miriava « Worthy successor »
Published on 11/02/13 at 21:13Hypercardioid dynamic microphone premium BEYERDYNAMIC TG V70D
- Type of transducers: Dynamic
- Working Principle: Pressure gradient
- Pattern: Hypercardioid
- Bandwidth close: 25 to 18,000 Hz
- In distance (1 m): 90 to 16,000 Hz
- Attenuation at 110 ° (1 kHz):> 25 dB
- Efficiency in free field: 3.2 mV / Pa (-50 dBV) ± 2.5 dB
- Magnetic Suppression:> 20 dB at 50 Hz
- Impedance: 280 Ohms
- Load impedance min. : 1 ohms
- Connector: 3-pin XLR male
- Weight (without cable): 345 g
Although the manufacturer defines as replacing beyerdynamic TGX60 and TGX61,
I'd rather replace the famous TGX80 and TGX81
OVERALL OPINION
I use it for a year. I already used the TGX 80 which was already impressive.
I use other microphones, Shure and Sennheiser to name a few, but it is micro-particularly its sensitivity and efficiency for rejection of feedback. The mixers, it requires less gain and volume than other mics, it is impressive
It gives a certain punch and presence to the voice that bluffing me every time. It is very high in the low which may annoy some singers, but for me it suits me.
Rather comfortable in the Pop Rock it will test other musical field to check whether.
The difference I note with older versions (TGX80 and 81) it is necessary to "tame" because he asked to sing very close or even stuck to the grid.
This is a microphone that weighs quite heavy so be sure to check the tightness of micro posts.
At the price, it costs cheaper than the old version and that's good!
As I have chosen it a few years ago with the TGX 80, I would do it again for the TGV Beyerdynamic 70D
Thank you to all
- Type of transducers: Dynamic
- Working Principle: Pressure gradient
- Pattern: Hypercardioid
- Bandwidth close: 25 to 18,000 Hz
- In distance (1 m): 90 to 16,000 Hz
- Attenuation at 110 ° (1 kHz):> 25 dB
- Efficiency in free field: 3.2 mV / Pa (-50 dBV) ± 2.5 dB
- Magnetic Suppression:> 20 dB at 50 Hz
- Impedance: 280 Ohms
- Load impedance min. : 1 ohms
- Connector: 3-pin XLR male
- Weight (without cable): 345 g
Although the manufacturer defines as replacing beyerdynamic TGX60 and TGX61,
I'd rather replace the famous TGX80 and TGX81
OVERALL OPINION
I use it for a year. I already used the TGX 80 which was already impressive.
I use other microphones, Shure and Sennheiser to name a few, but it is micro-particularly its sensitivity and efficiency for rejection of feedback. The mixers, it requires less gain and volume than other mics, it is impressive
It gives a certain punch and presence to the voice that bluffing me every time. It is very high in the low which may annoy some singers, but for me it suits me.
Rather comfortable in the Pop Rock it will test other musical field to check whether.
The difference I note with older versions (TGX80 and 81) it is necessary to "tame" because he asked to sing very close or even stuck to the grid.
This is a microphone that weighs quite heavy so be sure to check the tightness of micro posts.
At the price, it costs cheaper than the old version and that's good!
As I have chosen it a few years ago with the TGX 80, I would do it again for the TGV Beyerdynamic 70D
Thank you to all