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Il Sorpasso
Published on 02/01/08 at 02:37
Keyboard 76 keys, so it's a monster. With pitch, modulation, aftertouch (must press hard). We can add sustain pedals. It has four audio outputs, enough to make 2x2 voice. It is noon. The keyboard Ragit plutt Well, it looks solid, I use it also as a keyboard matre. I find it a little soft on the VLOC but may need to be I open to review at once. Trs nanmoins enjoyable for a pianist without a piano to have these 76 notes under the fingers with a pretty decent touch.
Effects: chorus, which adds to the thickness and Stereo (and also a big label that sticks "80 YEARS" on the line)
This synth is clbre for the implmentation noon bte over the world is - say you can not edit custom settings via MIDI SysEx. So it's really embarrassing, impossible to control via a MIDI controller or computer. I personally use the Controller with PG800, otherwise to produce the sounds in the menus and everything, I think it's faster trs pnible and especially little cratif.
12 voice polyphony! APRS can gather the voices in unison or mono modes, to magnify the sound, which opens many doors.
UTILIZATION
See above, the edition of the sounds is simple if you have the PG800 if not better to forget. Note also that there is possibility to store sounds on cartridge M-64C, and that through it we can store and change its patches on the internet (there are few circulating). Not bad.
SOUNDS
APRS then have spent many years with VST mulate analog machines ... The diffrence is striking here! The basic sounds are truly alive, has nothing to see. You can get a good sound in much less time than the virtual, fewer contortions. For the ds dpart signals sound good! The DCOs are therefore more stable (but less alive) of the VCOs Previous gnrations of synths.
But it's wonderful to have these sounds under your fingers, it's really inspiring! L o this machine is the highest is on the ground. There is a preset, which is the sound carrment Badalamenti has used the theme of Laura Palmer's twin peaks, has says it all: you see the kind of sound. There are also some who are able to sync INTERESTED in people from the head roland c'tait probably a bit to get closer to the synthse FM, and gives a lot of things . There is such a preset marimba which is excellent, so This category of sounds is possible too!
on the other hand there is a big black spot is that the attack is mollissima ... Finally, a will, it does not 0.5 seconds either, but it's true that it is a little soft, vague, and it is difficult to sound nervous. We can get away with tinkering with the sync and envelopes, but in passing it Adform the attack sound. Let's say a pure attack saw dry, has no.
The filter is good, but I am not an expert. Rsonnance with the substance, it can go on a self-oscillation, it is always an option supplmentaire nice!
APRS should know that the principle of the JX10 is that you can stack two "tones" (a "tone" = 2 oscilloscope and treatment filter envelope and they are going derrire). And this possibility opens normment overlay doors and made every time this synth a monster synthse extremely comprehensive. All of a sudden we end up with four oscilloscope and 4 envelopes in bulk. It will take some work but it can happen extremely sophisticated sounds!
I like the sounds: the pads and synthetic sounds really, few things a little Russian FM
I dtest sounds: electric piano and the DX7 is all that I hate. There are many presets a little ugly in the machine, just because Roland was willing to follow the current FM ... but hey, the FM hum ... sometimes have to like what.
9 / 10 because of this story of attack soft
OVERALL OPINION
I use it for one month only. I finally rcupr a cartridge that will allow me to listen to the sounds of the original plants that had erased t mine.
+ It is really cheap for what you offer.
+ Can synthses standards and beautiful sounds of bases
- Edition impossible without PG800
- Attack a little soft
tt too much to tell, but I recommend this synth that is NOT Prepayments him, probably because it is big (I did not take him on scne) and can not be controlled ller edition in the afternoon. Tight deadlines it sounds serious and it is super versatile.
Effects: chorus, which adds to the thickness and Stereo (and also a big label that sticks "80 YEARS" on the line)
This synth is clbre for the implmentation noon bte over the world is - say you can not edit custom settings via MIDI SysEx. So it's really embarrassing, impossible to control via a MIDI controller or computer. I personally use the Controller with PG800, otherwise to produce the sounds in the menus and everything, I think it's faster trs pnible and especially little cratif.
12 voice polyphony! APRS can gather the voices in unison or mono modes, to magnify the sound, which opens many doors.
UTILIZATION
See above, the edition of the sounds is simple if you have the PG800 if not better to forget. Note also that there is possibility to store sounds on cartridge M-64C, and that through it we can store and change its patches on the internet (there are few circulating). Not bad.
SOUNDS
APRS then have spent many years with VST mulate analog machines ... The diffrence is striking here! The basic sounds are truly alive, has nothing to see. You can get a good sound in much less time than the virtual, fewer contortions. For the ds dpart signals sound good! The DCOs are therefore more stable (but less alive) of the VCOs Previous gnrations of synths.
But it's wonderful to have these sounds under your fingers, it's really inspiring! L o this machine is the highest is on the ground. There is a preset, which is the sound carrment Badalamenti has used the theme of Laura Palmer's twin peaks, has says it all: you see the kind of sound. There are also some who are able to sync INTERESTED in people from the head roland c'tait probably a bit to get closer to the synthse FM, and gives a lot of things . There is such a preset marimba which is excellent, so This category of sounds is possible too!
on the other hand there is a big black spot is that the attack is mollissima ... Finally, a will, it does not 0.5 seconds either, but it's true that it is a little soft, vague, and it is difficult to sound nervous. We can get away with tinkering with the sync and envelopes, but in passing it Adform the attack sound. Let's say a pure attack saw dry, has no.
The filter is good, but I am not an expert. Rsonnance with the substance, it can go on a self-oscillation, it is always an option supplmentaire nice!
APRS should know that the principle of the JX10 is that you can stack two "tones" (a "tone" = 2 oscilloscope and treatment filter envelope and they are going derrire). And this possibility opens normment overlay doors and made every time this synth a monster synthse extremely comprehensive. All of a sudden we end up with four oscilloscope and 4 envelopes in bulk. It will take some work but it can happen extremely sophisticated sounds!
I like the sounds: the pads and synthetic sounds really, few things a little Russian FM
I dtest sounds: electric piano and the DX7 is all that I hate. There are many presets a little ugly in the machine, just because Roland was willing to follow the current FM ... but hey, the FM hum ... sometimes have to like what.
9 / 10 because of this story of attack soft
OVERALL OPINION
I use it for one month only. I finally rcupr a cartridge that will allow me to listen to the sounds of the original plants that had erased t mine.
+ It is really cheap for what you offer.
+ Can synthses standards and beautiful sounds of bases
- Edition impossible without PG800
- Attack a little soft
tt too much to tell, but I recommend this synth that is NOT Prepayments him, probably because it is big (I did not take him on scne) and can not be controlled ller edition in the afternoon. Tight deadlines it sounds serious and it is super versatile.