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audiopat.krz « Marshall's high-flying »
Published on 08/22/12 at 05:51It is near perfection with all parameters adjustable and recordable possible. I would almost say it is too.
UTILIZATION
The facade can be frightening, but after all, the principle is the same as a mixer, it works for every one therefore is not lost.
The pedal is easily configured (all connected by a simple jack to the south, Marshall hit very hard).
Malrgé all, I still say that it is a gas plant in the sense that the choice is too wide among the 12 channels!
Note the presence of two masters: ideal for solo.
SOUNDS
Some sounds are overstaffed so I will speak of my favorite sounds. It's simple: there are 3.
1. green channel 1: the most beautiful clean at Marshall undoubtedly (ideal for use with pedals)
2. channel 2 red: the typical crunch jcm 800 (if one should retain only one, is that there)
3. channel 3 orange: the most saturated sounds of the mark but still well defined
With these three sounds, I toured my needs. Note that the reverb is gorgeous and does not cut when changing channels. I found the eq quite effective and the presence of general settings and outline handy to quickly adapt to an environment without affecting its various basic eq.
OVERALL OPINION
In my opinion, Marshall has succeeded the encyclopedia of rock / hard rock / metal in a single head, noon please.
This version is too powerful in my opinion, version 50 watts is more than enough for any situation (and gets rid of unnecessary crossing canals).
I owned the JCM800, JCM900 and JCM2000 on and for me, the jvm contains all the sounds there without exception. I repeat that the clean this amp is superb.
Nevertheless, I am separated because this beast is too powerful and too provided (it feels a little forced to use everything, even if it is impossible, so it's frustrating).
In the end, it's still a great value (or reference) and I do not regret my past aquisition.
UTILIZATION
The facade can be frightening, but after all, the principle is the same as a mixer, it works for every one therefore is not lost.
The pedal is easily configured (all connected by a simple jack to the south, Marshall hit very hard).
Malrgé all, I still say that it is a gas plant in the sense that the choice is too wide among the 12 channels!
Note the presence of two masters: ideal for solo.
SOUNDS
Some sounds are overstaffed so I will speak of my favorite sounds. It's simple: there are 3.
1. green channel 1: the most beautiful clean at Marshall undoubtedly (ideal for use with pedals)
2. channel 2 red: the typical crunch jcm 800 (if one should retain only one, is that there)
3. channel 3 orange: the most saturated sounds of the mark but still well defined
With these three sounds, I toured my needs. Note that the reverb is gorgeous and does not cut when changing channels. I found the eq quite effective and the presence of general settings and outline handy to quickly adapt to an environment without affecting its various basic eq.
OVERALL OPINION
In my opinion, Marshall has succeeded the encyclopedia of rock / hard rock / metal in a single head, noon please.
This version is too powerful in my opinion, version 50 watts is more than enough for any situation (and gets rid of unnecessary crossing canals).
I owned the JCM800, JCM900 and JCM2000 on and for me, the jvm contains all the sounds there without exception. I repeat that the clean this amp is superb.
Nevertheless, I am separated because this beast is too powerful and too provided (it feels a little forced to use everything, even if it is impossible, so it's frustrating).
In the end, it's still a great value (or reference) and I do not regret my past aquisition.