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rilesPublished on 05/31/07 at 15:38 (This content has been automatically translated from French)
It is a passive DI transformer.
Input jack separate instrument (0 dBu max), line (max 20 dBu) and HP (max 40 dBu).
Balanced output on XLR.
Outputs and link to instrument HP.
Ground lift on the XLR output.
UTILIZATION
Depending on the source using the appropriate input jack.
Nothing more complicated ...
If it's buzz, it starts the ground lift and if it is still buzz ... but usually it does more buzz.
SOUND QUALITY
The source must have enough level. Indeed, the DI is passive, it attenuates the signal.
The sound is very round, with highs slightly down. Correct impulse response.
I love the DI on synths and digital pianos cold or aggressive: it softens and gives them...…
Input jack separate instrument (0 dBu max), line (max 20 dBu) and HP (max 40 dBu).
Balanced output on XLR.
Outputs and link to instrument HP.
Ground lift on the XLR output.
UTILIZATION
Depending on the source using the appropriate input jack.
Nothing more complicated ...
If it's buzz, it starts the ground lift and if it is still buzz ... but usually it does more buzz.
SOUND QUALITY
The source must have enough level. Indeed, the DI is passive, it attenuates the signal.
The sound is very round, with highs slightly down. Correct impulse response.
I love the DI on synths and digital pianos cold or aggressive: it softens and gives them...…
Read more
It is a passive DI transformer.
Input jack separate instrument (0 dBu max), line (max 20 dBu) and HP (max 40 dBu).
Balanced output on XLR.
Outputs and link to instrument HP.
Ground lift on the XLR output.
UTILIZATION
Depending on the source using the appropriate input jack.
Nothing more complicated ...
If it's buzz, it starts the ground lift and if it is still buzz ... but usually it does more buzz.
SOUND QUALITY
The source must have enough level. Indeed, the DI is passive, it attenuates the signal.
The sound is very round, with highs slightly down. Correct impulse response.
I love the DI on synths and digital pianos cold or aggressive: it softens and gives them a hand "vintage". However this color is not always welcome.
OVERALL OPINION
It is a venerable DI which is to have 20 years of age. It has a color typical of her own, which is not suitable for all sources or any ears, but that should be present in the range of a sound engineer.
The DIs, such as microphones, are our first resort to give character to our recording. Unlike many fellow technicians, I do not like common DIs interconnection boxes.
Input jack separate instrument (0 dBu max), line (max 20 dBu) and HP (max 40 dBu).
Balanced output on XLR.
Outputs and link to instrument HP.
Ground lift on the XLR output.
UTILIZATION
Depending on the source using the appropriate input jack.
Nothing more complicated ...
If it's buzz, it starts the ground lift and if it is still buzz ... but usually it does more buzz.
SOUND QUALITY
The source must have enough level. Indeed, the DI is passive, it attenuates the signal.
The sound is very round, with highs slightly down. Correct impulse response.
I love the DI on synths and digital pianos cold or aggressive: it softens and gives them a hand "vintage". However this color is not always welcome.
OVERALL OPINION
It is a venerable DI which is to have 20 years of age. It has a color typical of her own, which is not suitable for all sources or any ears, but that should be present in the range of a sound engineer.
The DIs, such as microphones, are our first resort to give character to our recording. Unlike many fellow technicians, I do not like common DIs interconnection boxes.
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Tech. sheet
- Manufacturer: EMO Systems
- Model: E520 Single channel passive DI box
- Category: DIs
- Added in our database on: 09/15/2005
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Other names: e520 single channel passive di box, e520singlechannelpassivedibox, e 520 single channel passive di box, e520 singlechannelpassivedibox, e520 single channel passivedi box, e520single channel passive di box