The Bad Cat 2 Tone is a high quality guitar preamplifier pedal. This is almost just like the Matchless Hot Box, which makes sense as I’ve been told that it’s the same mad scientist behind both of these boutique amplifier companies. The pedal has an IEC power jack on the side as well as ¼” connections to send from your instrument and out to your amplifier. It’s not rack mountable…
The Bad Cat 2 Tone has two separate channels that can be controlled and turned on or off independently. The first channel has parameters for volume and tone while the second is a bit more in depth with knobs for gain, bass and treble, and there’s also a master volume. It’s really quite easy to use. There’s also a separate switch for each channel. No need for a manual here…
The Bad Cat 2 Tone absolutely rips! I’ve also used the Matchless Hot Box and I’m pretty sure this is more or less the same pedal since they have a very similar sound. It’s great for getting soaring lead guitar parts, especially super dirty ones while still being able to hear each note clearly. You can also get subtle with it if you’re just using the first channel, which is perfect for light overdrive. It’s definitely a versatile guitar preamp!
The Bad Cat 2 Tone is the perfect guitar preamp pedal to have at the head of any rig. It’s awesome in the studio and I’ve loved used it for getting ultra thick guitar parts to tape. Just having it in your chain will give you a nice sound boost even if you have the volume controls down for a cleaner tone. The 2 Tone is quite expensive, but for professionals looking for top notch tone regardless of price, it’s absolutely worth it. I’d love to be able to add one of these to my rig someday!
Channel 1 – Here you get clean to crunch (think Plexi). The basic sound is quite aggressive, hard and contains a lot of added highs.
Channel 2 – In channel 2 you get endless tube gain. This suits almost any guitar and produces a nice, singing lead sound.
...in my opinion this Pedal only sounds really good when played over a Vox or a Badcat amp – amps with a lot of mid range so to speak. If you play it through a Fender or Marshall amp this pedal just sounds too harsh. It also has a lot of output – this can be an advantage as much as a disadvantage.
The construction of this pedal is of course flawless (or should I say matchless...). Very clean manufacturing, perfect positioning of the components…surely built to last the next 200 years…
Pramp and distortion in one pedal, each channel has its lamp circuit, manufactured entirely by hand (as was the great era) rglage gain, EQ, volume, fully in Mtal surper heavy but equally strong. No transformer outside, direct connection to 220V (less mess in his schoolbag)
I use a bass, after having tried everything and have broken two big muff pi Sovtek (I've never been able to find), I opt for the one (by chance). I jous clear with Pramp (Always On) avans to enter the ID for the stage, has ing allows the sound to have a sound that more dchire and the distortion n 'c not talk just standard. So for bass I recommend it to all.
What is the guitar I have not yet had the opportunity to test it ... dsolbr />
I have a 4001 Rickenbacker and gibson thunderbird Ampeg SVT 4 with 350 and 810 classic: rsultat has sounds serious !!!
I'm a power pop style, it is perfect for a little while Crader a, a rock sounds amricain but very polivalente therefore can suit a lot of style
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Undoubtedly the best pedal (for bass) I test (with big muff pi Sovtek) rglages ass complicated to put in place to live, but once you find is the highway.
Pramp fabulous to use without moderation, dirty distortion much as we like,
the price and a bit expensive if like me you util that very few live, but instead of buying ten pedal shit is better to invest the inside