All user reviews for the Fender TL62

Guitar Made in Japan, the body is alder 3 pieces maple neck and rosewood fingerboard D 1 piece! 3 tone sunburst very successful. Negative, the red button on the sunburst was not made under the pickguard! :/ ....
I did some modifications: I replaced the bridges by other brass. The original pickups (very correct) were changed by Bare knuckes suggar Brown. In addition I installed a direct output and a device the tone for the 2 pickups in series, it gives me the sound of a humbucker.
I put 7 because of the body 3 pieces, even if the choice of parts is made and the joints are virtually invisible. 7 also because of the lack sunburst under the plate.

UTILIZATION

Nice handle and end that fits nicely in the hand. Access to acute is not a problem after a little time to adapt (ie this is not a SG). the guitar is not heavy.
Find a sound is simple: three mic positions, an already exeptionnelle versatility base, you can go from jazz, pop, blues, country, rock, fusion and hard rock. You just have to turn the potentiometer extremely responsive tone.
With the mods mentioned above, it allows me to direct output to have a slight boost for solo or have a killswitch (if the flight is zero). With the series connection of two microphones I put one foot in the world of dual and direct output I cruncher any tube amp. (Even a mixing console once: D)

SOUNDS

A treat: This guitar has a very clean person, not really a TV even if it follows very clearly. The sound pickup is because of the bridges brass and rosewood fingerboard, less sharp than an original. Nevertheless it retains a characteristic twang a little more discreet.
To fast is a guitar to do everything (except hard core thrash metal symphony)
when it shows its limitations, it is only the sexiest, the guitar vibrates everywhere, the sound of metal easel outlet on hard rock. On Led Zep is magic (besides I play Led Zep exclusively on the TV, my Les Paul is in the cabbage, not enough rough)

OVERALL OPINION

I use it for 6 or 7 years, this is my main guitar, I'm not afraid of scratching or otherwise. This is typically THE guitar roots by excellence! When I do not know what I have her and I take after affine with the Stratocaster or Les Paul.
I bought this guitar in a famous shop in Bastille, I tried all the TV store (Baja, Us, even at 2500 €) and then I saw this little last 900 € it seems to me, without even plug, played acoustically, she immediately convinced me of his qualities.
I do it again without hesitation that choice today .... maaaaais now it exists in U.S. ... see.
Super shovel

Model japan 1999 reissue 1962 classic sunburst with dual binding characteristic of this year. american standard Tele bridge current, neck rosewood fingerboard 21 frets, thin enough, radius 7.25 ... mechanical vintage, pick 3 white folds.
I mounted microphones texas special, and changed the tusc nut to a bone nut. 1 3-position selector (changed with a new fender because the original was broken)
microphones origins were nice but lacked character, a bit dull. they were seymour Duncun N1 and S & D B1. I made an aluminum shielding cavities because bcp parasites buzz before, now it's nickel
mounted with strings D'Addario 10-46

UTILIZATION

The handle is top. the radius can not be delivered too low action if you want big bends. (Currently 2 mm fret12) but essentially rhythmic scratching ... I love this set, parfais for rythm soul, reggae, funk, crossed with a lot of chuckles, etc. ..
rather thin neck, nothing to do with a baja example.

SOUNDS

its typical TV. a bit less twang without the bridge with brass saddles, but better accuracy settings, and a great twang anyway. the texas special pickups give character. bridge position very punchy, jazzy neck position, middle limit dire straits ...
I play Marshall Valvestate 8280 or so live rehearsal on the sound with 2 multi effects in series (one ToneLab st 1010 and zoom just to equalizer) and it works great!

OVERALL OPINION

I for 6 months. it is a TV, it is not to make satriani, but for well-typed rhythm is not better I think. I bought 500 euros OCCAZ + texas special pickups, so it's a good investment anyway, but compared to us on TV, I am not blind trial that we can differentiate ...
great guitar

Made in Japan.

The handle is less than a round or US Mex. I personally prefer.

UTILIZATION

For me, the handle is best. Fender handle the least traumatic for the "Gibsonian".

SOUNDS

It is a skyscraper of rock'n'roll. If you want to buy an Ibanez versatility.
If you want the real sound and look of killing is that is it. Timeless.

OVERALL OPINION

I showed up at the shop with 10 000 balls in the pocket.
I wanted the best of the Telecaster rue Victor Massé. Well I put my snobbery in my pocket for once and I'm left with this one. Deja, I bought it used, and three meters in the window I thought it was a genuine Fender Custom of 1962!
And when I played, there was no photo. To say, I even played that day a Custom Shop, a Mex, a Korean, a Standard and a '52 US US. The pickups are great (I believe Texas Special), with a "dive" formidable. Even the micro grave is excellent!
I unbalance of Gibson Les Paul and SG with no regrets, but I never give it away.

For those who want a Tele with rosewood fingerboard (I hate mapple, I feel a touch of Ikea furniture), no better choice. Or bcp, bcp, bcp more.

Japanese Tlcaster Rdition a Custom 1962. Three rustic bridges trs bridge, mechanical rustic (no oil bath), but reliable trs. Channel 21 cells, tl typical pickups like the rest of kers, slcteur 3 positions, volume, tonality etc ... It is now ten years and I must say the finish and polish it aged well particulirement

UTILIZATION

Channel quite physical. It's not a guitar shredder, but to pull the strings, slide the game and everything a Tele is supposed to do is impeccable.

SOUNDS

It is a Tlcaster! The sound is sharp, sharp. Trs good in bridge position and intermdiaire. A little flat in the neck position.

OVERALL OPINION

I have about 10 years. The level of finish galait widely amricaines the era, and I can not confirm the opinion dj DPOS on this instrument with an open mind on the day of purchase, this guitar Japan beat all its competitors far, except perhaps to be the neck pickup, which lacks significantly in personality. The report quality price including silent undoubtedly suprrieur (around the 5000 era FF).

Guitar factory in Japan
2 micros simple
22 frets
rglages normal: volume, tone and pickup selector

UTILIZATION

The handle is enjoyable trs
but the bars are more technical than guitars with thinner handles
It is not lgre but it is well balance and is very pleasant with a strap
This gives a very Acil its type with a tele bontwang and looking for finer rlages
gives a sound very very good
Very round and fat in the low
shouting and very late in the treble (for solos)
The position is very good intermdiaire
the sound balance is very serious and neither acute nor does dominate
Access in acute enough ais

SOUNDS

It is perfect for my style
RHCP, Frusciante, Jack Johnson, Radiohead ....
This guitar is very polivalente
Serious position you can play songs from acoustic
it may well be the hit and attack for the style RHCP Frusciante
and its very fine and clear the guitar keeps high precision with effects (such as the Big Muff has a second life with this guitar and the sound is very very good, it was the fuzz effect with all crpitements you want but it still feels point the sound quality of the instrument behind)
Same with DS2, FM4 or the wh 10
effect enhances the clarity of sound
Moreover, it is also nice to play without being branchbr /> the sound is not very powerful amplifier with respect to the other guitar

The sound is very fine but gives a good power
is above all that I was looking into buying it

OVERALL OPINION

I use it for a year now
I almost sell it to beginners because I could not get used to it
But soon I got attachbr />
It is a beautiful guitar
The white binding is very pleasant
The finishes are of very high quality
the sunburst is enjoyable and natural
The wood is very good qualitbr /> I have tried many other telecaster before tournament including amricaines
and honestly I do not see any obvious difference
Apart from the price of course
I think I henceforth confined to Japanese

The report price is very good quality even if the guitar is 800 euros is still very poorly
With the experience I remake that choice without hesitate
I have not tried the guitar since I am largely satisfied with the one that seems to be very versatile

The only problem is that lesmicros provided are bad bills
and there is some noise

It's a telecaster (I need detailed?)

made in japan 21 frets (requires reedition)

UTILIZATION

The neck is very thin, he painted the same as the classic Mexic (smooth) (global love), the rest is like any other telecaster, access to an acute drive it beyond the freight 17/18é it is better not to have a small cake (no cutting stomach), the guitar is not very heavy nor forcemnt very slight, it is not necessarily very balanced to obtain the "good sound" is somewhat difficult to get any easier two knobs and two pickups that's all.

SOUNDS

If it fits my style? ouhais, I know too, since it will Led Zeppelin to Guns through hendrix or pink floyd ... without being a strat remains relatively Polyval
I play on a pod2 (I know modeling is zero, although it is very good (ideal for me since I like to play at night when no one hears me))
for the bin here we are in a typical telecaster, snapping at will twang and frankly I love company, even if I find the pickups that scratches a bit bland, not hot enough in my opinion (even on a lamp), and very sensitive to pests and Feedback, notes with a TV, you must not expect much else (I plan to change them), vacuum has a well-balanced without being a monster sustain.

OVERALL OPINION

When you buy a telecaster buy the first series of scrapes with all the defects in this inner court trial (which was almost as much as the stratum, a masterstroke of leo fender) but this is a skyscraper that we love and that we care.
This is obviously good for this model I have chosen after trying all of the tele squier to standart US (even if the U.S. was a bit off budjet for me, but I found the sound of this one too " Modern "), it is largely violin at the road, the mechanics are somewhat accurate, also the pickups but the guitar is worth the cost of being upgraded, and then look at (it also plays, in spite of us ...) I magnifiqueen is sunburst with two binding, it is also worth noting that a repeat, so it has the faults of the original model (bridge 3 bridges, and trussroad the base of the handle)

but in summary I love it

Made In Japan Telecaster 62
21 vintage frets
Alder body
Handle Saddle C
rosewood fingerboard
2 pickups Fender
Fender Mcaniques
3 Slecteur Postitions
Volume and Tone

UTILIZATION

The handle is trs enjoyable and provides excellent comfort of play the holding of the agreement is good
Access in acute and is unhindered, and the same for dernire freight.
Ergonomics is good, the weight of the guitar is balanced and its weight gnral is reasonable.
sitting or beginners, it is still enjoyable to play trs. BMOL small, a small dcoupe on the upper back of the guitar would have considerable improvement of ergonomics, but that luxury is only available on amricain MODEL ...
to obtain the sound is a breeze, the rglages are simple and classic, but remains even a formidable efficiency.

SOUNDS

It suits the style of music for which I bought from rock to blues, it can even use the registry HARD.
I use it with my micro cube, or the single correct, in both cases, even if the rglages are much more complex deuxime on the amp, the sound is good, vintage and slamming.
In clean: word, sound fender, a must-REFERENCE. crystalline highs, the mdiums crisp and well rounded bass.
In overdrive: the bte behaves well trs, trs sound rock'n'roll, trs musical, singing a lot, with a lump in the upper lgre mdium. really the guitar is surprisingly dynamic.
In disto: Big surprise, the telecaster it happens, for curiosities I pushed the gain of the BB preamp and that of the mesa to get a big fat distortion and sharp ... in the bridge position, she released a real sound gross, and returns in prcis desire, full of harmonics, surprisingly for a vintage single coil! course in this case we must see rduire carrment cut the Tone on the guitar, if not over-acute feedback ensured.
I love all the sounds of this guitar. 9, nothing is perfect

OVERALL OPINION

I use it for more than three months.
Strengths: the handle, the sound, appearance gnrale, the report quality price.
weaknesses: book without cover or tui, which acts as the bridge saw strings, the neck pickup can sometimes lack of dynamic
I tried other models before buying, and it offers excellent value MODEL quality award, the fender and a violin that can cure through the years without problem me.
I do it again without hsitation, this choice

Japan 21 frets 3 positions

UTILIZATION

The handle is very nice, Access in acute normal
Ergonomics is top
The guitar is pretty lgre
This gives extremely clear sound easily with a very very good sustain
trs impressive level of clarity of the sound (and still have a bad amp trs, it must be a sacred capacity Reserved)

SOUNDS

It is ideally suited to my style to the extent that it is very versatile
it is quite the coup when the bumps and that the attack much
and
it comes out crystal-clear audio in fingerpicking and arpeggios
Not to mention the effects that take on a whole new dimension with this guitar because the sound is very clean effect is also very fine

OVERALL OPINION

I use it for one month and I no longer need look no further
Most is the double binding very nice
The finish, however, lacks a bit of application but the guitar is beautiful
I tried a lot of strato MODEL and the tv but that I was most pleased
A report quality excellent price
It's not a guitar very expensive 800 euros
The report price is excellent quality sound that this guitar is out phnomenale
and I do it again the choice to buy one second without hsiter

Telecaster 62 reissue custom

* Alder body
* Handle type C (large enough)
* Rosewood
* Vintage frets
* Mechanical vintage F
* 2 vintage microphones
* 3 position selector
* 3 color tone Sunburst

UTILIZATION

The handle is big and I agree trs well, like those of les paul standard (C).
trs is comfortable for the palm of the hand. (the varnish is of quality)
the back of the neck, is a pleasant and natural color trs taking improves with age.
the rosewood fingerboard suit me better than the maple necks (I have a better personal touchj'y'm comfortable .... everyone sees).
and then the varnish will not beat it, y 'is not (just a little lemon oil to maintain it).
In any case, including any ay frets make the game prcis.
the shape of the radius (if the strings are rules) makes the game very easy to bottleneck and trs own.
the mcaniques are trs trs are good quality and good agreement, and time please.

ergonomics standard, well ... it's a telecaster ... enough Legris (compare my Les Paul!)
trs handy, it is quite free to move.
binding makes the edges of the guitar a little "cutting" and a bit irritating if you play forearm longtemps.qu 'matter!

Access in acute is easy until the box 17me, APRS you reach the end of the handle with 21 frets, no worries.

the control of the volume and tone knob and the trs are planks and make it easy to adjust during the game

SOUNDS

The sound is clear trs
The neck pickup has a positron well rounded and velvety soft trs
Rear microphone is sharp and powerful
I find these pickups really good backgrounds and characters with enough vintage that's true, pop, rock, blues guitar is certainly a versatile trs, but with strong characters do make no mistake .

OVERALL OPINION

I had an American standard that I sold to finance a motorcycle
and a few months ago I purchased this guitar again but this time made in japan.
I myself regret the era of the American spar.
APRS lot of back and practice, I find this custom telecaster reissue 62 fnomenale
I handle all particularly friendly at Thurs
mechanical, frets, varnishes, microphones and everything is there for the price there's no photo.
I am happy with this purchase trs