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4.3/5(3 reviews)
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dobermann masashige
Published on 09/08/06 at 17:19 (This content has been automatically translated from French)
2x6l6
5x12 AX7
all lamps
UTILIZATION
The configuration is it simple? yes, a vari-tube amp "point to point"
Do you get a good sound easy? not be allowed to heat the Corny: ATTENTION ON PLAYING IN THE COURT OF THE GREAT! must hack the silly before spitting him death!
The manual is clear and sufficient? Why DO A MANUAL?
SOUNDS
Yes, nikel for blues, rock, and clear sound is a cry ....
different type from scratch to the strato les paul
all sounds are obtained except the coarse type DEATH METAL
all sounds, no I can hate!
Soldano the crunch it was the big distortion ulta powerful, we have no room for error!
simply changing positions on the guitar smicros...…
5x12 AX7
all lamps
UTILIZATION
The configuration is it simple? yes, a vari-tube amp "point to point"
Do you get a good sound easy? not be allowed to heat the Corny: ATTENTION ON PLAYING IN THE COURT OF THE GREAT! must hack the silly before spitting him death!
The manual is clear and sufficient? Why DO A MANUAL?
SOUNDS
Yes, nikel for blues, rock, and clear sound is a cry ....
different type from scratch to the strato les paul
all sounds are obtained except the coarse type DEATH METAL
all sounds, no I can hate!
Soldano the crunch it was the big distortion ulta powerful, we have no room for error!
simply changing positions on the guitar smicros...…
Read more
2x6l6
5x12 AX7
all lamps
UTILIZATION
The configuration is it simple? yes, a vari-tube amp "point to point"
Do you get a good sound easy? not be allowed to heat the Corny: ATTENTION ON PLAYING IN THE COURT OF THE GREAT! must hack the silly before spitting him death!
The manual is clear and sufficient? Why DO A MANUAL?
SOUNDS
Yes, nikel for blues, rock, and clear sound is a cry ....
different type from scratch to the strato les paul
all sounds are obtained except the coarse type DEATH METAL
all sounds, no I can hate!
Soldano the crunch it was the big distortion ulta powerful, we have no room for error!
simply changing positions on the guitar smicros totally changes the sound
it responds to doight and the eye.
but we must quil a good half hour heats before attquer strong.
OVERALL OPINION
4 years
the effects loop is on top
yes I like almost everything was "big maqrues"
this one is my favorite. one remains a Soldano Soldano
no problem, always presenst
've never loose.
components of super quality, nothing wrong, the animal is carved in the rock.
a real monster!
gary moore sound pocket from
sustain bursting, tears of happiness
no problems!
I redeemed even two!
5x12 AX7
all lamps
UTILIZATION
The configuration is it simple? yes, a vari-tube amp "point to point"
Do you get a good sound easy? not be allowed to heat the Corny: ATTENTION ON PLAYING IN THE COURT OF THE GREAT! must hack the silly before spitting him death!
The manual is clear and sufficient? Why DO A MANUAL?
SOUNDS
Yes, nikel for blues, rock, and clear sound is a cry ....
different type from scratch to the strato les paul
all sounds are obtained except the coarse type DEATH METAL
all sounds, no I can hate!
Soldano the crunch it was the big distortion ulta powerful, we have no room for error!
simply changing positions on the guitar smicros totally changes the sound
it responds to doight and the eye.
but we must quil a good half hour heats before attquer strong.
OVERALL OPINION
4 years
the effects loop is on top
yes I like almost everything was "big maqrues"
this one is my favorite. one remains a Soldano Soldano
no problem, always presenst
've never loose.
components of super quality, nothing wrong, the animal is carved in the rock.
a real monster!
gary moore sound pocket from
sustain bursting, tears of happiness
no problems!
I redeemed even two!
See less
01
»
caribbeansea
Published on 09/24/06 at 11:58 (This content has been automatically translated from French)
Tube amp 5 X 12AX7 preamp section and 2 X 6L6 GC in the end.
J I opened the beast to see the assembly that n is not the point to point like the old Marshall or Fender. No integrated circuit problematic supply of the future.
The support 6L6 are mounted on the chassis (good) but the media 12AX7 on the printed circuit (bad point), however good.
Mounting healthy. Resistance Adjustable current polar (bias for Americanized) easy to find and adjust.
Note in passing: the quiescent current was set to mine a little warm. The technical service brand CALLS -54 to - 60 Volt. It was a -49 V. It works, c is powerful but little out of breath quickly tubes. I have set the oscilloscope to - 55...…
J I opened the beast to see the assembly that n is not the point to point like the old Marshall or Fender. No integrated circuit problematic supply of the future.
The support 6L6 are mounted on the chassis (good) but the media 12AX7 on the printed circuit (bad point), however good.
Mounting healthy. Resistance Adjustable current polar (bias for Americanized) easy to find and adjust.
Note in passing: the quiescent current was set to mine a little warm. The technical service brand CALLS -54 to - 60 Volt. It was a -49 V. It works, c is powerful but little out of breath quickly tubes. I have set the oscilloscope to - 55...…
Read more
Tube amp 5 X 12AX7 preamp section and 2 X 6L6 GC in the end.
J I opened the beast to see the assembly that n is not the point to point like the old Marshall or Fender. No integrated circuit problematic supply of the future.
The support 6L6 are mounted on the chassis (good) but the media 12AX7 on the printed circuit (bad point), however good.
Mounting healthy. Resistance Adjustable current polar (bias for Americanized) easy to find and adjust.
Note in passing: the quiescent current was set to mine a little warm. The technical service brand CALLS -54 to - 60 Volt. It was a -49 V. It works, c is powerful but little out of breath quickly tubes. I have set the oscilloscope to - 55 volts.
For the preamp section, I have replaced the 12AX7 phase shifter (driver's final) by a 12AT7 sorted with symmetrical characteristics between each triode.
The speakers seem average, but deserve to be tested and pushed. Test to predict a cabinet with known characteristics (412 or 212 celestion JBL).
UTILIZATION
Could not be more simple.
SOUNDS
Beautiful crystal clear sound. Settings tones lack of depth (reduced range).
The overdrive sound is nice, suitable for Rock or Blues (not recommended to metal).
Good reverb with Accutronics three spring element, large model.
OVERALL OPINION
However, a bit expensive equipment quality.
Mounting healthy, robust, simple, tow in all conditions as a twin reverb or a Marshall head of the seventies (which is not the case with modern equipment).
Its excellent overall despite a general tone unique and little influenced by the three tone controls (high, medium, severe).
Excessive price.
J I opened the beast to see the assembly that n is not the point to point like the old Marshall or Fender. No integrated circuit problematic supply of the future.
The support 6L6 are mounted on the chassis (good) but the media 12AX7 on the printed circuit (bad point), however good.
Mounting healthy. Resistance Adjustable current polar (bias for Americanized) easy to find and adjust.
Note in passing: the quiescent current was set to mine a little warm. The technical service brand CALLS -54 to - 60 Volt. It was a -49 V. It works, c is powerful but little out of breath quickly tubes. I have set the oscilloscope to - 55 volts.
For the preamp section, I have replaced the 12AX7 phase shifter (driver's final) by a 12AT7 sorted with symmetrical characteristics between each triode.
The speakers seem average, but deserve to be tested and pushed. Test to predict a cabinet with known characteristics (412 or 212 celestion JBL).
UTILIZATION
Could not be more simple.
SOUNDS
Beautiful crystal clear sound. Settings tones lack of depth (reduced range).
The overdrive sound is nice, suitable for Rock or Blues (not recommended to metal).
Good reverb with Accutronics three spring element, large model.
OVERALL OPINION
However, a bit expensive equipment quality.
Mounting healthy, robust, simple, tow in all conditions as a twin reverb or a Marshall head of the seventies (which is not the case with modern equipment).
Its excellent overall despite a general tone unique and little influenced by the three tone controls (high, medium, severe).
Excessive price.
See less
10
»
Skildust
Published on 03/06/07 at 03:37 (This content has been automatically translated from French)
Tube amp 5 X 12AX7 preamp section and 2 X 6L6 GC
Power just faiblichone for my taste, little rehearsal situation in ampluer
If you want to keep crystal clear sound really '.
A equalo that deserved to be found.
UTILIZATION
Config breeze.
It takes quite adjust to find the "SOUND", a little more on some
other, but good.
When found, happiness.
No need to book.
SOUNDS
I play above all (or almost), great funk, rock, bossa.
To think of a good metal pedal, the crunch of the amp is very good but is really
a crunch.
I play mostly with a Godin LGX SA AA (twelve o'clock to go over very well, glitches still in the grave), a pedal Vox Bulldog. I did the test with my old...…
Power just faiblichone for my taste, little rehearsal situation in ampluer
If you want to keep crystal clear sound really '.
A equalo that deserved to be found.
UTILIZATION
Config breeze.
It takes quite adjust to find the "SOUND", a little more on some
other, but good.
When found, happiness.
No need to book.
SOUNDS
I play above all (or almost), great funk, rock, bossa.
To think of a good metal pedal, the crunch of the amp is very good but is really
a crunch.
I play mostly with a Godin LGX SA AA (twelve o'clock to go over very well, glitches still in the grave), a pedal Vox Bulldog. I did the test with my old...…
Read more
Tube amp 5 X 12AX7 preamp section and 2 X 6L6 GC
Power just faiblichone for my taste, little rehearsal situation in ampluer
If you want to keep crystal clear sound really '.
A equalo that deserved to be found.
UTILIZATION
Config breeze.
It takes quite adjust to find the "SOUND", a little more on some
other, but good.
When found, happiness.
No need to book.
SOUNDS
I play above all (or almost), great funk, rock, bossa.
To think of a good metal pedal, the crunch of the amp is very good but is really
a crunch.
I play mostly with a Godin LGX SA AA (twelve o'clock to go over very well, glitches still in the grave), a pedal Vox Bulldog. I did the test with my old BCRich and micro Crell ben ... saturated fat as possible and want more bass. It depends on your gear.
One can find a lot of different sounds:
The light is out.
The crunch is fat with settings as desired.
The only downside here: the lack of serious
OVERALL OPINION
I am on it for 5 / 6 months.
The principle of this amp, and it is better to know before: transparency.
Namely,
It is a highly sensitive receiver to your stuff. Much more than all other lamps that I tested. It is not typed, the sound you make is really a function of the set you use. Do not get caught. No sounds Fender, Mesa, Marshall and others.
If you want a particular sound, your sound, this amp will be perfect.
If you want to approach the standard, well ... aim for the standards ..
For my use: great amp, versatility, clarity, presence
Power just faiblichone for my taste, little rehearsal situation in ampluer
If you want to keep crystal clear sound really '.
A equalo that deserved to be found.
UTILIZATION
Config breeze.
It takes quite adjust to find the "SOUND", a little more on some
other, but good.
When found, happiness.
No need to book.
SOUNDS
I play above all (or almost), great funk, rock, bossa.
To think of a good metal pedal, the crunch of the amp is very good but is really
a crunch.
I play mostly with a Godin LGX SA AA (twelve o'clock to go over very well, glitches still in the grave), a pedal Vox Bulldog. I did the test with my old BCRich and micro Crell ben ... saturated fat as possible and want more bass. It depends on your gear.
One can find a lot of different sounds:
The light is out.
The crunch is fat with settings as desired.
The only downside here: the lack of serious
OVERALL OPINION
I am on it for 5 / 6 months.
The principle of this amp, and it is better to know before: transparency.
Namely,
It is a highly sensitive receiver to your stuff. Much more than all other lamps that I tested. It is not typed, the sound you make is really a function of the set you use. Do not get caught. No sounds Fender, Mesa, Marshall and others.
If you want a particular sound, your sound, this amp will be perfect.
If you want to approach the standard, well ... aim for the standards ..
For my use: great amp, versatility, clarity, presence
See less
30
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Tech. sheet
- Manufacturer: Soldano
- Model: Reverb-O-Sonic
- Category: Tube Combo Guitar Amps
- Added in our database on: 04/02/2004
We have no technical specifications for this product
but your help will be much welcomed
»
Other categories in Guitar Combo Amplifiers
Other names: reverb o sonic, reverbosonic