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03/16/13
The iPad for Musicians: Present State - Making Music on the iPad
Considered a bulky iPhone by its detractors when it was first presented, the iPad has been revolutionizing the market of mobile computing ever since — and our DAWs as a consequence. A good enough reason to take a stand on the issue. Let's start with an overview of Apple's offering.
03/10/13
2 Duet = 1 Quartet? - Apogee Quartet Audio Interface Review
A little more than one year ago, we reviewed the Duet 2, the second generation of Apogee's mobile USB audio interface with two mic inputs. With the Quartet, the Californian engineers have produced the missing link between the Duet 2 and the large Symphony I/O, that is an interface with four mic inputs and ADAT.
12/16/12
Be Forte! - Focusrite Forte Review
One year ago, Apogee introduced the Duet 2, a digital audio interface with remarkable sound and finish, but only available for Mac computers. Focusrite realized that it was an opportunity and presented the Forte, a direct competitor with comparable dimensions — plus Mac and PC support! But can it really compete in terms of quality?
12/03/12
Tiny Smurf - Novation MiniNova Review
Two years after their comeback, Novation decided to strike a new blow with the MiniNova — a small, blue synth bomb based on the UltraNova. When mini means maxi...
11/04/12
Forging with the Mac - Sony Sound Forge Pro Mac 1.0 Review
Sony's ineradicable audio editor for PC (bought from Sonic Foundry in 2003 when its creators gave up against giants like Avid, Adobe and Apple) has just been ported to the Mac — 15 years later.
10/21/12
Orange and Black - Orange Jim Root Terror #4 Review
It might seem incredible but, up to this day, Orange had never offered a signature amp. But now the Jim Root #4 has changed things for good! So it's time for us to put the focus on this small black animal.
09/30/12
Reactor's Studio - Blue Microphones Reactor Review
The launch of the Spark, which we had the opportunity to review here, generated a lot of excitement. But Blue Microphones shows no intention of stopping there and has introduced a new microphone with a quite... different look?! Reactor enriches the product range of the US brand while staying faithful to the philosophy of offering affordable, but...
09/23/12
Sounds Like You Mean It - Monster Beats Pro Review
Thanks to its partnership with Dr Dre, Monster's Beats Pro have become a grand success. But are we really talking about a new reference product here or just a fad? That's the question...
09/16/12
Sweet Little Sixteen - Motu Track16 Review
Track16 is the latest addition to Motu's range of audio interfaces. The numerous features announced by the manufacturer are very appealing. Let's see how they translate in the real world!
09/09/12
This Is Country Music - Wampler The Paisley Drive Review
The market of guitar stompboxes is quite saturated — competition is hard, manufacturers fight against each other with new controls and serial numbers. While I was reviewing a Blues 3000, I got the features of my next mission: handcrafted, overdrive, versatility. When I saw these three words together, I jumped into my mustang and headed out west.

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All Audiofanzine

reviews

The iPad for Musicians: Present State - Making Music on the iPad

2 Duet = 1 Quartet? - Apogee Quartet Audio Interface Review

Be Forte! - Focusrite Forte Review

Tiny Smurf - Novation MiniNova Review

Forging with the Mac - Sony Sound Forge Pro Mac 1.0 Review

Orange and Black - Orange Jim Root Terror #4 Review

Reactor's Studio - Blue Microphones Reactor Review

Sounds Like You Mean It - Monster Beats Pro Review

Sweet Little Sixteen - Motu Track16 Review

This Is Country Music - Wampler The Paisley Drive Review