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Lavry Engineering AD10
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  • milsabordsmilsabords

    an intelligent professional converter

    Lavry Engineering AD10Published on 11/03/11 at 21:41
    (This content has been automatically translated from French)
    conversions of 16 / 24 / 16 +
    frequencies 44/48/88/96

    4 modes: clear (works with all frequencies)

    and also, tube / xfm / complex (frequency 88 / 96 only)

    OVERALL OPINION

    I just got it, I must master it. I have not heard other converters a / d output except in the DA10 a comrade in his studio.son DA10 also goes to an amplifier which in turn is connected to the speakers Klinger Favre ... the result is quite amazing!

    The AD10 worked flawlessly, and I know he has a system which avoids saturation (but do not push everything to the bottom anyway).
    beautiful machine, and even imposing, but at full price therefore.
    but there are converters more expensive and no better.

    Read more
    conversions of 16 / 24 / 16 +
    frequencies 44/48/88/96

    4 modes: clear (works with all frequencies)

    and also, tube / xfm / complex (frequency 88 / 96 only)

    OVERALL OPINION

    I just got it, I must master it. I have not heard other converters a / d output except in the DA10 a comrade in his studio.son DA10 also goes to an amplifier which in turn is connected to the speakers Klinger Favre ... the result is quite amazing!

    The AD10 worked flawlessly, and I know he has a system which avoids saturation (but do not push everything to the bottom anyway).
    beautiful machine, and even imposing, but at full price therefore.
    but there are converters more expensive and no better.

    should configure the inputs good software sequencer, months I went on 9 and 10 stereo or mono 9. I connected either with spdif or optical cable, it works perfectly.

    to make the best, you must register in 24/96 of course, but the case may be, we must test the four modes. for now xfm mode is the one I prefer to render my final guitar solo.

    the gain is easily adjustable on each channel and g. I think I can make the sound closer proximity effect without uncomfortable with this new material, especially since I have an excellent mic preamp and a very musical, but also an acoustic rather bad enough.

    I need to see other ways to place the microphone and push the gain of the preamp, and then push the gain of the Lavry and compare. there is work in perspective ...

    the bass is interesting (depth presence, definition) I find, but not covering the same, the spectrum has the correct conversion, the sound is better in every way compared to the RME Fireface converters 400 , more realism, more presence of the instrument.
    he has something in the belly contraption that well put together.

    attention! if you need to burn, open a new project with the sequencer, and adjust your sound card on 16/44 and on your Lavry "clear" and 16/44 or 16 + / 44 ...
    then you import vo (s) (very) file (s) recorded in 24/96 and accept the conversion for imports, in order to then be able to export in wave format 16 / 44. otherwise people will listen to his grave to see that happening in slow motion can not read your cd.
    This accuracy may be useful for teaching basic débutants.un few that can still be useful.

    I miss a real good monitoring system, but it is secondary, while the first is to make the good sound.

    I would on this opinion a few times to clarify about my experience.
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