Spectrasonics Trilian Software Review - Trilogy is Dead: Long Live Trilian!
Written testSpectrasonics has been living a love story with bass guitars for sixteen years. A long time before Omnisphere, Stylus and the famous Distorted Reality, one of the first products developed by Eric Per…
Celemony Melodyne Editor Review - Melodyne Blew Me Away
Written testEver since the creation of the first DAW, no other software has caused so much ink to be spilled and generated such expectations. The Direct Note Access technology, which was introduced by Celemony a…
Introduction - Spectrasonics Omnisphere: Omnipotent & Omnificent ?
Written testAfter many years of development, Spectrasonics has released their new flagship virtual instrument, Omnisphere, which has been heralded as a completely new ground-breaking hybrid virtual instrument in…
Introduction - Steinberg Cubase 5: Take Five
Written testCubase, one of the titans of the sequencer pantheon, has come out with an attractive looking 5th version, at a time when the sequencer wars are raging more than ever. Let's take a look...
Waves Tony Maserati Collection: The Test - Waves & Maserati - All Revved Up and Ready to Go!...
Written testThe Tony Maserati collection represents a meeting of industry titans. Waves, one of the earliest and most enduring audio plug-ins companies, has made its reputation on quality bundles of their own pl…
Ableton Live 8: The Test - Live 8: Long Live Ableton
Written testAbleton's Live has been with us for some time now and since it’s initial release in 2001 it has proudly sported a simple one window interface and transparent ’no frills’ operation. This simplicity…
Universal Audio - Moog Multimode Filter: The Test - Moog Multimode Filter: Mojo Filter
Written testWhile there is a huge choice of filter effects available on the market today, it could be argued that many of them lack the character and warmth of some of their hardware counterparts and while so…
Sonic Charge Synplant: The Test - The Secret Sound of Plants
Written testSince the dawn of synthesizers, there have been many types of synthesis to emerge. But the same can not be said about their approaches to work flow or interfaces. With Synplant, Sonic Charge has take…
Digidesign Transfuser: The Test - Sample Transfusion
Written testA.I.R., Digidesign’s virtual instrument division, continues to provide creative tools for users of their Pro Tools software. This time, it’s a sequencer within a sequencer, dedicated to loops of all…
Pro Tools 8: The Test - The Return of the King?
Written testThe new Pro Tools has arrived armed with a bunch of new features: Elastic Pitch, thirty new plugins, five new virtual instruments - Boom (drum machine), Mini Grand (piano), DB-33 (tonewheel organ), V…
Peak Pro 6 XT: The Test - BIAS at their Peak
Written testThough there are many audio editors for PC, the Mac world looks mainly to DSP Quattro, soundBlade, Audacity, WaveBurner or Peak (a non-exhaustive list), whose features range from "very basic" to "ver…
Wallander Instruments' WIVI Player: The Test - What's a WIVI?
Written testWhile certain sound libraries have been waging a gigabyte war, others have taken the synthesis route, such as the Wallander WIVI, who with only its few hundred megabytes takes on the sample library t…
Digidesign's Velvet: The Test - Tines in Velvet wrapping
Written testElectric Pianos never seem to go out of style; and because they’ve now gone virtual, Digidesign has decided to come out with their own version of these timeless instruments.
The Test of QuikQuak's RaySpace - Reverb Construction Kit
Written testThere’s such a plethora of software reverbs, that an editor who wants to be a cut above the rest has to rely on originality. By allowing you to create any reverberating space you’d like, and to preci…
Logic 8 Pro: The Test - The All-in-One Logic
Written testWhile certain sequencer editors are steadily increasing their prices, Apple has taken the other route and is now offering Logic for under 500€. Would it be wise to spend more?
