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jctroyes « This is a nice surprise finally! »
Published on 04/05/12 at 01:39We heard everything about this microphone that finally we do not know what to expect ...
Good in this story conserne saturation frankly I do not understand! I just do the tests on congas and drums Cajon (certe less powerful as a battery) and I have not had any problems.
I will complete this review with my next tests taken.
The three directional are super nice to work. I love the color differences it offers.
Visually stunning ... The suspension is for me a Rycot USM-L and better suited 3times cheaper than proposed Neumann.
OVERALL OPINION
Already in terms of utiliation on voice can go from beautiful to bizarre ... I'm just a cast of voice using this microphone. And as Souvant (I think) Neumann women's voices are rather nice textured view. on the other hand for men's voices was a little more the unknown with this microphone. For this is what I would do well not to take this as TLM67 single microphone.
The TLM 67 is officially THE micro string instrument Neumann dice or at least there is a soundboard. I also used a double bass: Superb ... I am based violinist and I tried the mic Souvant adapted and frankly works in combination TLM67 fine for ca.
When you registered instruments for the second plan to mix more than 1.50m in group or solo ... TLM67 the rendering is super natural and pleasant. Your tools are a logical place to mix immediately.
This mic is versatile but more capricious than a U87. We find that magic typically Neumann. Against by being a very sensitive microphone it will adapt well to not less qualitée preamplifiers. The influence of the preamp will aillor all the greater.
I used it with a preamp Chandler TG2, Trident S80 and 1073. The Trident S80 works fine with this TLM67 then Chandler. Avalon on the rings ... Avalon ... So I have no opinion in the sense that it is rather pleasant but somewhat still the same. Preamplifiers Burn Brown on the DXB200 is pretty bland.
In the end it's a pleasant surprise this microphone. It is ca place in the range of Neumann mic to have with others. But do not miss out on so far!
Good in this story conserne saturation frankly I do not understand! I just do the tests on congas and drums Cajon (certe less powerful as a battery) and I have not had any problems.
I will complete this review with my next tests taken.
The three directional are super nice to work. I love the color differences it offers.
Visually stunning ... The suspension is for me a Rycot USM-L and better suited 3times cheaper than proposed Neumann.
OVERALL OPINION
Already in terms of utiliation on voice can go from beautiful to bizarre ... I'm just a cast of voice using this microphone. And as Souvant (I think) Neumann women's voices are rather nice textured view. on the other hand for men's voices was a little more the unknown with this microphone. For this is what I would do well not to take this as TLM67 single microphone.
The TLM 67 is officially THE micro string instrument Neumann dice or at least there is a soundboard. I also used a double bass: Superb ... I am based violinist and I tried the mic Souvant adapted and frankly works in combination TLM67 fine for ca.
When you registered instruments for the second plan to mix more than 1.50m in group or solo ... TLM67 the rendering is super natural and pleasant. Your tools are a logical place to mix immediately.
This mic is versatile but more capricious than a U87. We find that magic typically Neumann. Against by being a very sensitive microphone it will adapt well to not less qualitée preamplifiers. The influence of the preamp will aillor all the greater.
I used it with a preamp Chandler TG2, Trident S80 and 1073. The Trident S80 works fine with this TLM67 then Chandler. Avalon on the rings ... Avalon ... So I have no opinion in the sense that it is rather pleasant but somewhat still the same. Preamplifiers Burn Brown on the DXB200 is pretty bland.
In the end it's a pleasant surprise this microphone. It is ca place in the range of Neumann mic to have with others. But do not miss out on so far!