All user reviews for the Ibanez POD-1 Dcp Overdrive/Distortion

Overdrive / distortion analog digital programming from the mid 80s. Plastic case not very reassuring with LCD, taken In, Out and Dry Out, plus a minidin socket for a sync box and MIDI adapter for all pedals in the series.

19 memory locations.

Buffered Bypass (transparent to my ears) and two JRC4558D inside as prehistoric sisters.

At the available settings, there is a selector OD / distortion, gain, volume, bass and treble adjustable frequency. Everything is controlled by small switches like synths of the time, atmosphere Galactica.

One can find the same badged Maxon ... When we find.

UTILIZATION

Admittedly, this is not the buttons as a standard pedal but there is nothing complicated: the program with two arrows or + is selected - you can choose your setting and its value ditto, pressing store to save.

The user will see how changing modes, namely by supporting the foot on the pedal can be either: - the bypass or - to scroll through the programs in the order of our choice by pressing the foot.

The record also indicates that the acute correction is actually an exciting and not a classic tone, and its frequency is adjustable.

So after a short adjustment period of say, 2:30 min while driving.

SOUND QUALITY

Question her, was on one side a very distinctive Tube Screamer overdrive and the other a kind Proco Rat distortion sanitized.
I use very little distortion mode. Basically, the sound quickly becomes muddy when it increases the gain but you can have a fairly sharp sound when left in the first period. I use to imitate the sound of Prince Purple Rain period.

DO mode, it is another world. We find the characteristic creamy texture and the TS. But size difference was not the famous cut in the bass. Moreover, some specific corrections can (with a little research, it is true) to have about what you want: low, no bass, treble, soft ...
The EQ settings are not very progressive but are effective. Adjusting the treble frequency is more that needs to be tamed a bit and is not very intuitive.
The gain range goes almost to clean virtually distortion. Reserve volume is correct.

On the ground, it is very effective, both for the clean bend a saturated channel. I love that when it low, I served. Plus you can cut if you want.

The only complaint I could make him is a slight lack of midrange or downright setting mediums.

Excellent, but for OD part.

OVERALL OPINION

Found last year by miracle on Eb ... Spain, it is part of my collection now consistent OD and permanent resident of my pedalboard. It is a sound I was looking for a long time. The ability to have multiple sounds in memory is a real plus. I was still a little scared her off my one of these four.

The worry is that this pedal is very rare. Fortunately, I found a pedal that it closely resembles both in its level settings. This is the Way Huge Green Rhino, though not programmable.

I did not pay much less than 100 € including shipping. At this price, you only have 2/3 of a contemporary TS9. As for the comparison, ha ha ...

I donf valid.