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FranquilleSacred guitar!
Published on 11/03/12 at 05:23 (This content has been automatically translated from French)Description of MalcDom is what I could say.
UTILIZATION
The neck is very fast access to acute is perfect for all heights, microphones have a high output level. The race is very progressive potentiometers until the end, which is handy to keep a small reserve volume in case the drummer would start typing like a madman.
SOUNDS
Played on different tube amps and / or transistors, I have always been amazed by the character of the microphones. These, combined with the use of the tone switch (lowpass highpass &) and the ability to balance the sound of the two microphones can produce almost any sound, soft ride in big Heavy Metal that task, without departing from the Gretsch color.
...…
UTILIZATION
The neck is very fast access to acute is perfect for all heights, microphones have a high output level. The race is very progressive potentiometers until the end, which is handy to keep a small reserve volume in case the drummer would start typing like a madman.
SOUNDS
Played on different tube amps and / or transistors, I have always been amazed by the character of the microphones. These, combined with the use of the tone switch (lowpass highpass &) and the ability to balance the sound of the two microphones can produce almost any sound, soft ride in big Heavy Metal that task, without departing from the Gretsch color.
...…
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Description of MalcDom is what I could say.
UTILIZATION
The neck is very fast access to acute is perfect for all heights, microphones have a high output level. The race is very progressive potentiometers until the end, which is handy to keep a small reserve volume in case the drummer would start typing like a madman.
SOUNDS
Played on different tube amps and / or transistors, I have always been amazed by the character of the microphones. These, combined with the use of the tone switch (lowpass highpass &) and the ability to balance the sound of the two microphones can produce almost any sound, soft ride in big Heavy Metal that task, without departing from the Gretsch color.
OVERALL OPINION
I use this guitar since 2010. I bought 250 euros to a guy who had not maintained, and even worse, a hole had to play left-handed (!). Many cosmetic defects allowed me to have so little. This is a guitar that I coterais at least 500 euros, since it resembles a Gibson Nighthawk ... (Less versatile, but also at Rock sounds).
UTILIZATION
The neck is very fast access to acute is perfect for all heights, microphones have a high output level. The race is very progressive potentiometers until the end, which is handy to keep a small reserve volume in case the drummer would start typing like a madman.
SOUNDS
Played on different tube amps and / or transistors, I have always been amazed by the character of the microphones. These, combined with the use of the tone switch (lowpass highpass &) and the ability to balance the sound of the two microphones can produce almost any sound, soft ride in big Heavy Metal that task, without departing from the Gretsch color.
OVERALL OPINION
I use this guitar since 2010. I bought 250 euros to a guy who had not maintained, and even worse, a hole had to play left-handed (!). Many cosmetic defects allowed me to have so little. This is a guitar that I coterais at least 500 euros, since it resembles a Gibson Nighthawk ... (Less versatile, but also at Rock sounds).
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10
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MalcDomThe MY of the poor?
Published on 01/28/11 at 07:09 (This content has been automatically translated from French)This version of "cheap" manufactured from 1998 to 2002 in Korea but Malcolm Young model in black (the G1910 is natural).
- Mahogany body (very heavy!)
- Maple top, painted black
- 22 frets maple neck bolted
- Grover Tuners type
- Wraparound bridge type Badass
- 2 micros Gretsch Electromatic full-size
- Config knobs similar to his model: a volume neck, volume bridge 1, 1 master volume, a microphone 3-position switch, 1 tone 3-position switch.
UTILIZATION
Finish as the overall quality is average acastillage. The frets are poorly finished with cuffs and tend to hang: necessary correction!
Playability through because of the imbalance head / body.
It
SOUNDS
branch: the...…
- Mahogany body (very heavy!)
- Maple top, painted black
- 22 frets maple neck bolted
- Grover Tuners type
- Wraparound bridge type Badass
- 2 micros Gretsch Electromatic full-size
- Config knobs similar to his model: a volume neck, volume bridge 1, 1 master volume, a microphone 3-position switch, 1 tone 3-position switch.
UTILIZATION
Finish as the overall quality is average acastillage. The frets are poorly finished with cuffs and tend to hang: necessary correction!
Playability through because of the imbalance head / body.
It
SOUNDS
branch: the...…
Read more
This version of "cheap" manufactured from 1998 to 2002 in Korea but Malcolm Young model in black (the G1910 is natural).
- Mahogany body (very heavy!)
- Maple top, painted black
- 22 frets maple neck bolted
- Grover Tuners type
- Wraparound bridge type Badass
- 2 micros Gretsch Electromatic full-size
- Config knobs similar to his model: a volume neck, volume bridge 1, 1 master volume, a microphone 3-position switch, 1 tone 3-position switch.
UTILIZATION
Finish as the overall quality is average acastillage. The frets are poorly finished with cuffs and tend to hang: necessary correction!
Playability through because of the imbalance head / body.
It
SOUNDS
branch: the pickups are a pleasant surprise: good fishing and good grain typed Gretsch.
Good versatility. Plugged into a Marshall stack the result is convincing.
OVERALL OPINION
I used my backup guitar G6131 MY 2 years and then I found a G1910 and have therefore sold.
I liked its looks and sound.
I did not like the finish, weight and imbalance.
Excellent value for money
- Mahogany body (very heavy!)
- Maple top, painted black
- 22 frets maple neck bolted
- Grover Tuners type
- Wraparound bridge type Badass
- 2 micros Gretsch Electromatic full-size
- Config knobs similar to his model: a volume neck, volume bridge 1, 1 master volume, a microphone 3-position switch, 1 tone 3-position switch.
UTILIZATION
Finish as the overall quality is average acastillage. The frets are poorly finished with cuffs and tend to hang: necessary correction!
Playability through because of the imbalance head / body.
It
SOUNDS
branch: the pickups are a pleasant surprise: good fishing and good grain typed Gretsch.
Good versatility. Plugged into a Marshall stack the result is convincing.
OVERALL OPINION
I used my backup guitar G6131 MY 2 years and then I found a G1910 and have therefore sold.
I liked its looks and sound.
I did not like the finish, weight and imbalance.
Excellent value for money
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40
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Tech. sheet
- Manufacturer: Gretsch
- Model: G1921 Double Jet
- Series: Double Jet
- Category: Other Shape Guitars
- Added in our database on: 10/31/2003
We have no technical specifications for this product
but your help will be much welcomed
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Other categories in Solid Body Electric Guitars
Other names: g1921 doublejet, g1921doublejet, g 1921 double jet, g1921double jet