I use them in mobile disco for me is gnial has eaten nothing, weighs nothing, clear as a traditional PAR 56, the colors are really beautiful (see photos on my profile).
I possde 4, purchased from Thomman, currently no operational problem. The latest versions have a plexi glass to protect the LEDs.
They ragissent super fast, the Strobe effect is nice.
In short, I am 200% satisfied with this product, I would resume may be another 2 or 4 more to be able to make DGRAD.
The discomomo, you can go there with closed eyes. For the lighting of scne, I would be much more reserved is not strong enough I think. The beam is not sufficiently marked. It was not until these devices are on the rise.
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oliviertournet's review (This content has been automatically translated from French)
I just received a pair bought from Thomann .... I've just tried in my basement for fun.
Attention, they are not controllable master / slave. I am disappointed because I hoped that connect them together and let them live their lives to make backdrops.
For use in color changer, there must be 6 DMX channels (red / green / blue / color macro? / Piloting strob / type selection autonomous operation).
The beam does not seem Wash but rather a circle 1.5 m in diameter to 3 m distance around which is pretty good to me.
The low power consolidated, it's great, it allows you to connect anywhere in projo ...
I had never seen a LED BY maintenenat and I need to choose an appropriate control system and use. (I hope to take advantage of the low heat for use in the face, very close to the musicians).
I pilot a 24 cricuit dmx console .... it's great.
Beware ... for the record, I'm lighting a set with classic CCA and I thought I went to take the ARPRE on the head. Ben yeah, with these ropes of different colors to identify notes, arpiste was going mad when I went from green to red to white with LED BY ....