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Gim from BullshitFine ... but!
Published on 12/04/14 at 00:48 (This content has been automatically translated from French)NOTICE GLOBAL
Hi!
I used this microphone for singing (pop / rock, as almost everyone!) For 6 months.
In the room, we had old sm 57 and 48, having already made several wars!
So I wanted my microphone to me, and when you start, the price is a main argument.
At first glance, that happiness!
The TT1 a potato hell, much more than those mentioned above, rendering hot and manly.
After some time, I realized that the feedback was difficult to manage (though some say!), And it is sensitive to plosives. In other words, if you yell a "Pooh", it makes a "plop" quite difficult to master.
Finally, my bass player lent me his beta 58 (yes ... 4X more expensive...…
NOTICE GLOBAL
Hi!
I used this microphone for singing (pop / rock, as almost everyone!) For 6 months.
In the room, we had old sm 57 and 48, having already made several wars!
So I wanted my microphone to me, and when you start, the price is a main argument.
At first glance, that happiness!
The TT1 a potato hell, much more than those mentioned above, rendering hot and manly.
After some time, I realized that the feedback was difficult to manage (though some say!), And it is sensitive to plosives. In other words, if you yell a "Pooh", it makes a "plop" quite difficult to master.
Finally, my bass player lent me his beta 58 (yes ... 4X more expensive ... unless occase!), And there you can clearly hear a clearer sound, but also richer in all frequencies, much less sensitive to Plops (or insensitive), and easier to manage level feedback.
So it is a shure beta that I use now, but so far, I still keep my TT1 "just in case", and I know that this too shall pass ... by being thinner!
In summary:
+++ Barrel price, huge fishing, excellent construction at this price, so the ratio Q / P unbeatable!
--- If you want finesse and respect grain of voice vote on something other than the big heavy, and do not frighten the needles on which PParoles PPètent ... be careful
jimiluExcellent alternative
Published on 11/09/12 at 01:45 (This content has been automatically translated from French)OVERALL OPINION
Bought to dub my amp on stage, I first eyed precisely to a e606, but I do not want to spend € 100!
Having already TT1 voice, I say why not this one. Level made it relatively neutral, it will not make a particular color, the grain HP emerge well. I used it in the studio for a recording, it does! No saturation in high volume, cash. My 2X12 front coupled with a e606 (studio) to play the mix between the two, he did not...…
OVERALL OPINION
Bought to dub my amp on stage, I first eyed precisely to a e606, but I do not want to spend € 100!
Having already TT1 voice, I say why not this one. Level made it relatively neutral, it will not make a particular color, the grain HP emerge well. I used it in the studio for a recording, it does! No saturation in high volume, cash. My 2X12 front coupled with a e606 (studio) to play the mix between the two, he did not blush at the comparison.
Unbeatable value for money, it is always in my guitar case, does not take place and can still be used.
Tech. sheet
- Manufacturer: Prodipe
- Model: TT1 Lanen Instruments
- Category: Dynamic Microphones
- Added in our database on: 12/22/2011
Instruments Dynamic Mic
The TT1 cartridge has been specially designed for recording and reproducing the sound of acoustic instruments such as stringed instruments, wood, wind, guitars and percussion, either live or in the studio.
The new, rugged TT1 Instruments mic has shown itself to be highly effective for amp micing (guitar, etc.).
“This is a well balanced mic with a high output level. It is perfect for singers who want the highest standards, as well as conference speakers, presenters and entertainers who want a true reproduction of their voice.
And you shouldn’t let the price influence you, nor compare it to a low quality mic! Even though the price is exceptionally low, this new mic offers an identical quality to many professional mics that I have used on the big stage.
The reason we are where we are today is because on my last visit to China I tested, compared and assessed the performance of more than a hundred cartridges alongside the engineers from the state of the art factory that we work with.
This close partnership enabled me to develop the completely new TT1 and I can absolutely guarantee its performance. Prices really don’t mean anything anymore; of the hundred cartridges that I was offered to look at, many of the more expensive were not as good or as efficient as the one I selected and prepared for you.
For the last 30 years I have always put more trust in my ears than in the price and with this new product I can once again offer you excellence at a never before seen price. And it’s with this new type of challenge that I can also see just how positive globalisation is!”
Ludovic Lanen
- Element: Dynamic
- Polar Pattern: Uni-directional
- Sensitivity: -49dBV/Pa (2.2mV/Pa)
- Frequency Response: 50-15000 Hz
- Output Impedance: 600Ω ±30% at 1kHz
The TT1 Instruments mic is supplied with its clip.
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Other names: tt1 laneninstruments, tt1laneninstruments, tt 1 lanen instruments, tt1lanen instruments