DiMarzio DP384 The Chopper T

I installed it on a Telecaster American instead of a Fender Vintage kit
On the sound itself there is in the modern record is a microphone that goes inside you can send it to the big fuzz, the Rat, the Plexi drive it does not move it responds really well, which made it printing not have a Telecaster hands so the sound is opposite of what we usually hear about this kind of a shovel for my part I think the twang are bloated limit was something very right those looking for a microphone to bring out the pure juice sauce Vintage immediately forget this micro ... Plans how Rolling Stone does not stand out well micro grain is too modern and has a large output level after to modern rock vintage mid I'd say this can make the marriage is not so bad ...
Microphones installed on the signing of Richie Kotzen Telecaster

I already have a tone zone in bridge on my Start and I wanted to vary the pleasures on my TV (a bit like Richie Kotzen).
So I install the microphone heading acute (one can not put it somewhere else anyway).
In fact, a microphone and still very rock shred less than the tone zone. Both are very opposite but complement each other well (it's not uncommon to see a chopper in the inning with a tone zone in bridge).
At first I was a little unsettled but I realized that this micro respects much better dynamics than the tone zone and saturates more quickly with a clean sound (because of its side acute) that little openly attack the strings. It also gives great intermediate position on my TV)

In sum, a microphone with great presence and a strong character but still remains a great versatility when you put a bit of gain (heavy blues, rock, hard rock, metal shred see if we like the grain ).

I would do this choice but I would test it in the neck position of a stratum.