All user reviews for the JBL EON 15 G2

I use 8 EON 15G2 4 years for peites evenings! They are reliable and practical pregnant ... I'm rserv the sound they provide, but it is true that connect a motor 38 1 'does not give good results gnralement what of manufacturer JBL and is doing well despite everything.
The 38 is screaming at the top mdium high volume even if he has a good shot from the grave! It is a forum equalize need to draw a clean sound! By comparison, I find it more pleasant sound of the DS 15A DAS who is a former model yet ...
The eon 15g2 begins to accuse his age and JBL should react by offering a more evolved product ... Only practice ct me incit equip me, prf always sat rant solution 2 + 1 sub a sound quality point of view.

Excellent power / weight ratio (in nodyne HP38)
nice round bass prcises
mdium trs prcis warm
Aggressive but chiseled acute trslgrement (titanium diaphragm !!!!)
nice finish
possibility of low cost rgime (almost HIFI)
of breath at rest (injury)
knob drglent is misplaced in transit
I have an AIM transport fist on top
qualisation mandatory (acute gives too much, not enough mdium and bass), once it is qualise vritable monitoring pregnant!
in electro house dance I have a couple with sub46, I cut it back to the box 80Hz 50 to 100Hz (this is good).

the important thing is a nice balance low trs / mdium acute
rating 3 / 5 for usability, if not 5 / 5 for sound performance
Excellent Q / P

Recently as I bought them this weekend and I have not had the opportunity costs for stro-pound a week apart! So for now I have a test chamber (ca me well enough for me DCID)!
What j'apprcie most is the quality of sound reproduction, that my ear is fine, vibrant without being aggressive, while still deep in some low and Scheer on other! I ' I test with a lot of musical styles DIFFERENT passages and not empty (hardly audible sounds) and she completely satisfied (all is well REPRESENTATIVES). The less may be the absence supplmentaire a grip for handling the breath at rest (very lightweight) and power cable always too short on the speakers like this!
Jai had a chance to listen to the msr 400 yamaha, and art 315a rcf from home!
Prfr I pay more (about 140 euros over the comparable unit at a price lower than the + statement had on the internet) and have the board and the contact a seller prs from home! But I find the report qualitprix reasonable compared to other models I've seen and the performance of these!

I would do a post a few months for reliability over time and their performance (in Stereo of course ...) For the moment impossible to operation of the technology base has the potential (800 watts rms AC qd even push a little especially with 129 db max spl!)! Anyway for now ((my ear)) compared to other models I had the opportunity to listen suprieure it! So without hsitation regards the quality of cost!

These speakers are good in terms of:
- Power
- Fiabilitbr /> - connections
- Rglages.

Configuration for gaming machines with 3 musicians bars, electric and acoustic guitars, bass, percussion, fltes voice, I used it for two years of satisfactory fawn trs.

Ct ngatif is the color noise that does not really excites me. The AIGS are rather cold and lacking in finesse. It is difficult to get a good sound shimmering cymbals and hi-hat on. has a little slap. The mediums are quite aggressive.

Two speakers, made 1800 euros. Expensive when same.
At this price I think it's the beat of a sound point of view, but perhaps at the expense of a lesser portability. Probably moving towards non-pregnant molds.
However, to use quotes, I prfre such Systm something like HK: here the sound is much fuller in mdiums and it is a needed for the small concert with lots of guitars and vocals.

A pair of G Eon bought in 2004

I use these speakers with a Yamaha 01V table is solo acoustic guitar and voice, or with my blues band (guitar, bass, drums, piano & hammond and voice), or in small parties with DJ, or to add sound to small events.

At first I admit I was quite disappointed. First, it should tighten all hardware which tends to run down quickly and to "crack" the speakers, but a screwdriver and turn the problem was no longer asked for. Then I really wondered where were the 400 watts RMS announced. In fact, 50 m away from you and you will find a sound fidelity without aggressiveness. To get better you have to go to three-way systems, more powerful, larger and more expensive especially ...

What I like most: portability, the overall audio quality, reasonable price and they are pregnant that grow far the sound ...

What I like least: the finishes that require a screwdriver stroke, they lack a little low, but with two channels do not dream either.

In any case even in extreme conditions (for these speakers that is) they are loyal, strong and have surprised more than a musician or DJ. All this is to have a proper table, know-how and ears that come with it. Personally I put the bass at 3 o'clock, treble at 2 o'clock, on the volume it is about 9-10am and noon in the outdoor club.

They are less than HK nasal, more loyal than Behringer, with more bass than the EV, robust and reliable and have a value in my opinion unbeatable. I admit I just find it difficult to understand that the subs that come with it are only 200W which I think is ridiculous (500 or 600 would have seemed more coherent) and if anyone can enlighten me on this.

I would do without hesitation that choice knowing that I'll keep them as back side for later (watch the DVD of the Crossroads festival and you will see in the side of the stage !)...

For more power and I hesitate between three-way JBL PRX 535 DB Technologies Flexsys or f315 or Forty-line QLS 151, if anyone can find out about the quality of these systems is welcomed.