View other reviews for this product:
lala-lala
Published on 11/16/12 at 05:09
Double overdrive / distortion. Each with Flight / tone.gain. 2 switches activation: press the first deactivates the second and vice versa. To be more clear not possible to put 2 "pedals" series.
UTILIZATION
Well, nothing could be simpler vol / tone / gain: no need manual to understand what button does what ...
SOUND QUALITY
My main gear: a small (PRS CE22) or a Gibson melody maker in a fender tube (Prosonic).
My gear lo-fi: The Paul Paul Beusher 80's Strat Jim Harley changed that I do not know why sounds monstrous Strat Squier Satin Trans (its very 50's) and shovels which I dare not mention the name here (but guarantees lo-fi)
The sound of this pedal is very broad: it ranges from small good overdrive distortion well muscled. (By point against metal with it)
Personally, I spend a lot of my time to dub from Radiohead, the Clash, the dEUS, the Danko Jones, by way of Portishead, the Sherriff Laetitia, etc..
By focusing on the settings, it is possible to approach a lot of these artists. It sounds as good with double than with simple blues rock big task, it swallows everything with uncanny accuracy. The sound is always clear and all the subtleties of play even agree with the gain pushed well, especially as it responded very well to variation of attack strings. With it, no problem to break into the mix!
OVERALL OPINION
As you say, a few months after purchase I sold all my distortion (Jacques FuseBlower, Overdrive home-made clone of the TS9, Boss HM2 japan modified Boss MT2 ..) Now I no longer have that it in my floorboard whether in rehearsal or concert.
The sound is simply fantastic and 98.4% of that on which amp I plugged: Fender FM212, Marshall TSL, 65Watts transistor Fender, Peavey Bandit 112 and even an old DeanMarkley 2x40W, and even scratch my lo -fi, there is always a way to find a sound that the "serious matter."
This is not far from 3 years and I have NEVER, EVER hear you, I do not resell this pedal!
UTILIZATION
Well, nothing could be simpler vol / tone / gain: no need manual to understand what button does what ...
SOUND QUALITY
My main gear: a small (PRS CE22) or a Gibson melody maker in a fender tube (Prosonic).
My gear lo-fi: The Paul Paul Beusher 80's Strat Jim Harley changed that I do not know why sounds monstrous Strat Squier Satin Trans (its very 50's) and shovels which I dare not mention the name here (but guarantees lo-fi)
The sound of this pedal is very broad: it ranges from small good overdrive distortion well muscled. (By point against metal with it)
Personally, I spend a lot of my time to dub from Radiohead, the Clash, the dEUS, the Danko Jones, by way of Portishead, the Sherriff Laetitia, etc..
By focusing on the settings, it is possible to approach a lot of these artists. It sounds as good with double than with simple blues rock big task, it swallows everything with uncanny accuracy. The sound is always clear and all the subtleties of play even agree with the gain pushed well, especially as it responded very well to variation of attack strings. With it, no problem to break into the mix!
OVERALL OPINION
As you say, a few months after purchase I sold all my distortion (Jacques FuseBlower, Overdrive home-made clone of the TS9, Boss HM2 japan modified Boss MT2 ..) Now I no longer have that it in my floorboard whether in rehearsal or concert.
The sound is simply fantastic and 98.4% of that on which amp I plugged: Fender FM212, Marshall TSL, 65Watts transistor Fender, Peavey Bandit 112 and even an old DeanMarkley 2x40W, and even scratch my lo -fi, there is always a way to find a sound that the "serious matter."
This is not far from 3 years and I have NEVER, EVER hear you, I do not resell this pedal!