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col trautman « HARMONICA AMP »
Published on 07/24/10 at 18:19completely original, live out of the box, no mods
UTILIZATION
configuration is ideal, is connected, is adjusted depending on the local, we let a little heat and immediately sends it did not take place in small clubs where one always comes to the wad, so to 20seconds make a balance, not making the sound head is there, the manual is kept in the box, I do not need, I use it as the fender spawned, and I never had any problems .. .. is an amp that has an intuitive approach to the settings, the sound of a harmonica just whoever plays the best amp in the world has never given her to him who did not and acoustic this little fender junior restores all the intentions that I put in my game
SOUNDS
it is entirely appropriate for the delta blues, chicago, blues rock, rhytm'blues, country, jazz ... I play in different formations, different styles, I only use this amp live, repeating, in studio on small and large scenes, the power of its 15watts is truly an asset to obtain a good saturation characteristic sound of harmonica legend, I put less than 5 in mid and treble boosts on the other hand I seriously 8 / 9 because it lacks a bit of origin, the reverb is effective if one does not put too 4 is a max .... when I use the harmonica as a serious ground or a Bb, I change my equalization, I remove the grave and goes up a little in medium otherwise the sound becomes a bit boueue, especially at the end of show when it is heated through, Anyway it responds in real time with a great precision, it is versatile, whatever the microphone used, a single Shure SM 58 for the green light or a bullet to his ditto saturated with Astatic Hohner home or even the whole sheacker range, whatever the microphone he used the features of each return, I add on each of my microphone volume knob a removable allowing me to manage a possible feedback at high power, it also allows me to work on his desired playing with the master and the volume of the amp over my knob to find sounds that my discourses shade ....
He collects fine or any multi effect pedals when the need arises
OVERALL OPINION
I use it for 10 years without any problems at 80 dates per year on average over the repeated and studios, it represents a synthesis ideal for me because I lugging large 60-100watt lamps or 40 to transistor too big too heavy too powerful (divorce. ..) small car trunk, a small club, small local repeated, small studio, and grand staircase cons to 6 hours in the morning in the gray morning .... not good for the back (BUT GOOD FOR THE BLUES ....) this amp is the best compromise sound easy, in emergency or with time, its 15 watts for the stuff, its ease of use, its weight and what about its looks real good vintage tweed, his grip leather adds to the ambiance of the plateau on which it is expressed;
all this for 400 € 10 years ago ... thank you FENDER I wait as the HP original releases me to try another of dissent after what other users may be surprising therefore to be checked;
KEEP ON BLOWING ... and LET THE GOOD TIMES ROLL ......
UTILIZATION
configuration is ideal, is connected, is adjusted depending on the local, we let a little heat and immediately sends it did not take place in small clubs where one always comes to the wad, so to 20seconds make a balance, not making the sound head is there, the manual is kept in the box, I do not need, I use it as the fender spawned, and I never had any problems .. .. is an amp that has an intuitive approach to the settings, the sound of a harmonica just whoever plays the best amp in the world has never given her to him who did not and acoustic this little fender junior restores all the intentions that I put in my game
SOUNDS
it is entirely appropriate for the delta blues, chicago, blues rock, rhytm'blues, country, jazz ... I play in different formations, different styles, I only use this amp live, repeating, in studio on small and large scenes, the power of its 15watts is truly an asset to obtain a good saturation characteristic sound of harmonica legend, I put less than 5 in mid and treble boosts on the other hand I seriously 8 / 9 because it lacks a bit of origin, the reverb is effective if one does not put too 4 is a max .... when I use the harmonica as a serious ground or a Bb, I change my equalization, I remove the grave and goes up a little in medium otherwise the sound becomes a bit boueue, especially at the end of show when it is heated through, Anyway it responds in real time with a great precision, it is versatile, whatever the microphone used, a single Shure SM 58 for the green light or a bullet to his ditto saturated with Astatic Hohner home or even the whole sheacker range, whatever the microphone he used the features of each return, I add on each of my microphone volume knob a removable allowing me to manage a possible feedback at high power, it also allows me to work on his desired playing with the master and the volume of the amp over my knob to find sounds that my discourses shade ....
He collects fine or any multi effect pedals when the need arises
OVERALL OPINION
I use it for 10 years without any problems at 80 dates per year on average over the repeated and studios, it represents a synthesis ideal for me because I lugging large 60-100watt lamps or 40 to transistor too big too heavy too powerful (divorce. ..) small car trunk, a small club, small local repeated, small studio, and grand staircase cons to 6 hours in the morning in the gray morning .... not good for the back (BUT GOOD FOR THE BLUES ....) this amp is the best compromise sound easy, in emergency or with time, its 15 watts for the stuff, its ease of use, its weight and what about its looks real good vintage tweed, his grip leather adds to the ambiance of the plateau on which it is expressed;
all this for 400 € 10 years ago ... thank you FENDER I wait as the HP original releases me to try another of dissent after what other users may be surprising therefore to be checked;
KEEP ON BLOWING ... and LET THE GOOD TIMES ROLL ......