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Published on 03/23/08 at 02:23
Short story: dimebag played exclusively on trstt Dean ML (shuffled original Flying V and Explorer), he loved all particulirement. It n'tait however hypnotize by Dean and made a infidlit brand by going to Washburn in what was, between 1996 and 2004. A model was born before signing Dimebag eventually comes back at Dean with a new MODEL (the Razorback) it drew itself, but had scarcely time to dvoiler because it was killer the eve of his prsentattion (but that's another story ...)
This Washburn Dime 333 MODEL silent on economic (but well made all the same) of the Dime 3 high-end built in the United States.
- Made in Korea
- Mahogany body and neck, table Saddle Flamm (for mine)
- Rosewood 22 frets
- Pitch 629 mm, 400 mm radius
- Washburn HH pickups original 621 and 623
- Floyd Rose type tremolo Washburn
- Grover mcaniques
- Potentiomtre customiss the "Dimebag", 2 volumes, 1 tonalitbr /> - tui book? I do not know!
I bought mine used, with flight case, mics SH-13 (Dimebucker) and SH-6, etvibrato chang for a Floyd Rose licensed.
Construction is honnte the MODEL finished well, do not suffer the comparison with Dean Signature MODELS. Everything is in line with its price range.
UTILIZATION
Channel shredder, trs enjoyable. Access in acute ais (one would have suspected.
Good balance of all (non thundering?). Guitar not too heavy.
22 boxes: some rclameront their two octaves, but hey, Dimebag is dbroullait with ... then I should have plenty enough (I'm far from being at the matre!).
In short good ergonomics though.
Only default due form quite invasive: the horns of the head and body tend banging everywhere. But is this a default? Plutt a consquence exentric of the MODEL.
SOUNDS
The microphones are dcris origins by all. I do not know them but they seemed not agree with the direction of the MODEL home (the Dime 3, team, if I remember correctly a Bill Lawrence XL500 and an SH-59).
With the pair HS-13 HS-6: no worries. The beautiful fulfills its function: machine riffs and solos very heavy and aggressive. I also possde a Dime Dean from Hell (Bill Lawrence XL500 and Dean Zebra) and a Dean Razorback (DiMarzio and X2N SuperDistorsion). The sounds are of the same quality but diffrent.
A real guitar-hairy scalp.
The Floyd did his job without dsaccord, even during extreme maneuvers of the "Dimebag".
OVERALL OPINION
Once the microphones chang (each with its recipe, gnralement in Seymour Duncan), is your exact height-references "signatures" of at Dean. A good alternative, available only used, and rare. But can it really attract a different audience than the fans of Dimebag, dj possdant a Dean?
This Washburn Dime 333 MODEL silent on economic (but well made all the same) of the Dime 3 high-end built in the United States.
- Made in Korea
- Mahogany body and neck, table Saddle Flamm (for mine)
- Rosewood 22 frets
- Pitch 629 mm, 400 mm radius
- Washburn HH pickups original 621 and 623
- Floyd Rose type tremolo Washburn
- Grover mcaniques
- Potentiomtre customiss the "Dimebag", 2 volumes, 1 tonalitbr /> - tui book? I do not know!
I bought mine used, with flight case, mics SH-13 (Dimebucker) and SH-6, etvibrato chang for a Floyd Rose licensed.
Construction is honnte the MODEL finished well, do not suffer the comparison with Dean Signature MODELS. Everything is in line with its price range.
UTILIZATION
Channel shredder, trs enjoyable. Access in acute ais (one would have suspected.
Good balance of all (non thundering?). Guitar not too heavy.
22 boxes: some rclameront their two octaves, but hey, Dimebag is dbroullait with ... then I should have plenty enough (I'm far from being at the matre!).
In short good ergonomics though.
Only default due form quite invasive: the horns of the head and body tend banging everywhere. But is this a default? Plutt a consquence exentric of the MODEL.
SOUNDS
The microphones are dcris origins by all. I do not know them but they seemed not agree with the direction of the MODEL home (the Dime 3, team, if I remember correctly a Bill Lawrence XL500 and an SH-59).
With the pair HS-13 HS-6: no worries. The beautiful fulfills its function: machine riffs and solos very heavy and aggressive. I also possde a Dime Dean from Hell (Bill Lawrence XL500 and Dean Zebra) and a Dean Razorback (DiMarzio and X2N SuperDistorsion). The sounds are of the same quality but diffrent.
A real guitar-hairy scalp.
The Floyd did his job without dsaccord, even during extreme maneuvers of the "Dimebag".
OVERALL OPINION
Once the microphones chang (each with its recipe, gnralement in Seymour Duncan), is your exact height-references "signatures" of at Dean. A good alternative, available only used, and rare. But can it really attract a different audience than the fans of Dimebag, dj possdant a Dean?