All user reviews for the Fender Stevie Ray Vaughan Stratocaster

-Guitar manufactured in the US
-micros fender texas spcial
-chevalet gold
-manche Fender SRV Signature

USE

-The neck is super enjoyable. It is quite large and very handy. The guitar is very well balanced the access to acute is easy, it is quite heavy Nevertheless (it's not a tafiolle guitar !!).

SONORITS

This is a blues guitar par excellence. Its warm SRV. With a lamp type fender amp Vibroverb, super rverb, twin, delux .... there's really yield.

NOTICE GLOBAL

Hint: find one from 1995 (they are particularly in this period managed to) .When you start playing with it can no longer arrter tellemnent it is pleasant to touch .dropoff window This is certainly my best strat US ahead but standart.Le qualitprix report is super good especially if we find a used (it is a guitar that really keeps well if we take soin.Je tellemnt finds that I am leaving proocurer for a second: a custom SRV (I find vintage look)

Guitar factory in the United States 21 frets with great pickups texas!
1 volume, 2 Tone and Classic slecteur
the handle is a killer! to be enjoyable, but not too large ... the solos are of course without getting tired of the left hand

UTILIZATION

Like I said above, the handle is a real massacre! Access in acute is relatively easy
the single point of scratching ngatif this egg is how the PSE poind the bitch! She is quick to dchirer you back!
when the sound ... anything! DEFINITIONS a superb one incredible precision. We obtain quickly the research (when it comes to blues and rock)

SOUNDS

This scraper is perfect for playing the SRV of course! but we are comfortable making trs funk or rock and even jazz, thanks its great pickups texas. there is a grain terrible and sounds clear, spctaculaire!
I take my foot lamp with amps (Twin Reverb, delta blues) but can be as comfortable on the big marshall type: TSL or other ...

OVERALL OPINION

I play this guitar prs since 8 years and I have to redo my frets (super jumbo) that starts curling death 240 ... it's going to cost me, but it is not an instrument of this quality br /> I am a big fan of Fender and I have several US MODELS as a stratum, a 57, and I had the opportunity to play on the custom shop. But I assure you that for the price, it is better to pay a SRV, you will get a dynamic imprssionante!
I pay 7500 francs because I knew the luthier who kept the store, but I would still buy 12 000 en
without hesitation, I would do this choice

Micro and quality violin, but quickly made gold-plated encastillage pale for a guitar of this price, the gold layer by very quickly, and it is best to also change the bridges that prennet of games and they loosen by bridges standards.

UTILIZATION

The handle is the best round of stratum I saw a rather large profile, with a back between C and V. ... A true success. The access to acute, as in all strata is not great ... (heel rather thick).
It is quite heavy for a Start, but it does not pose a problem, it is well balanced.

SOUNDS

Rather unusual for a stratum, the sound is very "robust", with a greater output level and lots of mediums from traditional to stratum, the treble is less scathing ... I would say perfect for blues rock, for which it is made, but not very versatile and less adapted to the reggae / funk / cocottes.

OVERALL OPINION

Strong Start to play blues rock, it remains a good value for money on occasion (eniron € 1000), for cons, I think you can do better at the price of nine ...

Guitar made in United States, alder body in 2 parts.
Channel stocky, key type rosewood, 21 frets dunlop SPECIFICATIONS (Troit and high), spcial profile (wholesale), mechanical vintage.
Texas special pickups.
Vintage bridge of left-handed, acastillage gold plated, color sunburst, black plate sign SRV: trs pretty.

UTILIZATION

The handle is big, but for me no problem. The key is not too bomb, a love. The frets are particulires less enjoyable than conventional jumbo, but there again, no worries. The only small BLME is that with the vintage bridge, the strings are more cards with a standard bridge. Feedback, the strings are MI prs edges and be careful not to leave the field (I had to get used a strat APRS std US). This is reflected in the strato gnral vintage.
Access in acute is okay: it is a stratovolcano.
Left of the bridge requires some adaptation (especially to play "Lenny" with the whammy bar in hand), but quickly forgotten.
The guitar is quite heavy. Captures the gold plating on the sunburst, but gold is fragile wear.

SOUNDS

This guitar has the personal.
The sound is superb, prcis, powerful, equilibrated in any combination of microphone.
Note: The team of mine is vintage noiseless, brilliant and sharp as acute, but not be aggressive. There is a grain and natural compression, Submitted even in clean sounds. saturation goes well. It's really good, the treble is exceptional.
I mount the texas specials (purchased new there is little to US on ebay.com, not expensive at all!) And I t of their sound "fine pitch". DSOL for the purists, but I quickly handed the noiseless. I dvelopperai this one day notice via microphones.
The volume SETTING THE trs behaves well is that the highs do not disappear suddenly with the level.
The dynamics are excellent, the nuances of the game are followed. There is also a good sustain. The big round of matrial and quality are probably for something.
With Texas, she especially loves the blues. With noiseless, there is a real stratovolcano, which can accommodate all.

OVERALL OPINION

I have this guitar since December 2004, bought secondhand US $ 880 (super state).
Trs vintage, it is not at the top of modernity but the expressiveness it brings inspires all pardons.
I had a good strat US standard before, this is the one step above (the more I think of the microphones). A good compromise might be a strat US deluxe.
New, but not given a layer of quality is a value sre.
I do not regret my choice.

See other reviews for the dtail

UTILIZATION

The neck is wider and larger than my 70 Start. Less rounded frets too. The strings are a little more space.
The guitar seems heavier than a standard Start. I rgl vibrato into abutment does not operate that way "relchant" strings, and avoid the dsaccords permanent. The handle of vibrato to the Mount (above) suits me much better (but I'm not a big fan of vibrato).
There is a need for stronger ties rope to take advantage of the can (I put the 11 (or 12) - 56). And ensured SRV sound on any (good) amp lamps.
One regret: the gilding of the fittings are superficial and do not hold trs wear. But this is true on all guitars Bricoma dores ... Lutherie excellent bill.

SOUNDS

With it, I play the Blues and even the Blues. Her trs hot, good sustain. Again, put the strongest possible tie rods and muscle ... your fingers. Mdiator banned soft ...
The bass are supergbes, enjoyable and treble. No background noise, output level above that of the strats "traditional".
Vibrato has all the default core Fender vibrato, and it's not put the stick over there change anything!

I may not modify this guitar. The Texas Special pickups are fabulous, the overall balance is perfect for me.

OVERALL OPINION

I bought it in New zlande for $ 600 5 years ago a vintage store that closed.
The best deal of my life. I made my guitar to play main (postponed to 70 stratum closet without vibrato, and the Gibson SG).

Trs is versatile, even for out of the blues, to jazz, funk, etc ...

I love it also sounds clear.

Fender Made In United States - Year 2006
21 Dunlop ® 6105 Narrow Jumbo Frets
Pickups 3 Texas Special ™ Single-Coil Start ®
3 Color Sunburst (Polyurethane Finish)
Body: Alder
NManche: Maple, Thick "Oval" Shape, (Polyurethane Finish)
Fingerboard: Pau Ferro, 12 "Radius (305mm)
Knobs: Master Volume, Tone 1. (Neck Pickup), Tone 2. (Middle Pickup)
Switch Position: 5 Positions:
- Position 1. Bridge
- Position 2. Bridge and Middle
- Position 3. Middle
- Position 4. Middle and Neck
- Position 5. Handle
Tremolo: Gold plated + Left American Vintage Synchronized Tremolo
Tuners: Gold Plated Fender / Gotoh ® Vintage Style
Plate: Gold Plated
Pickguard: 3-Ply Black with Engraved SRV
Scale Length 25.5 "(648 mm)
Width at Nut 1.650 "(42 mm)
Unique Features Deep, Thick Oval Shape Neck,
Gold Plated Vintage Hardware,
Engraved SRV on Pickguard,
Vintage Tremolo Left
Accessories supplied with the guitar: Vintage Tweed Case, Strap Fender Cable Fender Fender Kit for Polisher guiatre.
Case: Vintage Tweed Case

UTILIZATION

Handle very nice and smooth
Access to acute rather simple
Ergonomics not male
The good sound of this guitar is obtained by working his finger

SOUNDS

Studied for a guitar style blues and rock and roll.
Amp Peavey Bandit 112 + United States Transtube DS-1 distortion
Its very hot, perfect and both very blues
I prefer to play in Middle + Bridge because the sound is still acute, but not to break the ears

OVERALL OPINION

Purchased in December 2006 to OCCAZ, but never served (Year 2006)
What I like is his orginalité ... For a Fender it is different. What I least, is the Vibrato left
J have tried a Fender 60th anniversary is supposed to be mounted with micro Texas .. J I was very disappointed because the sound of it was not clean! for a guitar at 1490 € I am a bit surprised. So far negotiating a SRV cheaper because it's expensive € 1850 new.
The value for money is perfect. Perfection in the choice of wood, colors and microphones
This choice I would do again in a heartbeat

It is a strat States. It has Texas Special single coil pickups, which gives a fabulous grain. The bridge is a vintage left hand to effect Hendrix. The handle is large "D", the largest, which suits me well with my long fingers ... the Mechanics plaaquer his gold.

UTILIZATION

The handle is great for me ... on the other hand for those with Pettits fingers, it's harder .. CCAA treble is perfect.

SOUNDS

100% blues! but we can play with any texas. it gives a very special grain. I play a Blues Deville or a Blues Junior with a Vox wah-wah modified with true-bypass. DEFOIS add a phaser or a funk for the fuzz. We can get any type of sound but with its best is clean and crunch.

OVERALL OPINION

I use it since November 2006. She really excelled. I would do without hesitation choosing to buy it.

Previous notice is complete on this point. Has my guitar purchase in 1996. Trs beautiful workmanship.

UTILIZATION

Start form, known hyper. The handle is really spcial trs. it is "fat", fat, we feel really good in the hand cal. Trs is blues, but without the handle shall adopt V. The frets are grazed, which involved the printing sleeve "for men". This sduit me this guitar, but it must not match or any hand or all games.
It's not a guitar "easy". I would say it has a labeled characters especially for a stratum. It does not ring, my taste on many amps. Further, I mounted a little in 59 of seymour duncan in the bridge position because I was using the ever texas spcial there silent ... It is a failure, I do not use it either. In fact, I love the heavy sound ct, which implies some amps, which makes the bridge pickup not trs interesting ...

SOUNDS

So the is a real slap. It sounds ... incredible. I'm not a fan of stats gnral, I often find the sound too lightweight. But l. .. a helping mdiator, I spend a meek mild snoring a wild cry full of life. Blues sound sublime strength and nuances. But hey, I have an all-tube amp viel (a brand 60w EWAN .. if anyone knows, let me know) who spits on a celestion vintage 30. Saturation light before, quite RULES lgre, the guitar does the rest. It gnial. if necessary, I use a happily mtal muff for a little buggers, that stratum (yes) accept without losing its charm.
the inconvnient is that the sound is pretty hard to find. that difficult to develop if other misicos make noise (or more) around. But when it was ... Personally, I find this nowhere aileurs?. EHJV with a fabulous ct articulated and singing in the stratum. And severe ... good, I played with the ties individuals (54-40-30-16-12-20W), the guitar is pretty easy to play and a good slap.

OVERALL OPINION

I use it for 10 years in amateur.
you have understood, what I like most is the sound. Sublime. I do not like? Nothing, how will the change when brought SOUND .. Ms. its default, I think, has particpent what we played well.
I have bought the era, 8000F. But frankly, I do rve most other guitars since then ... I think it has worth, right?

Well, I go play a little ...

I have a SRV's true that the sound is exceptionel.Mais the handle tends to drgler, souventlgerement enough, but I must have it checked by my luthier each anne.Et it right disassemble the strings for rgler, no way to do so-even meme.Avez you this small problem? Thanks

strat beautiful, quality workmanship, varnish is beautiful.
the handle is very big but not unpleasant, perfect for blues, recess.
The bridge is vintage type, larger than my american standart, the strings are further apart.
the vibrato arm is left.
the truss road is also reversed, to settle the handle, remove the strings and plate microphones.
The setting is located under the neck pickup.
It is therefore up to the plate without strings (tuning difficult) to access the screw that is half under the table of the guitar, watch the turn of a screwdriver.

UTILIZATION

for comfort, no problem, it is a stratum.
for use is different.
to abort the bridge: vintage therefore wider, the two middle strings is closest to the edge of the handle.
difficult to vibrate the high E without leaving the track (for a blues guitar is average).
Reverse the vibrato arm is a problem if one wants to play with it in hand.

SOUNDS

I wanted a nice strat with beautiful sounds of strata, is bein missed.
srv does not play with these pickups but rather of Vanzant.
Texas mounted on the ring tres''bizarre this stratum.''
a caricature of his master.
the sound is''stitched'', much like the positions round the middle or middle bridge.
very clean funky sounds have disappeared, giving way to this imbalance in the frequencies with high and low aggressive Medum Medum less present.



OVERALL OPINION

I did not edit my favorite guitar resell.
as always for a guitar of this price
it is essential to try before you buy.
it's a beautiful guitar that pleases most people who owns it.
Me, I prefer very far from the American standard, which certainly has a violin less beautiful, but possessing a true sound of strata.