Tech. sheet
- Manufacturer: Sonosax
- Model: SX-R4
- Category: Pocket Recorders/Multitracks
- Autres dénominations : sx r4, sxr4, sx r 4
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User reviews
grusonPublished on 12/05/11 at 07:53 (This content has been automatically translated from French)
I use it since July 2011, for the sound of classical music.
I previously used recording solutions for PC and portable recorders (Edirol, ...)
If c'tait again, I would do without this choice hsitation. It is a machine that I highly recommend making the split sound quality. The quality of essential rsultat THE FIRST costs by the common people: what this little machine is recording a poustouflante Fidler, the motion is the intact.
Goodies:
- The quality and absolute pramplis A / D converter and the incredible coming out of this gear
- Compactness (the size of a car)
- The portability (battery operation)
- Multitrack: 4 of superb quality mic + 2 line inputs with 2 mics I...…
I previously used recording solutions for PC and portable recorders (Edirol, ...)
If c'tait again, I would do without this choice hsitation. It is a machine that I highly recommend making the split sound quality. The quality of essential rsultat THE FIRST costs by the common people: what this little machine is recording a poustouflante Fidler, the motion is the intact.
Goodies:
- The quality and absolute pramplis A / D converter and the incredible coming out of this gear
- Compactness (the size of a car)
- The portability (battery operation)
- Multitrack: 4 of superb quality mic + 2 line inputs with 2 mics I...…
Read more
I use it since July 2011, for the sound of classical music.
I previously used recording solutions for PC and portable recorders (Edirol, ...)
If c'tait again, I would do without this choice hsitation. It is a machine that I highly recommend making the split sound quality. The quality of essential rsultat THE FIRST costs by the common people: what this little machine is recording a poustouflante Fidler, the motion is the intact.
Goodies:
- The quality and absolute pramplis A / D converter and the incredible coming out of this gear
- Compactness (the size of a car)
- The portability (battery operation)
- Multitrack: 4 of superb quality mic + 2 line inputs with 2 mics I feed via an additional SX-m2 or 6 mic inputs total possible on this small machine
Cons:
- The readability of the display, rtro light blue, amber lighting I prfr one for readability!
- La Rustica user interface: the configuration is done via menus and graphics semi qq views; you sail via a small joystick
- Trs simplistic player function, no function of forward / backward to go acclr prcis cost a point of taking. This is clearly a recording machine, not an ipod ...
report quality price: ok, for the quality! I prsume I'll keep qq year, C is a long-term investment.
That happiness, despite the rather rustic interface ...
I previously used recording solutions for PC and portable recorders (Edirol, ...)
If c'tait again, I would do without this choice hsitation. It is a machine that I highly recommend making the split sound quality. The quality of essential rsultat THE FIRST costs by the common people: what this little machine is recording a poustouflante Fidler, the motion is the intact.
Goodies:
- The quality and absolute pramplis A / D converter and the incredible coming out of this gear
- Compactness (the size of a car)
- The portability (battery operation)
- Multitrack: 4 of superb quality mic + 2 line inputs with 2 mics I feed via an additional SX-m2 or 6 mic inputs total possible on this small machine
Cons:
- The readability of the display, rtro light blue, amber lighting I prfr one for readability!
- La Rustica user interface: the configuration is done via menus and graphics semi qq views; you sail via a small joystick
- Trs simplistic player function, no function of forward / backward to go acclr prcis cost a point of taking. This is clearly a recording machine, not an ipod ...
report quality price: ok, for the quality! I prsume I'll keep qq year, C is a long-term investment.
That happiness, despite the rather rustic interface ...
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