All user reviews of 5/5 for the Behringer Truth B2030A

Rponse frquences in ultra linear 50 Hz to 21 kHz with individual measurement
Two power amps Intgr 75 and 35 watts and huge reserve of power
Tweeter RESOLUTION extremely leve ferro-fluid cooled
Woofer 6.75 "long dbattement membrane specially in polypropylene and rigid aluminum chssis moulbr /> Dispersion CONTRL and wide area thanks dcoute technology donde guide BEHRINGER
Crossover with Linkwitz-Riley quatrime degrbr /> Adaptation lacoustique place and Careers News with a subwoofer
Protection against overload by limiting CONTRL sparment by the bass and treble
Shielding for placement magntique proximity dun notch Dordine
Sold in Stereo couple paired with hand measurement protocol
Ebnisterie rigid matriau ecological E1-MDF
Jack and XLR inputs on symtriques
Designed in Germany. Manufactured according to industrial management Systm ISO9000 certification

SOUNDS

The TRUTH B2030A dlivrent peak levels up to 113 dB SPL. Intgrant an active filter and power advantages of indpendants 75 and 35 watts, they dlivrent a rponse frquences in ultra linear 50 Hz to 21 kHz.

OVERALL OPINION

I bought the boards a year ago and I 'm really happy.
the sound is really enjoyable and the design is correct trs.
In addition the report qualitprix is ​​terrible so it is unnecessary to have a hsitations.

They attracted me by the price of course. In the fields of monitoring speakers, you start finding things "affordable" but difficult to know what you fall. I Edirol cost of type 10A or 20A or 20D, but even a sound background color.

Here we make a rponse in frquence certainly can not parratre trs extended (50 - 20kHz), but linear trs (each speaker is also supplied with the profile Individual calibration).

Power is also largely the adquate for the "home studio" "the house" (plonasme!) With Tagus Tagus and a 75w low 35w acute ...

SOUNDS

Obviously it must be time to adjust when using for the first time of monitor speakers and these RULES n'chappent not because the sound remains relatively neutral priori, the least enough to make an acceptable mix trs trs making few mistakes after all.

But it takes only a few days of cost of other musical productions and mix several tests on his own compositions (with rcoute on systems and other hi-fi) to give then a quick id e relatively prcise the final result of a mix.

In short, it's not too bad, even if it is true that low saturated sometimes. That said, allows a precisely not to over shoot and avoid ending up with an end-booom booom Vron Vron-inaudible at an assembly line or in the lounge car. So this "default" stands as one moves on systems of increasing costs and public becomes even plutt a quality if you do not want to do too much BTIS (speakers monitoring are not made for "sound" but a neutral image dlivrer).

Is sr, we are not on the Yamaha but it is not in the same price range when same. In short, an 8 / 10 under the rappport qualitprix

OVERALL OPINION

9 / 10 on the overall opinion for my mixes sound a lot in the end, on all systems of possible cost, and it finally has the important. Sr I do not mix both instruments 50 (just an acoustic guitar, an electric, synth, bass, some drum kits, voice ...) but for this type of use is no problem and I would do the same choice.