All user reviews for the Line 6 HD147

No complicated everything has already been said, and down and across.
pedalier sold for spares the really ugly c, s indebtedness is over 25 years to the offer and then we learn that we do not pourrat use the 100% if it was not what pdalier, for only 2 points less.

UTILIZATION

The config is pretty simple and intuitive, everyone knows how to use an amp of this miracle and oh walk with the one as it changes the bottom bracket with a 200-page guide, if you want the reverb you turn the reverb c simple and fast.
the sound is just monstrous, so that even sounds clean it tends to be a high volume c crunchiser The only thing that I attribute, cots disto you can do everything from blues to country to jazz up the death metal.
cots effect on c nor that he has not used 750 with 749 sets, but at least the ones they sound and c of the high end.
for the manual we quickly made the rounds and there is no need to read it again to turn the beast.

SOUNDS

I is repeated in the metal and therefore scne cots sound and power no problem, I also enjoys playing blues, classic and should have all these hd styles, c cool non?
j uses the beast with a LTD ec 1000 30me anniversary climbs EMG 81/60 and AK lag that I have to hack up duncan tb2/jazz but even with a tennis racket I'm sure it make good anyway so the head is versatile.
the further advantage of this head is that no c did the same sound that I do not sound or marshall or mesa or fender c and c else not me who chose the amp.

OVERALL OPINION

It's been six months that I have the, no problemo.
what I like the c + its power and sound quality.
what I like least c when I connect it to pc programs line6 edit and style are the great monkey No matter what, the latest version does not edit the HD and used a monkey to do the update not even recognize your amplifier and merges with a Flextone III, c foutage really pear as we take over the head with that hd with pc via normal pod.
not a gift because c (a chance right?) if so vis a vis the price would have hesitated j but I think that we must make important choices in the quality of his stuff, take a foot to 400 euros and change all year or two because it is well surpass or hs or invest a little more and be quiet for a long time because between the updates and the number of fully configurable amplifiers was the tps and see.
j've used all kinds of stuff, just about any home line6 (c not my fault I'm a fan), the KORG AX3000G, of the 100 dfx marshall, the jcm 900, the rack roland, zoom, digitech (I'm a fan too) etc ... but I'm pretty happy because it has very few negatives.
1000 euros for one rolls it going over there and no lights so no maintenance, I like to see the head of those who crane their mesa when they announced the amount of the invoice for a replacement of those above (I'm sadistic c but one can also jealousy).
yes I would do this choice because the Vetta is too expensive and the hd s dangerously close cots quality.

All t adj said.

UTILIZATION

Configuration simple enough vis - vis what may be the machine: amp + speaker + amp + effects + EQUAL compressor + noise gate etc ...
A small amlioration that would welcome t: diodes on all knobs to view the qual use right away.
The manual is clear and trs more than enough.

SOUNDS

Then the the big slap. Dynamics and all the standard volumes.
I use a gibson sg and explore both om the EMG (81-85 and 81-89) + baffle 4x12 correct and sends it right.
Little we spend time on rglages, and you can have a range of sounds icroyable.
The only gripe I can make him is that he got me too (yes I said too much) lower, but must also come from my config.

OVERALL OPINION

I've had one month and I immediately find a little more each time I play.
And in ergonomics, there is no better (I love the concept head + effects, quickly shot to three plug his gear).
I had some prjujs before because I played for 5 years on all the lamps (mesa caliber, correct, and Engl Powerball II 5150) and in fact, this amp does not blush toward technology "standard" (But I love playing on my amps vraimment lamp).
I now use it in RPET and especially scne to confirm I think my opinion on the machine.
Dtracteurs and all of this technology (especially those seeking the High Gain), are going to try a HD 147, you'll be bluffs.

Edit After a few months of use:

I forgot to say - the amp simulations are only simulations. Sounds good, but does not sound exactly like the real amps all rglages. What is especially intrressant with this amp, it is the line6 Creations that allow you to have a sound vraimment particular and not that of everyone.

APRS one live with 2 minor complaints:
- Diodes on each knob to see his rglages in real time is not of luxury especially when the scales are short.
- The time to select the tuner function is too long (it must remain on a second support qqes switch so that it is activated). Feedback, we must be able to agree to a spar between songs during the set.

Otherwise, vraimment nickel.

Line 6 has paved the way of modelers throughout the years, and it was only natural that they'd have some sort of head to go along with it. This amp features various amp models ranging from vintage to metal to the down right bizarre. It has different cab models you can choose from, the ability to run direct to FOH via an XLR connector, 300 watts of power, built in effects, MIDI, and a few more extra features hidden in there. That said, this amp is entirely solid state, and as a rule, I pretty much dislike 99% of solid state amps out there.

UTILIZATION

The amp itself is easy to you. There are tons of options you can choose from, and you can get a wide variety of different sounds. It's fully MIDI, so that's an awesome addition that should really be added to every amp. The manual is clear and explains everything in detail. If you have any troubles dialing in the amp, saving presets or whatever, the manual should be able to assist you easily.

SOUNDS

The issue with the amp really comes here. There isn't really a good tone to be had here. The cleans aren't bad, but everyone knows that solid state cleans are nothing to brag about. Roland showed how to do solid state cleans decades ago, so pulling that off isn't anything special. High gain tones are still abysmal. They sound sterile and buzzy. What's worse is that it feels exactly like a modeler. It doesn't give like a normal tube amp, and it lacks the complexity a tube amp has.

OVERALL OPINION

If you're in the market for an SS amp, you're better off getting something like the Ampeg VH140C. In fact, that's about the only solid state amp I can actually recommend, unless you're just using something for a small practice amp. This amp sounds buzzy, the effects aren't anything that special, the cleans are decent, but it's just not something worth spending your money on.