All user reviews for the ESP Ron Wood Maple

I own this guitar since age 7. Purchased new.

Guitar Made In Japan, 22 frets, one humbucker at the neck, a simple bridge.
Bridge classic TV, through-string, six bridges adjustable depth / height (never had a rope breaks this level is a good sign).
1 volume, 1 Tone selector 3 positions.
Maple neck + key maple with a truss road (accessible only by removing the handle), Bolt.
The lifts are of good quality, they are very good agreement. One particular feature (which can be said that they are both the Agreement), the strings are mounted by pushing the extremes in mechanical, forcing a cut the cord has the proper length before assembly. After one or two tests, you get used very well.
Pickgard white, which when removed provides a fabulous look that tl like no other. (See my profile for photos).
I forgot, the body has a double white biding the most beautiful effect. Over time, it turns white love.

UTILIZATION

The handle for me everything. I never knew qualify frets (jumbo, etc ...) but say they are wider than on a stratum, narrower than a les paul, less than a high stratum, but higher than an Ibanez RG. Good short, they are normal; o)

For the rest (access to acute, ergonomic, shape, weight) is very similar to one of tl fender.
So 10.

SOUNDS

Nivo sound like a lot.
I tried a lot of tv at the time of purchase, and I found no equivalent in fender. I tried one of David's Thinline tl custom shop that had a sound quite as convincing, but the price difference to me calm. You have to see the era's, this guitar (the ESP) worth 5000 francs. Today it is 1600 euros, which seems to me completely out of reach for a tl.
Returning to her, the double is very round. In his clear, he has been very well down the spectrum. Jazz is dead. In crunch or saturation, the blues is to go and the big fat rhythm well.
The micro acute (one that made me crack is blind harmonics. In comparison with a standard tl, nothing to do. In his clear, we keep the features of tl: a slamming, great for casseroles piercing. In disto, lowering of the Tone knob is a fabulous sound for heavy rock riffs tres. recement This micro has passed away, and I had to change it. Having two essay (and a DiMarzio Twang King seymour) I asked my luthier to rewind the original microphone. I am again delighted with the sound of my guitar.
Both pickups are ESP.
The sound intermediate (selector in the middle) is perfect for the arpeggios in the clear. In the saturated He has less interest.
That's the sound I chose this guitar.

OVERALL OPINION

So I use this guitar for 7 years, and frankly, I would hate myself if I had to spare. Especially given its current price.
What I like most is the sound. What I like least is taking Jack, who spent his time to steer. I recement replaced by a plate style Les Paul, more worries (7 euros).

A guitar probably made in Japan.
Alder body shape Télécaster hanging weight, perfectly black varnish applied with a simple thread on the edge of the table and back.
The maple neck while not too thick "D", reported no key, the frets are small (but larger than the vintage?) And well put.
A Telecaster in all its glory but the microphone is a double grave. 3 position pickup selector, volume and tone.

The nickel finish is the same under the microscope!

[EDIT: I learned recement it is made in the ESP Custom Shop! this explains the quality of the finish]

UTILIZATION

Question ergonomics is a telecaster: we feel that the guitar is there, and access to acute but not much top (Who would the idea of ​​playing on the 32nd fret on a TV?)
The handle is a real treat (better than a fender to tell my buddies)
Keep in mind that a telecaster is a board, a handle and two microphones: no question of floyd, split the microphone, Chanfrain on the body, or table carved or shower. This is a guitar (a shovel?) And you have to die with Erder **: if you can not play: it sounds it!

SOUNDS

I have 2 amps and a Roland JazzChorus a marshall JCM800 50w (50w combo 2Hp)

Clearly, this guitar sounds: when I bought it, there are 7 or 8 years, I had my money in my pocket and want to take me a telecaster: I tested a standard fender and Blade (I remember more than that) The blade was more beautiful, but sounded much less (it is where the Twang?), the fender sounded a bit off, and buzzer as soon as he put any overdrive. The ESP, it is silent, and has the twang characteristic of this guitar.

I climb ropes 11/52. The microphone is aggressive sharp, dry and bright: the one between the Jew's harp, banjo, and guitar: I love it! When the microphone serious, it is soft and warm: nickel for blues or jazz. The mix of two pickups give a very particular sound mixing characteristics of two microphones: a friend is a fan, I do not.

I have a small stock of distortion pedals to make it all a little squeak.
1) AD-50 + = On the Tube screamer Blues Blues explosion ...
2) AD-50 + Metal = zone configuration as it is stupid: I tried again: now I know this is very stupid as config ...
3) AD-50 + Ibanez = Disto Rock'n'roll with power for ever!
5) JCM800 + TS = Bad ... it looks like the aggressive side of the TV remains in the pedal ...
6) JCM800 + MT-2 config = My favorite is playing the No-FX Black Desire through the Thugs. The sound is nervous, we keep every note intelligible, and the spirit of the TV or breathless buzz.
7) JCM800 + DS7 = well, it sounds not sound too shrill treble.
Note: The drive of the MT2 is max 10 hours (over drive Noit completely the sound of the shovel)

In short, it not ring with any but when we found the right config, that deposit! I am very open zic level that I play even if it is technically very simple and very rock'n'roll or Hard-core. In addition, my work has focused on the rhythm (ugh, the solo)
What is amazing is that my game is different on this guitar, the sustain shabby either forced to play stacato in cotcot or a lot of notes. I also have two copies strata (one with three single and one with two singles and a double) and my game is more "cool" on the last 2.
NB: I have 10 years of practice but only 6 months of learning: this stuff myself of work ranges

EDIT: I sold my Fender Prosonic for a JCM800. Whatever settings Prosonic, the guitar sounds (ding dong) monstrous: in short, as in crunch, as distortion: this deposit, it rocks, it's hard, it'll unravel the pants.

OVERALL OPINION

In short, this guitar is punk (or roots) in the spirit (in the sense of the word) No frills, sounds simple right and nervous.
The only criticism I would make him is the fact that the body is alder and not Ash: Ash is brilliant and even more nervous. (Gnak, gnak!)
At the moment I do not change as a fender '52 (better: for Esquire), but compared to Fender USA standard, the PSE is better and I would bring a series of rather Deluxe U.S. because the finish is nickel and top-flight hardware.

[EDIT: guitar for sale: I go in search of a TV '52 after having tested one. The neck suits me better and ash, ah, ash ...]