Become a member
Become a member

or
Continue with Google
Log in
Log in

or
Log in using a Google account
Agrandir
Add this product to
  • Mon ancien matos
  • My current gear
  • My wishlist
Nomad Factory BT BrickWall 2S-XP Limiter
Images
1/1

All user reviews for the Nomad Factory BT BrickWall 2S-XP Limiter

Price engine
Classified Ads
Forums
Not satisfied with those reviews?
Filter
Keywords
Average Score:
(4.5/5 based on 1 review)
1 review
100 %
Write a user review
Users reviews
  • moosersmoosers

    Nomad Factory BT BrickWall 2S-XP LimiterPublished on 01/02/11 at 23:09
    The Nomad Factory Blue Tubes Brick Wall 2S-XP Limiter is a simple limiting plug-in that’s a part of the Blue Tubes Dynamics Pack. It’s the easiest to use in a bundle that has six plug-ins in total including another more in depth limiter. This one is specifically designed for hard limiting, hence the brick wall name. I don’t own the bundle at home so I wasn’t involved in the installation process at all, but the learning the interface couldn’t be easier. It just has parameters for threshold and release, which is really all you need when it comes to brick wall limiting. It also has a switch for peak removal and metering for both stereo channels with options for monitoring input, output, o…
    Read more
    The Nomad Factory Blue Tubes Brick Wall 2S-XP Limiter is a simple limiting plug-in that’s a part of the Blue Tubes Dynamics Pack. It’s the easiest to use in a bundle that has six plug-ins in total including another more in depth limiter. This one is specifically designed for hard limiting, hence the brick wall name. I don’t own the bundle at home so I wasn’t involved in the installation process at all, but the learning the interface couldn’t be easier. It just has parameters for threshold and release, which is really all you need when it comes to brick wall limiting. It also has a switch for peak removal and metering for both stereo channels with options for monitoring input, output, or gain reduction. A manual really should not be necessary.



    SUITABILITY/PERFORMANCE

    The studio I work at has the full Blue Tubes Dynamics Pack and the BT BW2S-XP Limiter plug-in running on all of our systems, all of which are Pro Tools HD based. I’ve mostly used it in our main room, which has Pro Tools 8 and a MacPro computer. The computer has 10 GB of RAM and dual 2.66 Ghz Intel Xeon processors. We also have all Apogee converters and monitor with Barefoot MM27’s. Since it’s all HD systems, I’ve never had a problem running this on any of our systems. Most users shouldn’t have issues…

    OVERALL OPINION

    The Nomad Factory Blue Tubes Brick Wall 2S-XP Limiter is perfect for doing simple limiting jobs inside the box. I wouldn’t use it for any sort of real mastering purposes, but occasionally during mixing I’ll have a track that might need some limiting done and this is a quick and easy way to get the job done. To be honest, I haven’t used it all that much since I first used it a bunch of times since I don’t have it at home and I like to do a lot of crossing between my home studio and the professional studio I work at. Having said this, it’s pretty effective as far as limiting goes inside the box. I wouldn’t recommend getting it as an individual plug-in since it’s really worth it to get the full bundle due to the difference in price per plug-in, but the bundle is definitely worthwhile.
    See less
cookies
We are using cookies!

Yes, Audiofanzine is using cookies. Since the last thing that we want is disturbing your diet with too much fat or too much sugar, you'll be glad to learn that we made them ourselves with fresh, organic and fair ingredients, and with a perfect nutritional balance. What this means is that the data we store in them is used to enhance your use of our website as well as improve your user experience on our pages (learn more). To configure your cookie preferences, click here.

We did not wait for a law to make us respect our members and visitors' privacy. The cookies that we use are only meant to improve your experience on our website.

Our cookies
Cookies not subject to consent
These are cookies that guarantee the proper functioning of Audiofanzine and allow its optimization. The website cannot function properly without these cookies. Example: cookies that help you stay logged in from page to page or that help customizing your usage of the website (dark mode or filters).
Google Analytics
We are using Google Analytics in order to better understand the use that our visitors make of our website in an attempt to improve it.
Advertising
This information allows us to show you personalized advertisements thanks to which Audiofanzine is financed. By unchecking this box you will still have advertisements but they may be less interesting :) We are using Google Ad Manager to display part of our ads, or tools integrated to our own CMS for the rest.

We did not wait for a law to make us respect our members and visitors' privacy. The cookies that we use are only meant to improve your experience on our website.

Our cookies
Cookies not subject to consent

These are cookies that guarantee the proper functioning of Audiofanzine. The website cannot function properly without these cookies. Examples: cookies that help you stay logged in from page to page or that help customizing your usage of the website (dark mode or filters).

Google Analytics

We are using Google Analytics in order to better understand the use that our visitors make of our website in an attempt to improve it. When this parameter is activated, no personal information is sent to Google and the IP addresses are anonymized.

Advertising

This information allows us to show you personalized advertisements thanks to which Audiofanzine is financed. By unchecking this box you will still have advertisements but they may be less interesting :) We are using Google Ad Manager to display part of our ads, or tools integrated to our own CMS for the rest.


You can find more details on data protection in our privacy policy.
You can also find information about how Google uses personal data by following this link.