That says it all
I find this absolutely perfect table
12 inputs + 2 stereo inputs canon in jack for keyboards

True parametric eq 4 increments
Two effects in increments
a comp or limiter or gate, for every
I challenge you to beat for the price
if you use all the tracks, you would have the same work
14 to 4 analog parametric eq, etc ...
is high tech, and good stuff like yamaha has always used to seeing and using

This table is made for good live rock bands or other

I hear and I read Anneres quality converters
all those who say this should simply be a sound starting shit
sorry, but even the best of the consoles can not do miracles for the Deaf

For my part I have made many albums with this table
but its use is primarily for live

UTILIZATION

The config is childish
his mixes are stored in different places or you play
and when you return, just recall your memory of that mix may contain a hundred
functions are too childish with motorized faders

Finally, I find this simply fascinating table

reserved, however, to live
ears with good result is guaranteed

for the studio, it is better to invest a little more in a very good analog and throughout the range of eq, effects and compressors, but it's more the same budget

SOUNDS

The converters are very useful for live, in pubs, concerts and other
of course I believe that their dynamics is limited to 102 db, so do not expect to have a big potato, but it will still superior to any table analogue same price
the effects are good, very effective, I couple the reverb on the delay to u2 on the voice, and it looks like bono

not nothing to say, to purchase for absolutely live! too good, too easy, too efficient
really the best of the best

OVERALL OPINION

I use it for 6 years
my first was stolen and I bought another so it makes my life easier
I play gigs in pubs group for 15 years, I know the scene, and can say that this table has revolutionized the way I work
I love everything on this table

unbeatable value for money,
I will redeem this table until I die if I play again