All user reviews for the Roland Jazz Chorus JC-120 (Vintage)

Amp transistors. Power announced by the manufacturer: 120 W RMS.
2 channels: one channel without effect, a channel with chorus, reverb, distortion.
Outputs for external speaker, and in direct enregidtrement, connections to manage the effects with football switch.UN Insert Stereo.

UTILIZATION

To connect the characteristic sound on channel 2 with the chorus on and a little reverb, bass to maximum, and 1/4A 2 / 3 in medium and 1 / 2 in aigu.Là, it becomes magical, the sound is Crystal clear and pure slightly compressed, very spacious with its chorus of more subtle.
We can engage in the minimum distortion, not to the sound distorts, or have a slight crunch, but to give a bit of roundness and warmth. Otherwise it is better to mention the distortion.
This amp, originally designed to amplify the keyboards. It is dedicated to the clean sounds.
The manual is clear, but unnecessary. With a little intuition we get out immediately because the configuration is simple and clear.

SOUNDS

With solid body guitars you get the best son.Andy Summers used in the Police with a Telecaster. Scofield is connected to the Ibanez. With a stratocaster, the sound is fantastic and incredibly accurate.
With electro or jazz 3 / 4 of the sound box is very good, but for these guitars it is better to consider amps most generous in the field of roundness.
The sound is never fras réglage.Cet whatever the amp is definitely jazz, very distinctive in color.
There is also an adjustable tremolo activities both in amplitude. I find it awesome and it reminds me of the turn of the Leslie

OVERALL OPINION

I use it since 1984. I sold the first model 1991.Je have quickly regretted, especially for its qualities of spacialisation. I bought another 2005 model, fully upgraded in terms of fixing the chassis, the reverb (quality and without parasite), breath more discreet and quality potentiomètres.Il should be noted however that Today is not the amp comes with a protective cover, very useful for transportation. Amp very strong or "indestructible." Mine was used in extreme conditions without giving any sign of weakness. It fell from the height of a chair, was used in clubs on beaches where the sand has crept to interier, was taken in the worst conditions, was shunted by handymen (and yes. . I lent to the insane) who wanted to extract more power, was washed down with beer (I also helped out of Welcome, Guest), in short, he knew all the misery and never complained.
Difficult to find more durable and reliable.
Amp with a good margin of power, even without using the power, the sound is so strange that the guitarist stands out easily.
Designed for clean sounds, it is now quite expensive.
I am separated once, but now that I have redeemed I realize how qualities are real. I recommend it for guitarists who want to think outside the box of lamps and other sounds.
I also have the tube amp worthy of the big brands, but the JC120 is the one I use frequently plud.

120W transistor amp (and it makes them believe me!), Two channels: one clean and one has indeed footswitch output, output for a headset or enregistrement.egalisuer 3 bands, a reverb (great for an amp that time), a distortion (hideous, it seems to play an ac trumpet sound lol) but ill pa tro a minimum, a vibrato (medium), but against the chorus ... the apotheosis EST, never seen, a great chorus, really ..., bright switch (its more or less crystalline

UTILIZATION

Config very simple and effective equalizer has 5 everywhere, bright set, the chorus (mmh), and the sound is superb ... it removes the bright, and the distortion pushes the mini, and it has a nice crunch typed quite jazz but very attrayant.Je got it without the manual, okaz

SOUNDS

Tt should have the style, from blues to rock, to jazz, but with an overdrive, Boss SD-1 type makes it really good!
frankly do not push the distortion of pa Lampl you would be disappointed.

OVERALL OPINION

I do that since the User quemque months, and I got it free (hin, hin) is for a clear sound for when he is alone, but for all the style once married to a good pedale.Je lai gratos was then the value for money ... nan € 1000 nine frankly, at this price you can have the lamp at all, but not the power, and more before judging the transistor to be zero, try the roland, you will not be disappointed!

Everything is said transistors, chorus ... I've owned in 1984.

UTILIZATION

Start with a sound is divine. Spacialisation the chorus is superb and I never found such a quality of distortion is to forget chorus.La TOTALLY!

SOUNDS

As has been said, it needs a good overdrive and it's great! Just a note: one user said that some changed their Twin against the excatement JC ... I did the opposite! I like too the heat lamps, the subtle overtones, this richness of sound. If a Fender Twin stereo chorus was like BC, would Nirvana!

OVERALL OPINION

A great success and a classic! If I place, I would buy one without hesitation.

Amp transistors
120 Watts

UTILIZATION

Trs easy to use.

SOUNDS

It's perfect for styles of music I play: Rock 'n' roll, country, jazz and bossa.

I use a ESP tlcaster, a Gibson ES 135 3 / 4 of purchase and Line 6 Variax 700.

I use also with effect from 16 GP Roland.

OVERALL OPINION

I use it on since 1985 scne date of purchase.
The clean sounds are divine chorusss, no distortion!
Its weight can be a handicap.
Report qualitprix excellent.
If c'tait again, I Rasht the same amp, a Jazz Chorus 120.

Everything has been said on the subject.

UTILIZATION

No need for manual, everything to start at noon (except the volume, it sends the cushy severe), and after it plays the tone correction according to the guitar connected. The EQ is very effective. I only use the channel where there are effects.

SOUNDS

What sounds my friends, this amp is the only one who can reconcile my view with the transistors. Clear sound to fall, and above which is due to very high volume. Impressive momentum. The chorus is certainly what is the best, just for him this amp worth it. That air sublime, it transcends the game Reverb is good too I think. My favorite is the strato above, but pass. Special mention to an acoustic electric connection, the aim is stashed where the tweeter, the hp has a bandwidth incredible ...

OVERALL OPINION

Amp especially recommended for fans of clean sounds, with no hope cruncher, he can not do. Very powerful, but have very good sound at lower volume.
His only problem is that it is very heavy and bulky, but just play it to forget all that.

This amp is a wonder a very good transistor amps equipped with sonoritées very natural and a chorus vibrato absolutely amazing, the reverb is also very good and natural!
It delivers a power of 120 watts RMS (2x60W) on two speakers 12 "
it has two inputs on channel 1 (no impact) and two inputs on channel 2 (reverb distortion chorus vibrato)
an effects loop output line out hp8ohm two outputs and three taken to switch effects: distortion, reverb, and chorus / vibrato.
the amp has volume control, a medium knob of acute and severe and interuptor brigt on each channel
on channel two is found in addition the adjustment of the adjustment of reverb and adjustable ditortion chorus / vibrato (depth and speed)
the effect of chorus and vibrato are EXCELLENT and if it falls on the correct setting is the reverse, the reverb is very natural and gentle, but generates a slight breath, parcontre the side of the disto I find the sound very wrong to forget (well, me I have my Boss od2r thus its rolls)
point of view that sounds good! found her a very warm and good momentum
for strength it enough robust but I have hp pence a bit fragile (I replaced one because it starts to sizzle slightly in the low)

UTILIZATION

Use child I never had the manual and it does me absolutely no shortage
is obtained very easily sound good just always knob the neutral sound is already very natural looking a little one falls on its jazz hot and very natural and as long as the claim goes into the chorus is beautiful c is one of the best chorus I've ever heard
nothing to do with digital effects that are found on some amps marshall (late model)

SOUNDS

Already mentioned above
his jazz to rock is also good but with the guitar and a distortion pedal or overdrive of (I connect over a personal home od2r boss).
very versatile.

OVERALL OPINION

Since a very long time! The model I Posed is the first edition bought used.
it is expensive but its worth it!

Transistor. The best of history.
Standard power: real amp together. Be careful though to lower the volume to beginners (at least the old models) perhaps the new one is wiser

UTILIZATION

Yes, a fantastic clear sound. For saturation should be a good rgler its effects, but there is no secret: if the effects are good, the sound will be good

SOUNDS

It should be all kinds of music (with the effects ad hoc) again, out of the lens (The Police), he has no real characters, such as a light amplifier, but what a potato! and will have the characters of what comes. With a guitar and a low-end pdalier simple, without waiting for a miracle, you may be surprised. So with the quality ....

OVERALL OPINION

1992
Yes, a lot, and I sold my Orange (80) of the era.
I like everything with a BMOL for breath and fool quality of distortion intgre. but it gives so much cash and so I forgive him
Yes

Probably the most recognizable Roland amp ever created. Also probably the most highly sought after solid state amp on the planet. And maybe the most highly used clean tone that has ever been created!

From studios to stages this amp has seen a number of uses and major users, such as Metallica and many others. This amp has a clean tone that is perfect for recording as well as running a pedals in front of.

Notable JC-120 Users

James Hetfield
Wes Borland
Andy Summers
Nick McCabe
Robert Fripp
Adrian Belew
Gustavo Cerati

The Jazz Chorus is one of the few 1970s solid-state amplifiers from Japan that "continues to thrive," and fans of its "powerful, clean tone" include Andy Summers.[2] Summers' use of the amp in turn inspired, for instance, Jeff Buckley, whose first amplifier was a Jazz Chorus.[3]

Most models have controls based on the JC-120's standard setup. There are two channels, one clean, the other with effects. The built-in effects include stereo chorus, vibrato, reverb, and distortion. The amplifier features high and low inputs, as well as a three band equalizer and volume for each channel.
Roland JC-120 Jazz Chorus Amplifier Features:

* The classic and most popular "JC" since 1975
* 60W + 60W (RMS)/12" x 2 speakers
* Distinctive "JC" stereo chorus
* Vibrato with rate and depth control
* Two input channels (normal/effect); 3-band EQ per channel
* Stereo effect loop
* Three footswitch jacks for chorus/vibrato, reverb and distortion

UTILIZATION

Detail
Type Solid State
Number of Channels 2
Power 120W
Speakers 2 x 12"
Reverb Yes
EQ Treble, Middle, Bass
No Amp Modeling
Number of Tubes 0
Preamp Tubes No Tubes
Power Tubes No Tubes
Inputs 1 x Instrument
Outputs 2 x Line (1/4")
Footswitch I/O Yes
Effects Loop Yes
Height 24.49"
Width 29.92"
Depth 11"
Weight .61.73 lbs.

SOUNDS

The tone from this amp is so legendary! The clean is really the reason you buy this amp but the ability to take distortion pedals is a huge bonus. The amp takes on your favorite pedal quite well and amplifies the natural harmonics of your guitar and playing style.

For me there is only one reason to own this amp...and that is to use it on a recording for clean tone. The chorus is very lush and smooth! It sounds great with just about any guitar you throw at it. If you have listened to any Metallica album then you have heard this amp.

OVERALL OPINION

I would recommend this amp to anyone who needs the best clean tone you could get out of an amp. I am partial to solid state cleans as I feel that they have a sparkle that tubes cannot match. Distortion is a whole different ball game but the cleans will get you the best chimey sparkle you have ever heard.

At new these amps come in at around $1200. A little bit on the high side for a solid state amps. I have seen these amps on the used market for around $500. This is going to be for a older one which is just as good as the newer ones and really the reason for the hysteria behind the tone of this amp.

If you really want to gig with this amp then it is a good purchase, but if you just want to use it for recording a particularly the clean then save several hundred dollars and get a Cube amp from Roland that has the JC Clean. But this amp is so classic anyway that it is a must own!

transistor amplifier, power 120w standard EQ, two inputs, reverb and tremolo chorus

UTILIZATION

configuration could not be more simple, you plug it plays
the bright switch allows a boost in the treble that make pots slamming funky

SOUNDS

it suits my style of music,
Obviously this amp is made to sound clear, do not expect to have a big sound with distortion integrated amp that is very mean to me, for a more bluesy I add a tube screamer and it is a treat, if need be I have good torque ca disto Jekyll and Hyde, it allowed me more time to do the big rock concert. clean the remains legendary even at high volume

OVERALL OPINION

you can plug in a keyboard which is quite convenient when you play the guitar and keyboards on two songs consecutively. the clean sound is fully defined, it is a kind of standard! amp versatile and highly resistant

It's a transistor amp, but to my knowledge the only one to enjoy a good reputation. Has a chorus and tremolo (in stereo as two BAFl). Saturation as well.


UTILIZATION

Simple configuration is quite large but reasonable depth. The wheels on the amp are very convenient. Use: Apartments should be avoided because the volume to 1 or 1.5 maximum, then we risk making enemies, lol! Following the year of manufacture, effects loop or not ...
Namely: it is a keyboard amp at first, which was adopted mainly by guitarists then.
Clearly, connect a Rhodes and other electric keyboards, is very good ...
Some even advocate plugging his bass ...

SOUNDS

Its very neutral, not distorted, very nice. The chorus is legendary. We can at least use effects pedals with versatility as the starting signal is neutral and clear, so to speak. I use it with an Ibanez Universe 7 BK UV ...

OVERALL OPINION

I did last year, but living in an apartment, because I use little too powerful, but I'm planning to move ...
It is a legendary amplifier used especially by The Police, The Cure, Pat Metheny and many guitarists jazz fusion.
I also find it a big interest in plugging a keyboard: I have a Roland FP 5 that becomes less sanitized, more friendly with AD 120, when there is no lamp ...

The chorus is fine but very distinctive, and legendary, tremolo, interesting, and I does not hang too much on the reverb, maybe not quite this ... These include the saturation which is not workable in my opinion, therefore, no interest

I do it again because this choice is a unique sound and purpose, compared to my Marshall Valvestate 40 which is very nice but less versatile but powerful

transistors, 120 w, tremolo, reverb, chorus and distortion. line output, 2 channels completely independent, line output jack, stereo inputs ds the power block, selector pickups active or passive (Inter power on / off 3 position), distal or remote jack for reverb I know, maybe the 2 , no loop architecture

UTILIZATION



SOUNDS

easy to use versatile amp. I use it more for the blues / jazz music with a little experimental effects (digitech 2120 among others), any guitar. I love him more and his very very clear.

OVERALL OPINION

As I said before, the jc120 is like a 4x4, a basic amp hyper finally sober and supports everything you might want him to do: to the metal 's there are good effects, and even if it is not his vocation, including blues, jazz or rock! but he has no particular color, it is a very right amp transistors. It is better not to rely too much on the integrated effects: too few parameters to adjust, and slight distortion crados, chorus but that's not ugly or anything ... etc. amp reliable and robust without much color, that's my verdict. I have one of 82 which I do not part with it for the world ... here. But hey, I have a Mesa Dual Rectifier, a Marshall 100w artist of 1972 and a peavey triple xxx I use a lot more! and plus it's an amp that has never been expensive.

Amp transistor 2x60watts stereo, 2 channels each with an independent high and low input impedance. Channel 2 has the classic volume control, low, medium, high, a switch to boost treble, reverb settings and distortion (to forget ...) + chorus / tremolo with speed and depth . Channel 1 only entitled him only as a volume control, bass, mid and treble. on the other hand, it is totally independent of channel 2 and can be used at the same time.

UTILIZATION

There is no easier for utililsation since this is a real amp and not a gadget full of gadgets !!!!!

SOUNDS

Beautiful clear sound and masterful chorus.
I put only 9 / 10 because not done too much for the distortion ......

OVERALL OPINION

I use it for 10 years and if I miss one day without them.
You can plug anything above, guitar, keyboard, electric piano, it's perfect for whatever the instrument.
Slightly bulky for transport, but no free lunches.
The HP (if original) is the height of the reputation.

This is a pretty classic amplifier. It's been around since the mid-70s and has been a staple of the music industry ever since. It's a solid-state amp, and was one of the first solid-state amps to really make a name for itself. It's also notable for its chorus effect, which was unique in amplifiers at the time. It has 60 watts of power and 2 channels. There are controls for EQ in both channels, and the second channel has chorus, vibrato, and reverb and distortion controls. There are four 1/4" inputs (two for each channel, high and low) and there is also an effects loop in the back.

UTILIZATION

Getting a good sound out of this is great if you like your tones super clean. There are many people who really like that quality in an amplifier, and don't really want a lot of bluesy grit out of their amplifier. I personally tend to prefer a bluesier sound when playing with my band, but there are a few sessions I've played that I've used this instead, as it's ultra-smooth and great for jazz as well as lighter rock and stuff. Using the chorus and reverb (which is a nice spring reverb, by the way) is really easy as well as convenient, though you must use the second channel for these. I haven't read a manual but I don't really need it either.

SOUNDS

I've used this amp with my Strat, my Tele, and a Les Paul, and I like the Strat and Tele the best, mainly because they do clean tones much better, and that's where this amp shines. I can also plug in a lot of different pedals and get next to no noise from them, which is nice with a single-coil guitar like a Strat. Therefore the versatility of this amp is really extraordinary. I will say that I prefer the sound of tube amps in general, as they have a lot more character, but they are limited in their applications, making this a more practical amp for somebody looking to play a lot of different stuff. With the high and low channel inputs, this also can handle some crazy signals, so players with tons of effects would do well to try it out.

OVERALL OPINION

I like the practicality and certain effects on this amp the best. I don't like the super-polished wussy-sounding clean tone, but I'll admit that sometimes such a sound is necessary and even superior to that of a tube amp. Overall, while I have a few beefs with this thing, I'll admit it's pretty great. It's certainly the best solid-state amp I've played in quite some time. It's a little expensive but I've certainly seen worse amps for more money.