All user reviews for the Yamaha SK20

Analog synthesizer with an organ part which has drawbars to simulate an organ, no pitch, just a little knob that many use to but is not essential to the machine, a synth part that can be hacked, with an array of simple but effective command, only the string part is not editable can eat other sounds and effects, but does not have control. against by icing on the cake you can connect a REAL Leslie to play well realistic organ ...

UTILIZATION

Configuration and use is a beast and yet simplicity can be beautiful thing when we taste with not much! The fact there is only one bin then you can not go wrong with what some good settings you imitate a little flanger but it never vaudras pedal while pensan I think that's what makes the machine

SOUNDS

So hear us well, this is not a Oberheim nor Solinar etc., it is a bit dry and even with a sustain pedal must add reverb and delay is not a luxury, but still there are nice and warm and captivating, contrary to what I read I can say that with a little bit out of the hack is very solid lead and bass sounds, for everything is not against playing arpeggiator tablecloths, was very Wholesale limited in color and can evolve sandstone mix and added sound effects, I even imitated the sounds of punk and aft clavinet a little space with a whawha delay effect and phaser and it sounds serious!
As the organ part if you have a curious mind with a sense of imagination we arrive at surprising result, I connect a distortion pedal and play with lamba harmonic tirrettes frankly I wonder if it's worth the cost spend astronomical sums for a correct hammond organ sounds, when you see that old machines produce, I try to make a demo is stunning!

OVERALL OPINION

Frankly I play everything with, funk, rock, electro rock, jazz (good for my level!) And I enjoy it even surprising that little synth can do with these silly little knob! A machine as I love devoid of superfluous playing on bidouill this is a goodly if you want to save your preset I suggest you take your mobile phone to photograph the control panel and print! But working in the heat and good humeure! The SK20 yamaha still a lot of resource and it has not exhausted all combined with the new technology it has its place on stage or in a studio, you learn humility and perseverance while giving you much warmth and support in your dial a realism that only the analog for you to 200 euro up my purchase I have no regrets and especially it's well worth maybe more!

Keyboard synth five octaves
-3 Separate outputs: PolySynth / organ / mixed = + polysnth organ and a headphone jack
- Connectors audio only

Organ / Polysynth editable, non Strings (just change octaves)

Controllers:
Section organ
- 2nd/3rd percussion drawbars
- 16 ', 8', 5'1 / 3, 4 ', 2' 2/3, 2 ', 1'
Decay / Sustain

PolySynth section:
Sustain / Slow Attack Feet (16 ', 8' etc ...) + Cut Off / Res / depth EG, ADSR

EFFECTS:
+ Vibrato (organ / PolySynth separated)
+ Tremolo séparémentorgue assignable, PolySynth
+ 3 volumes
+ 2 pitches (organ / PolySynth)
+ Cast (sort of flanger ...)

UTILIZATION

Simple Setup
Manual clear and unnecessary
Editing sounds easy

SOUNDS

TONE:

It is very interesting for we spend little time

Polystrings combination with effects + strings behind gives very rich strings: something pretty cool and majestic way Air Virgin Suicides

Not for this synth lead sound, but really born to deploy plain beautiful tablecloths ways Siberian snow.
The effect "together" adds a bonus!
With effects + chorus-like delays, it is superb! REALLY!

Ineffective, uh ... it's a little tougher

The organ section allows to approach Hammond walks so "smooth jazz ....."
Not very convincing though, and really not very "powerful

But also offers beautiful sounds of chimes.
And certainly still a whole bunch of other things I will just look!

OVERALL OPINION

I've had a few months, and recently, I triturated deeper
It is good surprises surprises!

For the price of secondhand, it was a really good string machine what we bring in the years 70/80 without any problem.

Something hot, intriguing, almost brief "disturbing"

A € 500-run to buy it!

The Yamaha SK20 is a classic analog synth with a lot of sounds from the late 70’s into the early and mid 80’s. The bad thing about this board is that over time they start to have some serious issues that can come about. I learned this first hand after purchasing one of them on eBay when I was looking for some vintage sounds to blend in with my current music. So I came across this board and purchased one, it only had some small scrapes and scuffs on it and that didn’t concern me at all because the board is like 30 years old so I expected it to have some scratches. But what did concern me was with the noise in some of the sliders. For some reason over time this boards have like a “short” or something of that nature to them because when moving the sliders you will hear like a fuzz sound. Now this fuzz sound wont record if you are recording into a mixer or external gear but it can be annoying when every time you slide a slider you hear a bunch of fuzzing sounding feedback.


UTILIZATION

The Yamaha SK 20 couldn’t be easier to use, there are no navigation and everything is right on the main face of the board. That is one of the best things about vintage gear, they really didn’t make it to hard to use.


SOUNDS

The sounds are great, very vintage and warm. It was exactly what I was looking for , im glad that I got to purchase one of these.


OVERALL OPINION

They are online now and they are very affordable. Just try to find one in the best possible condition and hope you don’t get the fuzz sounding sliders. But if you do get one with that problem its not that big of a deal. The sound only happens when you slide, not when you play the notes. So if you can get past that you will be ok.

I purchased this keyboard at Coyal Music in Columbus,Ohio "way back" in 1980-81. At that time I needed a portable organ, and the market was small for organs by the very early 80's. I think it was around $1200 new,and I got it for around $950.

What I like about it now, and what I LIKED ABOUT IT THEN ARE TWO DIFFERENT THINGS. Back then, I liked the slide switches that worked like foot bars on a Hammond Organ. It also had a pronged Leslie jack on the unit for use with an external Leslie Cabinet,{NOT included} At the time it seemed lightweight at around 30lbs. I liked the Keyboard, the actual keys seemed much sturdier than plastic keys on current Yamaha equiptment. It had a tremelo fast and slow button,as well as ensembe {a leslie simulation.} The slow and fast tremelo "reved",and sounded okay, and still sound different compared to todays sound. It also had seperate organ and polysynth outputs as well as a mixed output. Sustain and volume pedal inputs. 61 Key. A MANUAL POLY SYNTH SECTION AS WELL WITH SLIDERS.

The horns and strings where really bad, but then again, this is 1980 equiptment. It only had 3 preset organs, and one manual organ. 2 strings, 3 horns, and a manual Polysynthisizer section. Still, it seemed like alot more back then!

The construction is rock solid. The sides and front edge where "Rosewood", and the top was black paintet metal with gold graphics. The plastic keys where much heavier than the keys on CURRENT Yamaha KEYBOARDS. This keyboard by the way is all ANALOG...NOT DIGITAL!
Output volume seems much higher than current stuff,and there are no built in speakers.

The bottom line is this keyboard is obsoleate. Its built very,very well, but has hardly any sounds compared to todays stuff. It was hard to find portable organs at that time,as organ was not being used much like it was in the 60's and early 70's. Yet,at the same time, Farfisa and Vox organs where becoming hard to find. I keep this relic for sentimental reasons, and it looks great with the other keyboards. Besides, for what its worth, which is not much today,Id rather just keep it for collectability. It still works great, a little crackle in a few sliders, but hey, its 22 years old! I'll rate it by 1980 standards, and how much it cost. Remember, digital was not around yet, and MIDI was still a year or two away if I RECALL.

This review was originally published on http://www.musicgearreview.com

Analog synth from the early 80s (late 70) 5 Octaves
3 major types of sound (Organ, String, Poly-synth)
Complete connectivity: Headphone, pedal sustain, possible connection of two volume pedals
(1 dedicated to the "string" and the other dedicated to the mixing of three sounds)
An output amplifier for the sound "poly-synth"
An output amplifier for the sound "Organ"
An output amplifier for the sound mix 3
1 amp output for connection to 11-pin Leslie
No connection possible by noon or USB, is pure vintage analog
1 knob overall volume coupled to a switch to disable the amplifier output to the headset to work without having to disconnect
Part "Organ", and "string"
3 types of preset sounds available with 3 buttons (organ)
A button to manually edit its activating drawbars Harome (organ)
Two types of preset sounds available with 2 buttons (string)
1 knob on the left of the keyboard can change the volume
To effect a pitch up or down slightly tone notes
A vibrato effect with volume settings, delay, speed.
7 harmonic drawbars (organ only)
1 knob sustain adjustment (can be disabled)
knob a feast of decay (can be disabled)
A chorus type effect button (not configurable)
A Leslie type effect button
1 button speed of the effect very realistic since the acceleration and deceleration of the drums is well marked. we believe it.

Possibility of splitting the keyboard into two (string on one side and the other organ)

Party "Poly-Synth"
3 types of preset sounds available with 3 buttons
1 button manual editing of the activating effects of zippers to change the sounds using filters and oscillators

An almost infinite combination of sounds because you can mix the three types of sounds thanks to the volume pots on the left of the keyboard

UTILIZATION

There is no easier
Has made to the "Poly Synth" or it is a long hack to get good sound
I did not have the manual with the keyboard (Occaz) but I downloaded from the net in English
But it is not really necessary

SOUNDS

The sound is of the Hammond Organ
The effect Leslie makes it easy to get close to a sound type Deep Purple or Pink Floyd
There is unfortunately not the saturation of the sound that would have the same sound on Space Truckin 'Smoke on the water or
There is no velocity, the keys are simple and are as a synth (not heavy)
String sound allows a sound similar to Genesis (Turn It On Again, home by the see)
I do not like the sound Poly Synth, because I have not really found its usefulness
The settings are not necessarily easy to master this part of the synth
Its weakness is that he is for his play ground
It is not famous solo
I had the opportunity to play in a group with this keyboard and it is imperative to get the sound of the amp or keyboard to play solo
In addition Leslie effect significantly increases the sound of keyboard
https://www.dailymotion.com/manurichez
/ \ The keyboard on the video is not the SK20

OVERALL OPINION

I was looking for a Hammond-style keyboard or Rhodes
I bought this synth on a whim via an ad on the net and 350 Euros
The salesman was friendly and knew how to sell his product ...
I love the vintage Hammond and his side (wooden frame, over scrap metal)
Weight of 15 kg is quite impressive to see annoying but at least it's solid.

Everything has been said by Zoupioupiou ...
No MIDI, it did not exist!

UTILIZATION

Handling very instinctive a fader or knob = one function. no sub menus, one is in full vintage. A system presets exist, but it is not possible to save its own settings: the top button activates the settings users on the hull of the synth.

Editing sounds is both easy and complex at once: in fact, you really become familiar with him to make the most noise. The system of layering effect allows great opportunities.

SOUNDS

The sounds are simply amazing. They have this presence analog own this beauty that makes the magic of period instruments. Regarding the organ, the organ that goes screaming to the beautiful tablecloths and fresh air with a grain unique to this instrument. The other sections are rather confusing: the presence harmonic accompaniments such as playing "full" is sometimes problematic. A play with minimalism therefore exceptional for many low fat sawtooth (but not Benassi, of course) or leads very rich.
It is a synth that has its own universe, which deserves its composition is adapted for him. It's the sound you can hear on "Vaka" group Sigur Ros (they have 3!) - Not included Leslie -.
The term is not bad, I was not seduced by the touch, but I think I just struggled with the light touches (probably used the piano). The system looks decay deserves to play with feeling, not obvious at first.

OVERALL OPINION

I use it for two years now, bought in Switzerland as difficult to find in France (although accessible financially)
This is my first analog synth and a lot of thought before I fall for this one.
Used in a group, will perform miracles by training, now it's hard to mix with my rock band and I hesitate to buy a Nord Electro to have a more complete arsenal of sounds.
BUT it is still a huge synth grain, personality indisputable. So unique, and find out if you're lucky ...

If I had enough money, I'll keep it without hesitation.
And his old side object vintage wood / metal is really nice, it looks great on stage the guy ...