T says it all, except a small particularity that matters to me is a pramp mono, but there is an analog to pass a signal on the S / PDIF. This means that it can (if you have a strip or a small pramp available, even a large) to add two entries a sound card (presonus firebox in one for me) .

For the rest see the reviews previous ones.

UTILIZATION

- Low stingray 4 + Sansamp Bass driver + Q + Six fender BXR 300 (in amps) = IDAL's!
- Start Plus Deluxe Six + Q = + Fender Blues Junior is at once the funk bluesy fender!
Otherwise, use with microphones to capture a little of everything, but the I have to take a little time ...

- Perfect on an AKG D112 bass drum in the
- Well with the static view with excellent micro surgical

SOUND QUALITY

Trs prampli good, you get everything you want with this band comp and eq. I totally agree with the adjacent t said. I even associated with my SansAmp bass driver to attack the floor of my Fender BXR amplification 300C (for bass). It is standard (AMPEG, even not afraid!)
This is an excellent prampli of home studio, but also a tool for a musician, a good guitar for bass gnial, trs good for my Rhodes.

OVERALL OPINION

I recently, unwanted, but I had great advice ings who are working with the Twin Q, I was looking over an opto-compressor to diversify my treatments (comp lamps TL Audio C1, comp plug Logic).
I love everything on it, he ridicules pramplis fashion, those with a lamp that shines to paste the trend of marketing stuff (blue tube, ART DPS, Berhinger, Korg TP-2, TL fatfunker audio, etc. ...)

To get better you need to type in the classic series from TL Audio valve, or Avalon (but less flattering to the HS) Manley.
I find the report quality excellent price!

It revived my BPM CR 73 II is a high quality microphone, but that the default of being a bit analytical and sometimes, on cold pramps too neutral.

Following several months of notice APRS use

Well, I'll try a little balance in several months APRS situation DIFFERENT types of projects. I'll qualify my first opinion:

- The compressor is still interesting for me, I love his radical ct hot when pushed
- The EQ is what I use the least, it is useful for the instrument between Rhodes and bass, but I prfre microphone jack does not touch (I prf re the subtle from that of 5051 of TLAudio)
- THE PREAMP! that's what I do not like looking back on this machine, it is transparent, but it's a real weakling! I have 4 times the gain on the classic valve C1 TLAudio! The pramplis the firebox are also suprieurs.
- Finally I use in the C1 complment when I need more than two inputs or to treat or rhodes guitars before attacking an amp
- The A / N is it perfect, with the compressor and justifies the purchase of this beautiful machine.