a great admirer of Les paul, but then I bow deeply.
I have tried many microphones 20 ans.seul Hepcat is the same size and I think the pickups are their superiors Tornado. vraiment.j 'Gilmour already have a set that is a real beauty, an absolutely fabulous set P90 and the PAF set 59 which is a tuerie.à this day I am going to order another set for my other strat Gilmour palissandre.rapport quality unbeatable price.
these mics, the more you play the more they sound! Marc Hat!

Coming to acquire a Gibson LP Standard, I wanted to put him to good microphones.
I already have a LP Studio mounted Seymour Duncan Pearly Gates (ZZ Top) and having heard of this brand, I tested and approved!
The sound is just amazing! That sounds like a real Gibson LP now, I mean, the real origins, because it's been several years that LP no longer sounds like it sounded late 50's early 60's
The bridge pickup sounds clear limit as a fender, but with the hot side that is not obviously fender ...
When the neck pickup, we are little we usually use as it often sounds cracra but then, there are all the notes, including distortion, keeping the hot side and round the LP. Anyway, I can finally use this mic for the studio, very boring ...
The price / quality ratio is excellent as it is just more expensive than SD Alnico 2 and others for a perfect pro quality.
I remind you that it's handmade and Marc is at your disposal to tweak your sound perfectly.
I also revamped the entire electronic Marc, I now have real volume and tone knobs, sensitive and not badly distorted sound like any guitar on the original ... A big thank you to Mark, then!
I put 10 and I'm pretty picky about her yet.
I invite you to discover all my videos at www.youtube.com / thedwlion
A new video with these pickups come in a few days ...

Microphones mounted on my Gibson LP Studio 1990. Microphones very flat and mushy and original draft with gain, so much so that I almost did not use this guitar more.
I ordered this set of Marc bam 59 alnico 2 without special mod, received within 8 days and mounted on with a change of capacity recommended by Marc PIO KA ... with Soviet's assembly 50. Well, I do not regret, far from it ... the guitar is unrecognizable, sumptuous sounds clear, very open, powerful, dynamic and very good sustain.
A nice round neck pickup super balanced where all notes emerge, the bridge slamming wish crystalline always this perfect balance, the middle position is a more compressed hair but really a treat, I'm not tired, I 'have a new guitar in his hands.
In Crunch or gain, is ecstasy, while I play fender supersonic amp, with this set tornado, I sound now that pulls marshall JTM45 kind, amazing, I'm thrilled, c ' is exactly what I wanted. Even at very high rate of gain is always super clean, never mushy, super balanced when all notes off and form beautiful harmonics.
By varying the tone settings of the guitar or amp, it is easy to find the sounds of Angus Young, lynyrd skynyrd, allman brothers, Mick Taylor version of stones, kravitz ...
Warning that captures all the differences of attack strings are incredibly transcribed, suddenly the slightest error in game sounds ... hey hey it grows to play well and to be precise ....
Finally Marc Aimar is super available on the phone to identify the wishes and give advice, altruistic and passionate. Brief gear made by a French silversmith Son, I already had a set Nocaster 54 which had filled me, well it goes with this set bam 59. So I think my strat going to go with a set series The 60's ....
Go, I go back, the lights are hot and I enjoy .....

A tornado perfection!

Micro replica of the original PAF, unwaxed, Alnico II, made in France (77)!
Installed for 2 months, I wanted to test in several config to write an objective opinion.
Standard installation of humbucker after trying moult and moult pickups (seymour, gibson, gfs, ...)

Caution quality electronics should be optimum for any shot opportunities and quality of these microphones, mounted on a type LP

Sound:
We are immediately struck (like slap in the head ) by the brightness compared to all dual "current" coils or those supposed to be the reissue of PAF. Brightness, definition and dynamic sound, not the knobs Volume and Tone had never been more important (hence the absolute need for an electronic following these excellent microphones, ditto for the amplification dimension ) found (finally) sound we dream! In clean is warm, round but not "dark" (why use the Tone!) The neck pickup to a pleasant sweetness without being cartoonish, the bridge pickup a little light sour dimension 2 together and rediscover paradise. .. and it would be fine knock on the door ....
Crunch, although it wrong .... But really well, playing on the intensity of your game we go from clean to a slight crunch and that without touching the volume button with a crunch that is more consistent .... this is incredible!
Saturated, we forget who we are, where we are and how we are called! We say "not possible such a killer sound" and then we realize that it is us! Lowering the volume is turned to the crunch, the tone gives a little depth by lowering it a bit and can be detached for a solo in the back: Perfect! virtually no need for a boost

After 2 months:
of rehearsals with several amps (JCM 2000 mod 100/50 W and a personal "marshall" digital preamp half and half amplification lamp 50 W, 1 Hughes & Kettner 100 W, 60 W Fender, Peavey Classic 30, Ashdown 50 W)
of personal records (transplanted from my JCM or digital processing)
and a concert (I was expecting it arrives to finalize my opinion) I must say that these pickups are just perfect! They have their own character, but also leaves room for the character of the instrument, the amp, the cab and effects used in the mix of other instruments finesse is perceived, I would say that we finally hear the soul of PAF '59!


With experience:
1) I would take these microphones
2) I put it to change is to rate all the microphones I have on my other guitars (Telecaster and LP mounted type P90)
3) I am also interested in his other achievement (amp, guit ... ask him ...)

value for money? it sounds expensive but actually it's just the price of perfection
Finally it should be noted that Mark is an incredible kindness, advice and listening to you it will allow you to create a set of pickups that will be the best (choice of the type of magnets etc ... )

After having tasted pleasure to single coil (strato-telecaster-and P90) in the Tornado
I still had to try the double Micro. Marc has prepared me for my telecaster alnico 5 Made in Mexico which was transformed into super skyscraper that "Décoiffe a" Max.
Icing on the cake I bought a push pull that allows me to "splitter" simple and have new sounds.
For 15 days I finished my editing these pickups in clear or distorted sounds bring all
a record of sounds warm and friendly that all guitarists looking for longtemps.J 'sometimes trying much more expensive guitars they fail
to have as much sustain and harmonics as solo and rhythm on the neck pickup. Besides, I'll offer another pair to have a better handle gibson stuck.
There are things that you love more than you taste to these microphones before dismantling
I said to myself "it's a shame the original pickup not work too hard" after trying no regret that we say good but why I "did not do the front?
Although the portfolio could blame stingy with Shipping microphones series can be 5 euro cheaper But it is not handmade
this is not the same quality (my ears are not mistaken) I'm me I choice and I
again without regret!

It's been two weeks since I get my guitar (Gibson Les Paul Standard Black 1995) at Patrick Querleux (great luthier from Joinville-le-Pont). He put me on a beautiful vibrato and a set of PAF 59 Tornado MS. While I my bearings towards Lollar or Bare Knuckle, I was intrigued and attracted rave reviews these "craft" microphones and 100% made in France!

Following a telephone interview, Marc offered me a set 59 PAF Alnico 2 slightly under wound. My hope is to find the sound of yesteryear, blaming the original pickups (490 and 498) aggression, including treble micro bridge.

Well I am completely amazed by the result that goes beyond my expectations! I confess that I had somewhat neglected the importance of microphones on a guitar, whereas the original ones should not be so bad. Compared with PAF 59 Tornado MS is really night and day. I did not know that a change of pickups changed (magnified) as drastically the sound!
I always put the wrong aggressive sound on the back of the amps: Peavey classic 30 and Vox AC4 (amps "honest" but really nothing to "debunk" a statue!).

The tonal balance of the instrument is absolutely amazing. Microphones Tornado MS actually put in the intrinsic qualities of the guitar. I mean they do nothing to distort the sound but remind me why I've always loved the sound of a Gibson LP.

The micro bridge is fantastic: large dynamic enormous musicality, a gain not "monstrous" that allows all the nuances of the game and especially more acute unpleasant to the ear (the dream!). The neck pickup is just as amazing. I almost feel like playing the electric guitar "sound" (not very clear but I think you understand me). In addition, the balance between the two microphones is perfect and I can easily go from one to another.

But what surprises me most is the extensive sound vocabulary. It's like a 3D effect. The spectrum is perfectly clear and identifiable: acute sing (I tend to put very little aggression seen and I discovered that they can be beautiful and musical!), Mids and bass growl are warm and accurate (for an LP!).

In fact, I rediscovered my guitar: heat, big personality, unique ... I can not imagine my guitar plugged into an amp worthy of that name. JMI, 65 amps, tweed 5E3, Dr. Z. etc ...

What if it is THANK YOU, THANK YOU and THANK YOU again to Marc for his great PAF 59 Tornado MS.
Frankly, do not hesitate one second to contact if you want to change your microphones: clear, competent and professional!

I use it for 2 months on a lemon burst r9 already sounded the fire god, but Burstbucker, although very creamy and medium lacking a hair definition notemment clear sound or rhythmic crunch

Therefore replace the Burstbucker, I have tried double-di Marzio paf pro, classic, 57 Gibson and therefore ms tornado

The Paf of Ms tornado are articulated, wider bandwidth, a little dug in the medium and certainly more lively and readable as Burstbucker. we finally play some of the volume and go from a saturated rich harmonic sound super clear without touching the amp. A really good set!
My R9 (not Gibson huh renault) sounds really fire god.

The value for money? Well the custom handmade by my requests for little more expensive than the industry? Chose your camp comrade.
To advise, and listen.

game paf 59 humbuckers purchased new in April

in order to give her a dignified old already a les paul "the heritage" h-140, I asked Marc (I knew him and his microphones) to wind me a set of bam 59.

I play pub-rock-blues and I love the sound of 60/70 's ...... what else?

I had already tried a lot of pickups on this guitar
seymour 59 (too muddy gras ...) in the neck ...... blah .... useless
a jeff beck sh4 in the bridge ...... too aggressive for my style ... I'm not hardos
a sh2 jazz ....... blah blah ... and re-

I tried to inter-change, to add a 59 in the bridge ..... re-re-hum

nothing that suited this super skyscraper ...

I explained to Marc my tastes and desires: 2 alnico humbucker with Trestle level
output a tad more than handle (normal) not too serious in the neck (default for my taste usually found) balance in the intermediate position and son for 4 splitter.

Well done! the sound is what I wanted, nothing less!

with wiring 50 'volume is super exploitable .. the clear acoustics almost creamy crunch or surly millimeter.
it's simple, I added before pickup booster or an overdrive as a boost or crunch from + ..... I gave up: plug and play into a tube amp and the rest of the fingers: top! crunchy blues melody to the angus .... everything is there.

I add that I have also never heard such a difference when the microphones are splitted .... frankly it's worth .. Trestle telecaster it's almost ... it serves me well, one skyscraper to any one cable ..... not life

this is my second set ordered Marc (I also have a Tele set 55 super good) I recommend
therefore strongly tornado, real good microphones hand made on request for the price (or less) of industry standards ..... nothing to add

Set of microphones used on a Warmoth Strat (alder / maple).
version without hood, alnico 2.
On an amp JMH Custom.
Previous pickups: Gibson Classic 57, Burstbucker hybrid and SD 59

This is amazing!
It is really on another planet with this set!
One word: fun.
Its clear that slides under his fingers, hyper singing, accurate, transparent, deep. Drive a light natural sounds, and authentic living.
In overdrive (luther drive), it's the attack of the body always, ultra balanced, never muddy and especially "unzipped" when compared with classic 57.
Saturation (WF Proco Rat): huge presence, excellent sustain, treble singing always, never aggressive, precise bass and corpulent.

A strat with humbuckers like this is divine crystal.
With a set of this quality (originally designed for the universe Gibson), everything sounds the evidence.
We call this class!
In short, it is a lifetime investment.