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WiMo
Published on 12/14/04 at 13:48
Amp lamps (4 12AX7 and 26L6GC) 50W.
The bowl is a vintage Celestion 30 (in other words one of the best guitar hp of the moment).
The construction turns solid, very well designed: wood is thick and it shows on the weight (25kg in ...)
a grid just protect the lamps while the power supply is dport under the hp ...
2 channels each with 2 modes (which is the equivalent of 4 faux channels playing the hi / lo gain)
The connection is sufficient: input facade, fx send / return (mono), hp outputs (or 1x8ohms 2x16ohms or 1x16ohms or 2x8ohms), XLR output, footswitch 1 (Contrle clean / lead and hi / Logain by a jack st ro), 2 footswitch (selections of the output level and reverb on / off by jack stro) port for the z-5.
rglages:
volume clear volume lead. By default, the output level is the same. Nevertheless a knob situated to the rear to change the ratio (contrlable and the footswitch 2)
1 eq common for 2 channels (which may be the default of this amp): bass, mid, trebble.
1 bright mode that apllique also all channels.
1 treble presence of potted lead.
1 switch that adds shine bright
1 stand by (handy for keeping hot lamps for a guitar change for example.
1 knob output level of the XLR.
The absence of eq not ask me problem insofar as I change the spectrum with eq g of Staff, but this is something that can really show Gnant for another configuration and made me lower the note 8. The bright poses fewer bp to the extent it can be Inrush and play on the presence of acute lead in
Also fans are a little regret travaills the stro ...
USE
Setup is a breeze due to one eq.
However, the common rglage gain between 2 channels apparis complicates the task: find the point of sufficient gain to cruncher while remaining clean with a hum in clean. But once done, it is pure happiness and the least we can say is that this amp sounds very well. Unable shot stick 10/10 because certainly other guitarists do not rouveront this compromise.
the manual is in English. Clear and sufficient in that language, the subtleties of the duties will have to be learned by fiddling for others. The problem is that we do not hack with impdances hp ...
SONORITS
I play a lot of metal, grunge, a little less rock and blues.
For metal, grunge I use a Schecter C-1 Classic (SH2 / SH4), a '02 SG Special Faded (490R / T) for the rock / blues.
Overall, the cleanliness is the order of the day. This amp sounds modern, very modern in all registres.Seul a little rocky blues does not go too far because of high modernity sound.
Whatever the channel. The variety of sounds that you can get out is quite consquente: turns very clear crystalline split position, without being garish. The crunch announces a resolutely modern rock, even with the SG Special which possde a fairly old school bell. In metal, the saturations are sharp, powerful and prcis muts when the tapping, pure rgal, though I be only beginner in this field. the leads are beautiful, harmonic out. in short all good.
NOTICE GLOBAL
Used since two days after having bav since the first test performed it a few months ago. Selfishly I would put him 10, but the score will for me reflter what other guitarists expect the amp and my comments are that I can not put it legitimately 10: /
I appreciates the most is obviously sound and sound obvious modernity of the craft coupled versatility.
I might regret a perspective sound is not to have a "vintage" fashion, a design point of view, it requires some compromises: eq common, not str o.
I tried many things before: Fender DETAILEDREPORT not for the big saturation, marshall who lacks cleanliness and DETAILEDREPORT old school, peavey so versatile that it lacks character, h & k not proposed to 'equivalent) mesa I do not like the grain, much less the price crate is too rare.
However, this is an amp whose purchase must be rflchi in terms of rig for its modernity that does not allow him to play all styles and also these small defects eq.
The price quality ratio is perfectible (2x12 competition offers in this price range).
For those seeking a combo that sounds modern, I highly recommend his essay.
The bowl is a vintage Celestion 30 (in other words one of the best guitar hp of the moment).
The construction turns solid, very well designed: wood is thick and it shows on the weight (25kg in ...)
a grid just protect the lamps while the power supply is dport under the hp ...
2 channels each with 2 modes (which is the equivalent of 4 faux channels playing the hi / lo gain)
The connection is sufficient: input facade, fx send / return (mono), hp outputs (or 1x8ohms 2x16ohms or 1x16ohms or 2x8ohms), XLR output, footswitch 1 (Contrle clean / lead and hi / Logain by a jack st ro), 2 footswitch (selections of the output level and reverb on / off by jack stro) port for the z-5.
rglages:
volume clear volume lead. By default, the output level is the same. Nevertheless a knob situated to the rear to change the ratio (contrlable and the footswitch 2)
1 eq common for 2 channels (which may be the default of this amp): bass, mid, trebble.
1 bright mode that apllique also all channels.
1 treble presence of potted lead.
1 switch that adds shine bright
1 stand by (handy for keeping hot lamps for a guitar change for example.
1 knob output level of the XLR.
The absence of eq not ask me problem insofar as I change the spectrum with eq g of Staff, but this is something that can really show Gnant for another configuration and made me lower the note 8. The bright poses fewer bp to the extent it can be Inrush and play on the presence of acute lead in
Also fans are a little regret travaills the stro ...
USE
Setup is a breeze due to one eq.
However, the common rglage gain between 2 channels apparis complicates the task: find the point of sufficient gain to cruncher while remaining clean with a hum in clean. But once done, it is pure happiness and the least we can say is that this amp sounds very well. Unable shot stick 10/10 because certainly other guitarists do not rouveront this compromise.
the manual is in English. Clear and sufficient in that language, the subtleties of the duties will have to be learned by fiddling for others. The problem is that we do not hack with impdances hp ...
SONORITS
I play a lot of metal, grunge, a little less rock and blues.
For metal, grunge I use a Schecter C-1 Classic (SH2 / SH4), a '02 SG Special Faded (490R / T) for the rock / blues.
Overall, the cleanliness is the order of the day. This amp sounds modern, very modern in all registres.Seul a little rocky blues does not go too far because of high modernity sound.
Whatever the channel. The variety of sounds that you can get out is quite consquente: turns very clear crystalline split position, without being garish. The crunch announces a resolutely modern rock, even with the SG Special which possde a fairly old school bell. In metal, the saturations are sharp, powerful and prcis muts when the tapping, pure rgal, though I be only beginner in this field. the leads are beautiful, harmonic out. in short all good.
NOTICE GLOBAL
Used since two days after having bav since the first test performed it a few months ago. Selfishly I would put him 10, but the score will for me reflter what other guitarists expect the amp and my comments are that I can not put it legitimately 10: /
I appreciates the most is obviously sound and sound obvious modernity of the craft coupled versatility.
I might regret a perspective sound is not to have a "vintage" fashion, a design point of view, it requires some compromises: eq common, not str o.
I tried many things before: Fender DETAILEDREPORT not for the big saturation, marshall who lacks cleanliness and DETAILEDREPORT old school, peavey so versatile that it lacks character, h & k not proposed to 'equivalent) mesa I do not like the grain, much less the price crate is too rare.
However, this is an amp whose purchase must be rflchi in terms of rig for its modernity that does not allow him to play all styles and also these small defects eq.
The price quality ratio is perfectible (2x12 competition offers in this price range).
For those seeking a combo that sounds modern, I highly recommend his essay.