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shaker
Published on 10/13/05 at 04:36
Channel 24 through mahogany boxes with a touch bne and again in pearls.
Strings-through-.
Potentiomtres-volume and tone that is also push-pull for split mics a double single coil.
Micros-Seymourd JB/59 Duncan.
-Mahogany body with table Saddle flame.
Micro-selector 3 positions.
Binding-body-head-round.
Sperzel locking-Mcaniques.
Silet-bone.
(Mine is dark red distributed in France by the black box list price 1790)
UTILIZATION
-The neck is thin and fast asser modern Access in good treble.
-The guitar has a weight that I would call normal or too heavy or too lightweight.
sitting, as no problem keeping up.
We ca-branch and roll itself.
SOUNDS
-Here we have a versatile guitar that asser typemtal strongly, I think it is a version of EMG team directly.
-I play an ENGL Thunder 50 no problem and the sound is rich, and prcis law.
-Depending on whether and spil SETTING THE amp, I can close all but the guitar style color guard nanmoins mtal asser modern sound we are here in spite of the violin near the asser his gibson. The grain is more "modern" for groups like Led Zeppelin the guitar does not excel, however, metallica & co do not worry.
In-distortion as a clean guitar a good trs rpondant split relement microphones offer great potential as explained above, but the sound is too "prcis" too much "right" to an old blues drooling or something else that is more "dirty" in distortion.
OVERALL OPINION
-I possde guitar for a month, I love his violin trs complte, Access in the treble, it is rendered on pieces irrprochable more like hard metal.
-I possdais before a cort m-600 MODEL recess at well below prices as quality.
-I think for a high-end guitar like this the ratio quality price is a good honest plsu complete violin, good wood, good microphones, when we see the exorbitant prices that practice or gibson jackson US I think this guitar is well established
and has really nice sound possibilities.
-I do not think that choice again, since this guitar is not my type of guitar that does not detract from its quality. I board not a good feeling that's all I'm Gibsonian: p
Strings-through-.
Potentiomtres-volume and tone that is also push-pull for split mics a double single coil.
Micros-Seymourd JB/59 Duncan.
-Mahogany body with table Saddle flame.
Micro-selector 3 positions.
Binding-body-head-round.
Sperzel locking-Mcaniques.
Silet-bone.
(Mine is dark red distributed in France by the black box list price 1790)
UTILIZATION
-The neck is thin and fast asser modern Access in good treble.
-The guitar has a weight that I would call normal or too heavy or too lightweight.
sitting, as no problem keeping up.
We ca-branch and roll itself.
SOUNDS
-Here we have a versatile guitar that asser typemtal strongly, I think it is a version of EMG team directly.
-I play an ENGL Thunder 50 no problem and the sound is rich, and prcis law.
-Depending on whether and spil SETTING THE amp, I can close all but the guitar style color guard nanmoins mtal asser modern sound we are here in spite of the violin near the asser his gibson. The grain is more "modern" for groups like Led Zeppelin the guitar does not excel, however, metallica & co do not worry.
In-distortion as a clean guitar a good trs rpondant split relement microphones offer great potential as explained above, but the sound is too "prcis" too much "right" to an old blues drooling or something else that is more "dirty" in distortion.
OVERALL OPINION
-I possde guitar for a month, I love his violin trs complte, Access in the treble, it is rendered on pieces irrprochable more like hard metal.
-I possdais before a cort m-600 MODEL recess at well below prices as quality.
-I think for a high-end guitar like this the ratio quality price is a good honest plsu complete violin, good wood, good microphones, when we see the exorbitant prices that practice or gibson jackson US I think this guitar is well established
and has really nice sound possibilities.
-I do not think that choice again, since this guitar is not my type of guitar that does not detract from its quality. I board not a good feeling that's all I'm Gibsonian: p