View other reviews for this product:
Bb76
Published on 03/25/06 at 13:15
Synthtiseur modlisation analog
49-key keyboard
4 octaves. (-2 Octaves are slightly down and go up two octaves, which makes virtually 8 octaves).
Polyphony: 12. (Mono and legato, Unison, portamento)
Ribbon controller. (Relative or Hold)
Pitch wheel parramtrable 0 24.
Modulation wheel LFO1 to LFO2
Morphing stamp stamp program and the program.
Timbral mode:
For LFO1: choice of four waves diffrent: saw, triangle, square square random image.
Control of the wave height.
envelope delay time and fade time.
8 positions for the cutoff paramtrage
osciliateur common gre mix of OSC1 and 2
the module mod rin
white noise module
paramtre the introduction of the CSO. on the attack and decay
Management of the depth of the envelope of the osc. 1 and 2.
osciliateur 1: three styles of adjustable wave height: saw, triangle and pulse.
Control of the wave on its width.
FM: paramtrable is with the OSC2.
Depth LFO1 (DCAL interesting for the osc1 of 2).
Depth PWM LFO1, LFO2 and gnrateur envelope.
osciliateur 2: The same three styles of waves.
Control of the width only for the square wave.
Synchronisaton possible with osc1 (there is the same tempo wave of OSC1 and OSC2).
LFO1 depth (for DCAL INTERESTED OSC2 of the 1).
Fine: SETTING THE tuning.
Range: Mini pitch for OSC2. Keybord track.
Depth PWM LFO1, LFO2 and gnrateur envelope.
Filters: (the two filters are combined).
Filter 1: 4 modes (low pass, band pass, high pass and flat).
SETTING THE its frequencies.
Filter 2: 4 modes (same as for the filter 1).
Rglage Delta.
SETTING THE rsonnance the.
SETTING THE depth of the envelope.
"" LFO1.
"Track the keybord: gives clear up or choking sound.
3 modes of routing: in SERIES, parallle and split.
In parallle: SETTING THE balance.
In split: ""
on filter1, 5 paramtrages (this filter is not targeting the OSC1, OSC2 of the osc. mix, ring mod and white noise).
for the same topo filter2.
Filter on the attack, the decay1, sustain the release, the decay, the decay breakp the Decay2 and sustain time.
Amplifier: topo same as for the filter indicated above.
SETTING THE amout, the auto-pan, the depth of LFO1, pan left and right.
LFO2: topo a bit more succinct than LFO1.
VLOC platte or curved, adjustable to any other Settings, followed SETTING THE influence.
After-touch: 8 Positions: Reverse, with dlais, custom, heavy 1 and 2, linear, soft 1 and 2.
Ribbon: ds assignable every way and on any parameter.
User panel scan: INTERESTED since trs active when this function does custom settings callent pragramme more compared to the stamp but the position of the knobs and pulls current seats, which allows dj see if the patch INTERESTED be little or not work.
In program mode:
4 shares with layer mode, and single SPLT.
Effects: Overdrive, chorus, delay and reverb.
Graphic equalizer parameter.
Links: rgler possibility of the rate of the LFO to the tempo of the arpgiateur, the phrase-in or MIDI Clock from 1,2,3 or (and) 4.
Foot control: possibility to connect two switches and two pedals.
Arpgiateur: way down, up and randon, 3 octaves possible with tempo.
Rglage the split on the keyboard.
Pattern: rgulier mode: 7 families possible. 5 VLOC modes.
"Irrgulier: 7". "5" "
Phrase recorder: 4 ds storage sets. Tempo.
rglage the split on the keyboard.
Motion 1 and 2.
Keybord transpose.
Multitimbral 4 shares.
Systm The midi is common with 7 filters in and out. Midi controls possible. Midi clock sync possible.
Bulk dump rinnitialiser possible for the synth.
Digital out, convenient to sound picky.
Midi in, out, thru.
In hand out and out.
Phone jack.
UTILIZATION
The configuration is very well thought. It is enough simply to address diffrent steps in order. Modliser first LFO1 being guided mode ds "edit" then LFO2 for modulation. Include ds then stamp program mode. Ds mode program can be superposs 4 stamps.
I had the chance to have standard user manual in French, despite having bought used. 600 in 2004. The manual is quite explicit but does not go deep enough. N'tant not a specialist in music as I have encountered some difficulties but taking its time you get there.
I go from one surprise is the life of this synth in its use seems to me infinitely.
SOUNDS
My style of both musics plutt planing room has ample AWARE me.
The sounds are realistic? LOB12 is not for show sounds orchestrate, but the ds is more exprimental.
Includes the effects sound good, but I prcise again I'm just a novice in the Contents.
OVERALL OPINION
I use this synth for 2 years and I had no bad surprises.
Modlisation the front panel is great. The arrangement of parts diffrent is very well thought. Its sound makes me soar.
For anything I sell this little wonder blue.
49-key keyboard
4 octaves. (-2 Octaves are slightly down and go up two octaves, which makes virtually 8 octaves).
Polyphony: 12. (Mono and legato, Unison, portamento)
Ribbon controller. (Relative or Hold)
Pitch wheel parramtrable 0 24.
Modulation wheel LFO1 to LFO2
Morphing stamp stamp program and the program.
Timbral mode:
For LFO1: choice of four waves diffrent: saw, triangle, square square random image.
Control of the wave height.
envelope delay time and fade time.
8 positions for the cutoff paramtrage
osciliateur common gre mix of OSC1 and 2
the module mod rin
white noise module
paramtre the introduction of the CSO. on the attack and decay
Management of the depth of the envelope of the osc. 1 and 2.
osciliateur 1: three styles of adjustable wave height: saw, triangle and pulse.
Control of the wave on its width.
FM: paramtrable is with the OSC2.
Depth LFO1 (DCAL interesting for the osc1 of 2).
Depth PWM LFO1, LFO2 and gnrateur envelope.
osciliateur 2: The same three styles of waves.
Control of the width only for the square wave.
Synchronisaton possible with osc1 (there is the same tempo wave of OSC1 and OSC2).
LFO1 depth (for DCAL INTERESTED OSC2 of the 1).
Fine: SETTING THE tuning.
Range: Mini pitch for OSC2. Keybord track.
Depth PWM LFO1, LFO2 and gnrateur envelope.
Filters: (the two filters are combined).
Filter 1: 4 modes (low pass, band pass, high pass and flat).
SETTING THE its frequencies.
Filter 2: 4 modes (same as for the filter 1).
Rglage Delta.
SETTING THE rsonnance the.
SETTING THE depth of the envelope.
"" LFO1.
"Track the keybord: gives clear up or choking sound.
3 modes of routing: in SERIES, parallle and split.
In parallle: SETTING THE balance.
In split: ""
on filter1, 5 paramtrages (this filter is not targeting the OSC1, OSC2 of the osc. mix, ring mod and white noise).
for the same topo filter2.
Filter on the attack, the decay1, sustain the release, the decay, the decay breakp the Decay2 and sustain time.
Amplifier: topo same as for the filter indicated above.
SETTING THE amout, the auto-pan, the depth of LFO1, pan left and right.
LFO2: topo a bit more succinct than LFO1.
VLOC platte or curved, adjustable to any other Settings, followed SETTING THE influence.
After-touch: 8 Positions: Reverse, with dlais, custom, heavy 1 and 2, linear, soft 1 and 2.
Ribbon: ds assignable every way and on any parameter.
User panel scan: INTERESTED since trs active when this function does custom settings callent pragramme more compared to the stamp but the position of the knobs and pulls current seats, which allows dj see if the patch INTERESTED be little or not work.
In program mode:
4 shares with layer mode, and single SPLT.
Effects: Overdrive, chorus, delay and reverb.
Graphic equalizer parameter.
Links: rgler possibility of the rate of the LFO to the tempo of the arpgiateur, the phrase-in or MIDI Clock from 1,2,3 or (and) 4.
Foot control: possibility to connect two switches and two pedals.
Arpgiateur: way down, up and randon, 3 octaves possible with tempo.
Rglage the split on the keyboard.
Pattern: rgulier mode: 7 families possible. 5 VLOC modes.
"Irrgulier: 7". "5" "
Phrase recorder: 4 ds storage sets. Tempo.
rglage the split on the keyboard.
Motion 1 and 2.
Keybord transpose.
Multitimbral 4 shares.
Systm The midi is common with 7 filters in and out. Midi controls possible. Midi clock sync possible.
Bulk dump rinnitialiser possible for the synth.
Digital out, convenient to sound picky.
Midi in, out, thru.
In hand out and out.
Phone jack.
UTILIZATION
The configuration is very well thought. It is enough simply to address diffrent steps in order. Modliser first LFO1 being guided mode ds "edit" then LFO2 for modulation. Include ds then stamp program mode. Ds mode program can be superposs 4 stamps.
I had the chance to have standard user manual in French, despite having bought used. 600 in 2004. The manual is quite explicit but does not go deep enough. N'tant not a specialist in music as I have encountered some difficulties but taking its time you get there.
I go from one surprise is the life of this synth in its use seems to me infinitely.
SOUNDS
My style of both musics plutt planing room has ample AWARE me.
The sounds are realistic? LOB12 is not for show sounds orchestrate, but the ds is more exprimental.
Includes the effects sound good, but I prcise again I'm just a novice in the Contents.
OVERALL OPINION
I use this synth for 2 years and I had no bad surprises.
Modlisation the front panel is great. The arrangement of parts diffrent is very well thought. Its sound makes me soar.
For anything I sell this little wonder blue.