All user reviews for the AER Compact 60

amp for acoustic instruments,
Only the 4 reverbs are disappointing for my taste because they feel the digital if they are pushed to the bottom, but using less is excellent!

UTILIZATION

very simple
Manual findable online
the sound is very faithful
brief high fidelity!

SOUNDS

for acoustic instruments is a must
see my profile for the beats that I own, I branches all over ...

OVERALL OPINION

4 years of faithful service, he has more strength to be rugged,
the coup, despite the fact that I had occasion ', it's a real treat!

2 entry, a dedicated acoustic guitar and a microphone or dedicated line.
Correction on every input with phantom power for microphone input
A reverb with general balance between the 2 inputs
A ring circuit in / out can serve as additional input line and works perfectly
A featherweight

UTILIZATION

Very simply, a master volume and correction on each channel. Simple and effective

SOUNDS

The sound is perfect. A sound, a microphone and standing before the music. The sound is clear, defined bass with good and sufficient power for a small set of friends (up to 100 people attentive without problem)

OVERALL OPINION

This amp is great. I've had it 5 years and I think never part with it.
FYI I also had a Roland AC60, and it has nothing to do, the sound appears tampered with, not natural, it seems less powerful because the distribution is more narrow and it weighs much heavier.
The EAR is a really professional product, a little expensive, but it seems to me justified.
Last comment, it really has no interest in electric guitar except with a Tonelab to troubleshoot at home.

60 watts of power, enough to benefit approximately 300 people in a closed environment. Effects which means very troubleshoot ago. The flanger and chorus are pretty, reverb avoided.

UTILIZATION

Very easy. The manual is useful only to manage the volumes between the integrated effect and insert effect if used, which are made with the same pot.

SOUNDS

Good sound, powerful and warm whatever the instrument (cello present, crystalline guitars, vocals set, not top synths because too colorful, attention to the condenser microphone feedback). However, from what I heard and tested, it delivers its maximum on electroacoustic guitars, his use of choice. The overall sound is crystalline, accurate color without special is the gross lack a little low anyway.

OVERALL OPINION

To use the fact that I, that is to say, the cello and voice for the teaching and animations, that's enough. For major concerts, it must provide to connect to a sound more impressive. I thought about moving on to higher Modelex but not immediately because of the advantage that one is that it is easily transportable.
The cost is high but there is so much above other level of sound quality than it's worth it. After that, it is not necessarily the right choice for a guitarist who seek a particular sound.

The amp is a French limited edition model of 2004 bright red.

Amplification type transistor, power 60 watt.
The connection is complete and sufficient to use Stage 1: Jack & 1 input jack / XLR line output, possibility of adding an effect to the choice: chorus / echo / reverb built in ...

UTILIZATION

The configuration setting is simple enough: setting serious midrange, treble, gain for channel 1 and the two channels



SOUNDS

Type rather transparent and crystalline, the sound does not detract from the instrument and does not spare these defects, it enhances the timbre of the instrument, you want to connect a top quality instrument.

The effects are used sparingly: they are not bad quality, I use some of these effects sparingly: a little chorus and often a little reverb.

Side song, its use in electro-acoustic context is quite popular: the side gives a straightforward and clear his right.

OVERALL OPINION

I use this amp for 5 years.

D "excellent quality this amp filled his role well, he has" aged well "although since the competition is awakened in the sector Amp electro-acoustic ...

I always appreciate these qualities and is generally used with a Godin A6 steel string, a Taylor 414 CE and my favorite a Taylor T5 with the same happiness ....

All adj t said ... very complete device

UTILIZATION

I never opened the manual ... no use

SOUNDS

EAR rput to be straight as an "i", so what comes out of the EAR, that's what comes out of your little finger and the quality of your guitar.

The effects (reverb + dlai) extraordiaires but are not widely enough when we play in bars.

The amplified voice is as good as the game scratches

OVERALL OPINION

I use 3 years, and this remains a classic when you displaces with your gear. The relative size / sound quality / strength is more proof ... EIA is an investment for the long term

2 channels, a single XLR input and a single effect
the connection is really minimalist

UTILIZATION

Usage is very simple
For the sound I was not convinced

SOUNDS

Tried this morning in a shop in Marseille with Taylor 414CE and Shure SM58
I got a flat and its very disappointing for what I expected especially in terms of voice.
I know I'm going to jump more than one, but that's my opinion

OVERALL OPINION

The most: the reputation of seriousness and solidity
The lowest price of course
Finally I broke down for a Jam 150 Epr much warmer and smooth with fine tuning and performance perfectly suited to my use: EA guitar and vocals.

Electronic two-channel amplifier power 60 watts with reverb effects, delay, chorus. with two input jacks.

UTILIZATION

Easy to adjust, clear sound is a sound amplifier.
but it is suitable for all styles including jazz guitar half body.


SOUNDS

Should bossa jazz folk
I play a taylor nylon, a lag electro-acoustic folk and studio lag
and HJ 800 hagtrom jazz.

all sounds are possible, but it excels in sound.


OVERALL OPINION

I use it for three years, after trying several types of amplifier
EIA is in my opinion a very versatile amp, with a very good value prix.de more it is very compact and lightweight.