Teisco Synthesizer 60F

Pure Analog Synth
2-octave keyboard 1 / 2
audio input / output (multiple impdances)
CV / GATE

UTILIZATION

Super simple CAN BE USED
A lot of modulation possibilities, despite the look simple (a single VCO)

SOUNDS

His trs cool, ranging from low to high skinny big following the SETTING THE VCO and filter.
The LFO is super complete with all the waveforms you want adjustable knobs, so no notches, saw up to the saw down through the triangle (knob middle), similar to the square that sees its width changes, and the Sample & Hold.
The filter is nice.
I use a lot of external audio.
The only regret is that we can not assign values ​​to ngatives envelopes, and I would not spit on a second oscillator, although it draws on its fat easily by adjusting the width of the square wave.

OVERALL OPINION

I use it for 10 years and never tire of it.
I'd pay the 1000 Fr analog era or were not worth much.
I think a MIDI pay him for his birthday, and why not a little RVision because some pots spewing from its misuse by one day a brute who was mistaken for a DJ.
It is a simple machine, but trs endearing, and I do not sell it.

Pure analog synth with a pith-mod mono touchscreen keyboard ect.

keyboard>> VCO>> mixer>> VCF>> VCA>> PFC>>>> OUT
>> <<
LFO>> <<EG

(Alt + p)

UTILIZATION

The ABCs of the synthesis

SOUNDS

Reli an effect sounds terible lead are very low espris the moog the patch comes with instructions gives sound not found with plugs!

OVERALL OPINION

This is my first synth that I spent sleepless nights fun tweaking my patch apris the baba of oscillation and the synthesis which I still very useful today!

Monophonic synth, my first purchased in 1982, hours for crushing sound & learn the basics of sound synthesis, short but good memories.
The weak point, the pitch bend extremely hard and can effectively & size keyboard, otherwise Japanese manufactured under U.S. patent, heavy duty construction.
A big analog sound

UTILIZATION

Monophonic synth, my first purchased in 1982, hours for crushing sound & learn the basics of sound synthesis, short but good memories.
The weak point, the pitch bend extremely hard and can effectively & size keyboard, otherwise Japanese manufactured under U.S. patent, heavy duty construction.
A big analog sound

SOUNDS

Effect processor absent at the time I added a delay pedal in insert loop

OVERALL OPINION

Used for 5 years and then sold because I bought my first polyphonic a roland juno 6, 6000F at the time.
The value for money was good.
Look great but lacked the memories.

The Teisco 60f is a small mono Japano / Amricain analog Arp built under license and whose spcificits are: Keyboard 32 keys (FC)? 1 VCO, 1 VCF, 1 VCA, 2 x EG, 2 x Voice. ? VCO Range (Low, 64 ', 32', 16 ', 8', 4 '.) Vibrato Delay,? Mode (EG, Bender, LFO), Tune,? PW / PWM (eg. Manual. LFO / Triangular) . ? VCO Mixer (External in, saw, square), Noise. ? LFO Frequency (0.1 Hz - 20 Hz)? Wave Shape (3 modes: Periodically, Varied Continuously)? S / H, Triangular, Square. ? VCF Cut-Off (16Hz - 20 KHz), Resonance, KCV, LFO Mod, EG. ? Hold VCA, EG. ? EG Attack Time, Decay Time, Sustain Level, Release Time. ? HPF Cut-Off (16Hz - 16 KHz). ? Effect Controls Portamento, Pitch Bend (up, down), Pitch Bend Sensitivity. ? Input KCV In (1 V / 1 October), Gate In (1V is over), External ITEM? Output Signal Out (High, Low) Headphone. ? Indicator LED's Power, Signal Way. ? Power cons. 7 W. ? Dimensions 560 x 370 x 100 (WxDxH in m / m). ? Weight 8 Kg So while the simple faade, no sub menus. At least as easy to turn a Juno or Prodigy 6. On this point the small Tesco the advantage of right away what he has in the stomach. In addition it is built like a tank, 100% metal.

UTILIZATION

Everything is very simple and it was all that matters under the fingers nothing wrong.

SOUNDS

Good even when it is necessary to emphasize that this little thing fte his 28 years of age and with the technical limitations of a single era of cheap. Mine is a nothing Mono, without memory, trs difficult CONTRL with a kit Midi / CV (I do not know the reason prcise trs well but it's a real gal re) and whose sound remains even when crude trs. In fact the Teisco trs trs is low possibility but we will say that what he does he does well plutt. Bass strong enough and powerful but not plutt 'Moog' at all, plutt Korg (MS) in addition to snoring, leads good but basic bills and kicks fairly straightforward. But that's all, no tablecloths, no FX (except for some 'blip blip' here and l), let alone complex modulations of sound 'ralistes' but a good one cares . So pass the ct look rtro Ex East German 'of the machine (very beautiful by the way) is limited. Far from it even it is sufficient to say that may be a Teisco alli INTERESTED in a set of keyboards especially at the low.

OVERALL OPINION

200il bought 3 years ago I have given to me as a friend pass the ct limit of the beast I'm a little bored. Its rating is DLIR EXAGRES and complements, then it is not worth more than 200/250. Any fawn just turn it on and the tamper DTECT potential for 'crude' and powerful and its limitations. In any honntet one who finds around 200 (the normal price) will be the proud Owner 'of a single trs simple, ultra tough, powerful in the low rev / lead and various squeaks but its CHARACTERISTICS will be limited that a small rle trs.
Finally a single well made the breastplate and its sduisante trs lout in the register 'old analog it is doing correctly.