All user reviews for the Fender Rumble 100 Combo 1x15

That says it all, or almost, I prciserais just two things for those seeking an amp:
<ul> - The legalization 4 trs band is effective (+ / - 15 db), the four buttons act respectively on strips of 50 centers Htz, 330 Htz, 1.6 and 8 kHtz kHtz (a c is for the slap!).
- Reading the manual is useful when, to know what are the little white push buttons.
</ul>

Apart from a the cattle exudes solidity ... weight-price is excellent!

UTILIZATION

The manual is more than enough, we find immediately the sounds you need if you know what you're looking for. Otherwise, we explore a bit and found.
The equalizer is effective trs.

SOUNDS

I think we can do everything with little prs this amp, its a nice round sound jazzy edge.
I use an Ibanez with entry-level (she loves) and an acoustic electric Italia (maranell Z), up mesh dish: um, it's good ... it is round, it's almost like a bass, the treble.

The HP 15 "provides the right amount of prsence, even if it's probably not the best 15" of the market.

OVERALL OPINION

I bought this amp OCCAZ of eBay, without having tried it (I had tried others in this price range, or more expensive), trusting the opinions of AF: thank you the friends, I'm not!

Nine, the report price is good quality, especially if you need a little power.
On OCCAZ (I touch 150) is given. Friends bass, go for it!

Ngatif single point: the dressing is toupee is not that great in my living room, and Lumire red out of the wind below the HP is a bit too much! Ending for a little customization, can be!

It's a transistor amp, 100Watts, bowl of '15 ...
Basic, solid, that's good!

UTILIZATION

If you want to do simple ca be hard ... trs The knobs are good bills.
Other users say this amp is extremely transportation using the grip, it's true! I apparently bought the latest version, which she .... possde wheels removable, happiness! No more back pain. (I put 10 for castors

SOUNDS

In terms of sound reproduction is flawless, one branch, we play, and go!
I use it with olp mm2 and a DOD distortion, the slap is very well refund treble, bass mdium is good!

OVERALL OPINION

I use it for about a week, and for the moment nothing wrong, it's basic, solid, short the amp when you have no desire to make a fortune in HARTKE AMPEG or premium. I bought it on Thomman.com (299) report quality unbeatable price, recommended!

Here is the manuelhttp: / / www.fender.com/support/manuals/pdfs/manuals_elec/basspdf/Rumble_100_061558b.pdf

UTILIZATION

Configuration simple yes, but its not as terrible terrible colorful and not objectively "beautiful".

Even playing EQ, difficult to get good sound.

SOUNDS

The rock is not bad, but the sound is still pretty dull ... the 15 balance quite serious but is too imprecise.

About the Jazz is just right.

Let's say for a little momentum, he must go in, but certainly not too much as the past 6 / 10 the volume starts to drool ...

OVERALL OPINION

The price / quality ratio is quite adequate, especially those combos seem to be relatively strong!

It is not the perfect amp, but certainly a good choice for beginners

Like Ju-bass, I prcise that this notice is made according to the price of the machine!

All t is, therefore, the transistor is 100w (with a max of 150W, ca fast saturation)
There are plenty of connections, an adjustable jack between passive / active, an XLR input for the studio (too bad it is weak and full of breath _), making a CD, etc..
4-band equalizer although effective, large palette of sound. The mid scoop button is nice, he digs the mdiums and nice, not necessarily for the slap ^ ^

UTILIZATION

Setup could not be more simple, the sound is easy without being too sculptable typ.

The manual is clear but relatively short, if you are flying the amp it will not make you too default.

Ah, for the opinion o the guy says he is short Repeat ', we need a drummer achte a pair of chopsticks rather than a pneumatic drill: I have a lot to rpt even with drummers who send the sauce and two scratch, and I never had to push the del 6-7 (large max). He also served a little rev to amplify a synth sound good also.

SOUNDS

I play mostly rock / metal but I do a lot of jams so I do not limit a single sound, and still provides.

I play on a low entry-LTD B-50 with the pre amp Hartke Bass Attack, and for the price of all get really good sounds trs, which are apparent between the guitars.

Well, live on the amp was not a great slap sound, it is rather low load, but with my pedals I emphasize the treble and it's really nice.

OVERALL OPINION

It's going to be 7-8 months, I bought it used but like new silent ^ ^

His big problem is the size: one fist on top, it would not cost much more to do on cots _br />
I like its versatility, excellent for its price range is an excellent qualitprix, I advise all who would buy the old Behringer Ultrabass: ok for the price you have a at least 300w, but it has nothing to do ^ ^

I would do this choice, especially considering the price (250 Used, but really not a pet)

EDIT A few years later I sold it to switch to a head and an SVT 3 PRO 4x10 EDEN, good Obviously I felt the difference, but before they can offer me on this stuff Rumble followed me on a lot of concerts and rpeter, and I pay tribute violins * *. No seriousness, he saw two pramps pass (bass Harkte Attack Amp Bass Driver and Without), two low (LTD B-50 and Fender Jaguar, change) and he is always out, I had not the killer but I always had what I wanted little prs. With hindsight, may be that I'd better come out with a 4x10 (the kind that Ashdown in the same price range is not bad either) but at least I had with it a good reserve of low and I carved my Agues with pramps, it works well.

I sold a 150 beginners who should be happy, I am sr. And shit, the little carpet and not below it .. What mythical!

An entry for a button with the lower passive / active, another mid scoop, and the volume button of course. 4-band equalizer (efficace!). A CD input (or the drum machine etc.). XLR line out. Headphone output. And a red neon that gives one side to the amp tuning ^ ^

UTILIZATION

Using very easy, casiment not need the manual.

SOUNDS

Despite my low entry level (but really coming ...) with a good setting this amp provides.
I do not play many other amp but this one suits me fine. He spent niquel in repeats, and at home it is perfect to annoy the neighbors and shake the house

OVERALL OPINION

It's been 7 months that I have, and it suits me perfectly.
Thanks to the castors the weight of the amp (27.2kg actually) is not really a problem for me.
Good quality / price ratio, I do not regret my choice at all.

Everything is in the opinion prcis previous ones!

UTILIZATION

The use of faade is simple, concise manual is not necessary but clear ... In terms of sound, silence for an amp of this range, the tweeter makes a real plus for the clarity of sound.

SOUNDS

I purchased this amp for rpter and in public. I play an Ibanez BTB 6 string and a fret dfrette a Takammine B 10 and a G & L Tribute L 2000. With a little practice, I can get a convincing sound for each instrument, round and clear to the fret 6 string (used primarily in the agreements), hot and a little fat for the fretless, emissions in mdiums for G & L, and RAS for the Takamine that sounds alone! No effects or equalizer, just a volume pedals. The band plays rock compositions fairly even a bit hard. This amp is not unusual but can give a lot.

OVERALL OPINION

I use this amp for 6 months. I purchased second-hand 280. For "amliorer" the beast (it is heavy the thing), I pos latrales of grips, and the post-fuse out of the box. Report qualitprix trs good. A must try!

How long have you use it?

I bought this bass amp (I do not know why it is found in the CATEGORY "2 channel amp sound") there are about 6 months.
The RUMBLE possde channel 100, with between one master volume, legalization is composed of two bands of medium, then the traditional low and Aiges.
Cot connectivity, an effects loop, line input / CD, and a headphone output with volume indpendant DI.
An on / off button and a well-sr last switch on the back to enable / disable the red light whose intensity varies depending on the compressor Intgr.
Casters are provided, the assembly is optional but useful for 27 kilos of beast.

Cot's is well rounded as it should, I compared it with a Hughes & Kettner, that is my prfr. The HP does not tremble, for he can do against the walls vibrate. the compressor does its own motion, the red light is for fun but it's funny. I play with a Squier Jazz bass up in Seymour Duncan pickups, the sound is not bad at all, certainly not very typical but still a good basis to work on the upstream. the two bands of medium are useful for changing the character of the sound and the legalization works. The mid scoop switch also brings a new palette of sounds, another grain, and the two bands remain effective medium. The rest of the equipment works well, this amp exudes quality and know you will keep several years.

What is missing is this amp can be an input / output HP (I'll add can be guaranteed once the ends) and for quibbling on the cot of grips for easy transport. A simulation lamp or adjustable gain and a presence complteraient the range.

I would do without this choice hsiter report quality price dj earlier by the music press which prints around 420, I pay 260 in Germany, for a sum drisoire the quality offered.

UTILIZATION

N / A

SOUNDS

N / A

OVERALL OPINION

N / A

Transistor amplifier 100 watts, blah, everything has been said in prior reviews.
Personally I have never wanted for anything with. Must say that I used for cafe-concerts and rehearsals. I plugged my bass and shoo.
So I would say that for my use, I missed nothing, except maybe to a greater equalization / effective, so nine points.

UTILIZATION

The configuration is bone simple: four knobs settings (low, medium, low, medium, high, high), and the presence of a small button that served me a lot, the "mid scoop" (I think c is that), which boosts the bass makes the sound more round. It works well with Jazzbass and those who like to have a big sound that bounces. We must also say that it tends to make the sound, which is initially quite runny, even more spread out, less defined.

Easily obtained the "sound" of the amp when connecting the instrument.

Regarding the manual, I did not even know there was one so here goes ..

SOUNDS

What comes out of this amp is the big bass soft. Then we can love or not love, it is appropriate for certain styles (reggae?) And not others (punk?), But do not have to fart acute with this amp, because even through the knob of this frequency to the bottom, we get more of a boost of high frequencies, with a breath and a sound that assaults the ear somewhat (at least, was the case with my Stingray), not to mention very unpleasant noise when rubbed his fingers against the new ropes.

Adjustment depending. When connecting it's true we get immediately the "sound" of the amp, no need for that feature set (yes I'm repeating myself but in fact I had not seen that part y'avait " sounds ": oD). on the other hand, for those who want something special, it will seek and spend time on it until you reach the limits of the beast. For indeed, I do not think the machine is extremely versatile: It quickly reaches its limits, and the sound is limited to those big bass and lower midrange (or so there was that I liked it).

I played with three different low above:
_ I started with my first, a Peavey Grindbass. Good quality / price ratio too, and it is a low beginner. Let's say that in itself it is not defined, the level of precision, then by connecting the Fender Rumble, sound tends to spread.
_ I also have a 5 string Yamaha BB-605, which sends the big sound. It is active low and in fact quite large. The transcribed combo not too bad if the rope, and low frequencies were quite huge and filled the space.
_ And finally the Stingray. Personally, I never managed to find the particular grain of MusicMan, and then nag like crazy on the strings.

My group is made of power pop, so I can say that playing in the bass, it sent not too bad. The problem was, among other things the game later in the race towards the treble, where I had a little trouble in breaking through the mix (two guitars, vocals, drums).

To sum it sends an amp that big bass that are missing a few potatoes, and many do not attack the root ball. As against them are diffuse.

This is a good combo to start with a good quality / price ratio. But after a while, according to your changes in the instrument and your style, you'll want to change.

OVERALL OPINION

I use it for about 2 / 3 years. In fact I started on a Peavey Microbass (story out of her) and I immediately bought the Fender after 1 or 2 months of low, in order to group play, and I can say that this combo I was very satisfied for what I was doing. on the other hand, of course, I was paying the amplifier suitable for large scenes.

The characteristic I like most is the small "mid scoop". It makes a nice sound. : O)

The price / quality ratio is of course very good for beginners, if you find it on occasion even better, you can go for if you are new.

As I said, I changed my sound system so I could do would do 'this choice for the simple reason that my sound would have suited me,' and with the experience I gained I needed something different, something more respectful of my desires.
on the other hand, if I were to lose all my abilities, make me steal my stuff, really beginning to fall, and have a budget, I would do the same choice may be, but then after trying other combos that would be able to satisfy me more.

On the subject I think that all adjacent t say this combo ...

UTILIZATION

The configuration is very simple, it is accompanied by instructions trs clear and french but it is true that it is not really useful.
regarding the sound I would call right without, in fact I can not say if the problem comes from the cabinet a little soft, but the sound it reproduces lacks a bit of clarity and dynamics, its still a bit dull my taste.

SOUNDS

The rumble is a pretty good combo for rock, reggea, blues.
the sound as I said above dja still a little dull / dull with a lack of DEFINITIONS and clarity in the notes, I had added a small prampli "Aguilar DB629" which enabled me to significantly amliorer sound.

OVERALL OPINION

I possd the Rumble 100 for a little over a year I sold it for an Ampeg B100R.
I have the most apprci simplicity is its robustness, the wheels that the team who can save his back against the carpet by covering it well and catching the dust re less, and then the red Lumire following the rhythm of the music (fawn K 2000) is a little cheap.
in terms of price quality ratio, I must admit it is very well placed at 288 Thomann.de (who can say better) trs a good amp for beginners in a group.

All adj t said ...
I will remember: trs trs connections simple, good power, SETTING THE equalizer effective (4 buttons)
On mine, no wheels, but better buy the version that exists!

UTILIZATION

Trs easy to use. So its easy to get (but plutt suited to the serious). Manuel clear but ultimately useless ...

SOUNDS

To be a pop rock.
Precision Bass used, so the bass has good sound going.

Big bass sound no problem, the rest is there even when the tweeter to the dtail but n'esprez not have a slamming his trs.

OVERALL OPINION

I use it for 2 years. It's tough to home strong. It is not too ugly. People are fascinated by the diodes in the red ragissent ... they take much!

Warning it is heavy on the stairs hurt. It's not a combo trs nomad.

I have not tried many other amps, but in its class, it is a good quality price (it is cheaper than a Hartke for example).

To play alone or with a guitar is perfect. But I have not tried with a group. So for this kind of use, so I would do what I want. To go further in the non-sound.

100W bass amplifier transistor made in Indonesia with all the connections it takes (almost). Then everything has been said.

UTILIZATION

Operation is very simple: you plug it lighter, and in two seconds it's ready (better qu'Uncles Bens say then!).
on the other hand except the equalizer, the sound is not very adjustable. It is against the deal of the simplicity!

SOUNDS

I play it for any style of music, and right now I used the same guitar amp. It is super versatile, you can even use it to plug in MP3 players. The sound is very accurate, not distorted, except that the bass is a bit stronger than the rest (this gives the big sound that vibrates the walls what ...). It is true, the blow is cold. To give warmth to the sound of my bass, I play on nickel knobs and it works!
it's 100W, it is more than enough to play in groups even when the drummer taps very strong and it's a good return on stage.

OVERALL OPINION

I have for over a year and I did not intend to part with it. I got it secondhand on e-bay and it served me tremendously. What those not round, it's a great amp. After, for sure, when I go in I have to sound light, but in the meantime it's still a bike with good value for money.

The power is 100 watts but it seems that the amp gives off much more. See 3 kilo. So I do not know where does the 100 Watt manufacturer.

UTILIZATION

Very simple configuration.

SOUNDS

It is very suitable for performances. Seeing still more it begins to be small.

OVERALL OPINION

Having made my first steps with a very small amp "Peavy" which was stifled by the battery. The day I bought the Rumble 100W, I was in heaven. I have since 2005 or 2006 and still the same potato. Great sound. Now I have two in stereo for the effects and they send the steck. The only drawback is the weight. When they must be moved every night. We must set wheels or you'll break your back on the force raised.
Anecdote:

I wanted to test the power of a single amp on its techno 3 kilo. (You tell me: "What massacre"). Well for 100 Watt amp I heard more and better quality than the wall of his 3-kilo.

In short, to play indoors or outdoors I recommend it for its low price and good quality. When you are in such a hall, we can all connected to it. Bass, guitar, drums, synth, computer, etc. .... .

What type of amplification (lamp, transistor ,...)?

- Transistor 100w 4 Ohms
- All buttons in front

For the rest, see the reviews on the Fender Rumble 100/210

UTILIZATION

The setup is simple?

- Child's play!

The manual is clear and sufficient? ...

- Uh ......... , There is only one page to present the Panel, therefore, useless!

Do you get a good sound easy?

- But carrement !!!!!!!

SOUNDS

In short, I play rock / metal, with a Fender Standard JazzBass us, the sound is not bad at all this amp is even facing a double Corps Marshall and a drummer who hits hard, and without has put it back!

usual, again, I have a Hartke 2500, on AMPEG Cab for having done the test, the lil Fender did not blush!

a friend also try the amp, playing funk and jazz, the sound is huge, very clean!



OVERALL OPINION

I use it for 2 days! lol

I've tried a lot of amps, but only that I liked really cost an arm, an eye and Burne, and I do not necessarily have the means!

What I like most:

- Rendering of Sound
- Its Simplicity

Minimum:

- Her Weight
- The provision of the handle, badly thought through Fender, the handle is the same type as those that are found on small amps, ie, in a central position on top!
two handle lattéraux position would have been better!

Value for money: I will not hide it, for barely a hundred euros, I made a good case, although the carpet was damaged by the cat's former owner!

So the OCCAZ to 200 €, well I think he is!

Amp transistors 100W (?) Under 4ohms - HP15 "
Only regret: an outlet for her HP supplménetaire add a 2x10 ".

UTILIZATION

Config super simple, but effective.
No need to book.
The sonic palette may be varied, and it also depends mainly of the instrument and its electronics! The amp is not everything.

SOUNDS

It feels not too many differences once past the 3 / 4 volume, except playing with the Mid-Low and Mid-high.
It holds the road well into rehearsal in front of a drummer some "aggressive"
on the other hand, for having tested recently in concert, in an area of + /-200m ², there is very limited.


OVERALL OPINION

I use it for 1 year and I am fully satisfied.
Before I tried the Behringer (pfff !!!), GK
Despite its limitations, it provides good and still more, its settings are super simple. Single "flat": its weight (+ /-27kg) and a carrying handle not very nice.
As stated above, I regret the absence of an outlet for extra HP, which would compensate for the lack of power situations.
I maintain an overall score of 8, because for the price, it is strong (me too now lol), reliable and above all effective. Good start

(Originally written by chevaliernoir/translated from Audiofanzine FR)
100-watt solid-state with 15" speaker

Comprehensive connections (XLR, FX loop, etc.)

It's a Fender made in China.

The red light looks ridiculous and its brightness changes with the output power. Luckily, you can turn it off with a switch on the rear panel.

UTILIZATION

Very easy setup with a super-effective 4-band EQ.

The output power is enough for rehearsals with a band near a drum kit.

But the amp is not very easy to transport:

It's very heavy and it only has one handle on the top.

The casters are convenient to move it around in the room.

SOUNDS

The frequency response lacks high mids.

It's sort of having a woofer without attack, and a tweeter.

Yuk!

OVERALL OPINION

When I bought it, I was living in a country (Romania) where there were not a lot of choices so I bought the best amp I found.

After a while, a dry solder joint produced noise when the amp was hot and when I played at high output levels. It was still under warranty so I got a new one. Based on my experience if I had to buy a Chinese amp again I would choose a cheaper one!

If I could choose again I would buy another product. Perhaps the frequency response of the Rumble 100 with 2 x 10" speakers has more high mids?

The only good thing about this combo is the Fender logo on the front.